One of the biggest cosmetics brands in Japan is Kanebo. But its corporate origins were in textiles. Established in 1887 as the Tokyo Cotton Trading Company, a few years later the name was changed to the Kanegafuchi Spinning company, or Kanebo. As you can see in the above ad, printed in the Tokyo Olympics Official Souvenir book from 1964, Kanebo was primarily a major exporter of cotton, silk, wool and non-natural textiles.
The cotton and silk spinning industry, born of the age of industrialization that hit Japan in the late 19th century and early 20th century, was a huge employer of young women, most of them teenagers. As industry was transforming the state of the family, companies wanted to reassure parents that their daughters were well cared for. The textile companies would provide educational and social opportunities for their employees, as well as in sports so that they could stay physically fit.
Sport and recreation activities developed alongside key educational initiatives as a way not only of keeping young girls busy and occupied during non-working hours within factory residential compounds but also as a way of promoting the physical health of workers. The sport of volleyball was introduced by textile companies as it offered the chance to encourage team work amongst young female workers, required minimal equipment and could be played both indoors and outdoors. Over time the increased popularity and indeed strength of these female corporate teams from the large Japanese textile companies became notable, and developed into an investment beyond mere recreation.
In the 1950s, women’s volleyball had become a highly popular sport in Japan, resulting in the first national volleyball tournament in 1951. According to Macnaughtan, six teams were from Kanebo, one of the earliest adopters of volleyball in textile factories, and five from Nichibo. In 1960, Japan sent a male and female volleyball teams to the world championships held in Brazil. The women’s team took second place, which was a surprise. It happened to be a team completely from the Kaizuka factory of the Nichibo Company, the logic being that instead of trying to put a team of all stars together very quickly, they should probably send one of their best teams. This team, buoyed by the success in Brazil, was then funded to compete in Europe, where they won 24 straight matches.
At the 1964 Tokyo Olympics, the first female team competition was debuting – women’s volleyball. Nichibo’s team from Kaizuka was now considered one of the best in the world, if not the best. Ten of the twelve members of the Japanese women’s Olympic team were selected from that Nichibo team, with two coming from other corporate volleyball teams.
And on the last day of competition at the 1964 Tokyo Olympics, all of Japan exploded in joy when Japan beat the Soviet Union in three straight matches. How did the Japanese achieve this monumental victory? You just need to pull the thread that leads you back 100 years ago, at the emergence of the age of industrialization in Japan.
October 23, 1964 was a momentous day for Japan. Two of the most memorable sports events in Japanese history took place on that day, both which left irrevocable imprints on the Japanese psyche.
That afternoon, hulkingingly tall Anton Geesink of the Netherlands handily defeated Akio Kaminaga of Japan in the open weight class of the judo competition at the Budokan, thus denying Japan to win gold in all four weight classes in judo’s debut at the Tokyo Olympics.
That evening, the Japanese women’s volleyball team closed out the Soviet Union in three straight sets to win gold at the Komazawa Indoor Ball Sports Field, thus fulfilling the expectations of an entire nation.
In comparison to the “West”, the Japanese saw themselves as underdogs. After all, it was only 19 years earlier when the Allied Forces flattened Japan with its superior weaponry, and then ruled over Japan as occupiers for over 5 years. Judo was a Japanese creation, and yet a taller, stronger Westerner easily defeated Japan’s best. Was Geesink’s victory yet another symbol of Japan’s “inferiority”?
But only a few hours later, the national psychology was already undergoing a shift, as people all over the country completed their day’s work, settled down to meals, or gathered in public places to watch the finals of the women’s volleyball competition. The Japanese team had never lost since joining international competition and losing to the Soviet Union in the volleyball world championships in 1960. This very team had already defeated the Soviet Union at the 1962 world championships…in Moscow. And so, the weight of an entire country pushed heavily on the shoulders of these Japanese women, particularly after the jarring disappointment of that day’s judo finals.
Fortunately, the women of the Japanese volleyball team restored their country’s faith in themselves by easily defeating the Soviet Union in three sets. The shorter, less muscular team from Asia defeated the taller, more powerful team from the West, on the biggest sports stage in the world, on the final competitive day of the 1964 Olympics.
… the Oriental Witches were clearly linked to the economic and technological progress of the 1960s. This success replaced the more classical notions of the nation in Japan and supported a new type of nationalism. Economic achievements were vital for regaining international standing as a nation, because the GNP acted as a yardstick for national pride. The Oriental Witches embodied this new self-assurance.
Tagsold is referring in his title to a particular maneuver developed by team coach Hirobumi Daimatsu, a technique called “kaiten reshibu” (receive and rotate). Players were trained to dive for balls, using their momentum to roll as they hit the ground, like a judoka would, so that they could emerge back on their feet quickly to take on another attack. This technique was a competitive advantage as Japanese players were more willing to dive to the hard court floors and quicker to their feet than players on other teams.
Tagsold highlights this technique as a symbol of how the underdog Japanese can outperform bigger stronger foes, not only on the volleyball court, but also on the global economic stage.
(The kaiten reshibu) was a symbol for the means in which Japan had invested to regain her economic strength only two decades after suffering the worst. The invention of clever technical solutions was imperative to the country, which saw itself as small island without natural resources to offer. Daimatsu did for volleyball and Japanese sports, in general, what Morita Akio did as a leader of Sony and what Ohno Taiichi achieved at Toyota by introducing the Toyota Production System. The rolling dive recovered lost time and reduced the burden on Japanese bodies caused by their inferiority compared to Western athletes.
… the kaiten reshıbu could be read very naively as the story of post-war Japan. The Japanese fell, but they got back on their feet again quickly. It had taken the country only 19 years to be back on top, both economically and in women’s volleyball…. The women overcame all hard attacks and rolled on the ground only momentarily. But falling was part of the success in the end. Many conservatives in the 1960s began to stress the sacrifice that the country had made in the Second World War as a cause for their current prosperity. In their opinion, it seemed inevitable to stumble once in order to be in a much better position in the future.
After all, Geesink shocked the judo world by becoming the first non-Japanese to win the World Championships in 1961. More relevantly, Geesink had already defeated Kaminaga in a preliminary bout. So while the Japanese, including Crown Prince Akihito and Princess Michiko who were in the Budokan, were hoping Kaminaga would exceed expectations, all they had to do was see the two judoka stand next to each other to be concerned – the 2-meter tall, 120 kg foreign giant vs the 1.8-meter tall, 102 kg Japanese.
Even though judo purists know that skill, balance and coordination are more important to winning than size, deep down many likely felt that the bigger, stronger foreigner was going to win. After all, the bigger, stronger US soldiers and their allies had defeated the Imperial forces of Japan in the Pacific War.
That was late in the afternoon on October 23. About 13 kilometers southwest of the Nippon Budokan and the site of Kaminaga’s defeat, the Japanese women’s volleyball team was preparing for their finals at the Komazawa Indoor Stadium. They too were going up against bigger, stronger adversaries, from the USSR.
In this case, however, there was a lingering sense that their magical women of volleyball would defeat the Soviets. They had in fact already done so at the World Championships in 1962, walking into the lioness’ den in Moscow and winning the finals. So when nearly every citizen in Japan had settled in front of their televisions that Friday evening, having the choice of four channels to choose from to watch the match, they were gearing up to explode in celebration.
And yet, Geesink had just sunk Kaminaga, as well as Japan’s hopes of sweeping gold in the only sport at the Olympics native to Japan. Maybe we just aren’t big enough, or strong enough, some may have thought.
Hirobumi Daimatsu, coach of the women’s volleyball team, accepted the challenge and worked over the years to train his players to compensate for relative weaknesses in size and strength, with speed, technique and guts. And much to the relief and joy of the nation, the Japanese defeated the Soviet Union in straight sets: 15-11, 15-8 and a tantalizingly close final set, 15-13.
And on that Friday evening, the day before the final day of Japan’s two-week Olympic journey to show the world that they were a nation to be recognized and respected, a team of diminutive Japanese women took down the larger Soviet women.
Whatever lingering sting from Kaminaga’s loss remained, whatever bad feelings of boycotts by the Indonesians or the North Koreans may have left, even perhaps, whatever shame that came from “enduring the unendurable” after the nation’s defeat in the Second World War, may have washed away in that moment the ball fell to the ground for the final point of the match.
On that day, Japan was a nation re-born – young, confident, world-beaters.
The best novelists see the world more through their characters’ eyes and hearts. Japanese publisher, Kodansha, assembled a collection of essays of the 1964 Tokyo Olympics by some of Japan’s most prominent writers in the book, A Literary Writers’ Record of the Tokyo Olympics.
Their particular reflections on the triumphant women’s volleyball team are fascinating – not so much about the competitions, the strategies, the changes in momentum as a sports writer would note, but more about their impressions of the players’ appearances, and their own feelings toward the players and their accomplishment. I believe their views might be speaking to the state of mind of the rest of the Japanese population.
Calm and Collected
Novelist Tsutomu Minakami, whose works have been turned into many movies, observed an unexpected calm during the women’s team’s finals match against the mighty Soviet team.
At first, Soviets took the lead by four points. However before the game started I felt something strange, seeing the expressions of the Japanese team. There was no tension to be seen on those faces, giving no indication that they were entering a decisive battle. Before the game, the faces of (captain Masae) Kasai and her teammates were pale, with little smiles on their faces. There was no indication of tension. Coach Daimatsu was sitting on the bench looking like he was taking a short break. He sometimes raised his head, but kept still, expressionless – a swarthy look. He looked like he was interested only in the weather.
Novelist Hiroyuki Agawa, renowned for his post-war novels on Hiroshima, watched the Japanese women’s team in their penultimate match against Poland. And even though Poland was the only team to take a set from Japan, both sides, according to Agawa, understood that Japan was on a mission and that Poland was merely in their way.
At the beginning of fourth set, the ball rolled over the net without me understanding where it would fall, and when it finally fell on the Poland side, it was good that the Polish girl with the golden hair of a lioness, had the wherewithal to laugh. However, the Polish team looked exhausted. They couldn’t jump so well as they had used up all their energy in the third set, falling behind 9 to 1, then 14 to 2. The match finished with a Japanese victory – 15 to 2. Both teams shook hands, but the Poles were all smiling. For the Japanese team, there was no excitement of victory. The win appeared to be a customary outcome, quite natural to them, so they simply walked off the court.
Proud of our Feminine Warriors
1964 was the first time in the Olympics that featured female team competitions. And it just happened to be a sport where Japanese women were favorites. The entire country rallied around this powerful women’s team, amazed that this relatively shorter, less muscular collection of women could take on the Amazonian women from the West. The novelists who observed these matches likely reflected the views of the masses – not only were Japanese women to be praised for their impressive athletic accomplishment on the volleyball court, they were able to triumph while retaining the ideal characteristics of Japanese femininity – sweetness, restraint, and quiet fortitude.
Here again is Agawa, comparing the sweetness of the Japanese women versus the coarseness of the Polish women.
Members of the Poland team were wearing red pants and white shirts and Japanese were in white shirts and green shorts. The Japanese girls would shout in curt strong voices, “Come on, let’s go,” and their teammates would answer with “hai, hai!” Those sweet “hai’s” were impressive. On the Polish side, voices called out what sounded like “yassera”, “buraa!”. All these voices sounded like big birds croaking in the woods. When our girls shouted, “hai”, their little faces in the court looked very beautiful. Besides that, even though these girls were playing sports, they didn’t look like boyish – they looked very feminine.
Macho-man and literary giant, Yukio Mishima, also framed the volleyball team in terms of gender, somewhat playfully referring to the Japanese captain as the hostess of a party.
Kasai is a wonderful hostess as she notices almost instantly if the glasses of the guests (he means her enemies) are getting empty or any guests have a stiff muscles and takes care of that with splendid service. The Soviets became tired of such painful attention. However, the Russian player Riskal was amazing. The blond girl with loose hair and big breasts flew like an arrow and strongly hit the ball.
Even novelist, Sawako Ariyoshi, a woman who championed women in such novel’s as The Doctor’s Wife, The Twilight Years, and The River Ki, found herself praising the Japanese players as domestically minded and potentially good future wives.
Japanese athletes have not forgotten the elegance of Japanese women. It was a hot battle and the sweat was falling to the floor. As soon as they noticed it, they would wipe the floor with a cloth. That was a pretty sight. I was applauding to them thinking that they would be wonderful wives when they get married. I think that their attitude towards the game also made a strong impression about our country. They behaved very well.
But at the end of her essay, Ariyoshi seemed to assert more feminist views, praising these symbols of Japanese women power, where marriage was merely an option, and that they could accomplish anything. Having said that, the only person she gives thanks to is the male coach, Hirobumi Daimatsu.
Please don’t say such gloomy words to girls as marriage and love. From now on, be confident because you can do anything. If you go back to work or start a life in marriage, you will be fine. Because you showed everybody in Japan how smart you are to master those sports techniques and skills. I am praying for your happiness in the future to have all three – pretty appearance, physical fitness and a strong spirit. But at the same time, I must thank a man who brought up these women. Thank you, coach Daimatsu.
Note: Special thanks to Marija Linartaite, for her help in the research for this article.
They say it is the highest rated television program in Japan’s history. It was 7pm on Friday, October 23, 1964, and it may not be an exaggeration to say that almost anyone near a television was watching the gold-medal match of the women’s volleyball championship at the Komazawa Indoor Sports Arena.
It was a day before the ending of the 1964 Tokyo Olympics, a fortnight during which all of Japan was collectively holding their breath, simultaneously hoping that their young men and women would exceed expectations, and that nothing horribly embarrassing would happen during Japan’s debut on the global stage.
In this particular case, the Japanese women’s team were expected to win. They had already steamrolled through the US, Romania, Korea and Poland, conceding only a single set during the entire two-weeks of round-robin play. Their opponents in the final round, the Soviet Union, had done the same, winning every set against the same teams.
Despite the fact that volleyball was making its debut at the Olympics at the 1964 Tokyo Olympiad, Japan had a rivalry. In 1960, Japan lost its debut in international competition to the Soviet Union in the championship match in Brazil, thus igniting volleyball fever in Japan. Two years later in 1962, Japan again made it to the finals of the world championships against the Soviet Union, in Moscow. Somehow, the women from Japan won.
When it was also announced that volleyball would become an Olympic event at the ’64 Olympics, the Japanese public wildly agreed that their women’s team had the best chance at gold in the 1964 Games to be held in Tokyo.
The pressure on the team was immense. One of the players was quoted in the Sankei News a day before the finals as saying, “if we lose, we might have to leave the country.”
To say the weight of an entire nation was on the shoulders of these women would be an understatement. To make matters worse, the finals match didn’t start anywhere close to the scheduled time of 7pm, so the players had to wait around and stew in their tension for an extra 30 minutes. And yet, when the game finally began, the women of Japan simply went about their business, taking the first two sets 15-11 and 15-8.
As team captain, Masae Kasai, recalled in her autobiography, Okaasan no Kin Medaru, (Mom’s Gold Medal), she reminded herself to stay calm, but couldn’t help but wonder, “What the heck is wrong with the Soviets?”
In the third set, Japan raced to an 11-3 lead, and Kasai thought in that instant, “It’s possible, victory is possible.” But then in the next instant, Kasai got mixed up with a teammate when attempting to receive, and according to the team captain, the Soviets seemed to catch a second wind. Still Japan battled to a 13-6 lead, and got to match and championship point at 14-8. But then momentum switched suddenly to the Soviets, as they clawed their way back to within a point – 14-13.
The team’s coach, Hirobumi Daimatsu called time out. “What are you doing? Calm down. All you need is one point to win, right. Take it easy.”
It was Kasai’s turn to serve, and she hoped to decide the match then and there, but the Soviets got the serve back. (This was a time when you could only win points on your serve.) And back and forth it went, both teams failing to capitalize on their own serve five times in a row.
Emiko Miyamoto, whipped her super slim left arm through the air, rocketing the ball across the net to the Soviet back court with such velocity that the Soviet receiver’s return, which should have been a pass to a teammate in the frontcourt, ended up flying across the net. The Soviet player in the front court saw it heading towards her and hoped to change the ball’s direction, but when she tapped it, the ball had already passed over the net. A Japanese player reacted and sent the ball back to the Soviets, but the referee ruled a stoppage of play.
And in that moment, 9:01 pm, the players realized that they had finally reached the peak of a very tall mountain, coming together with jubilant hugs and tears, as a nation erupted in celebration.
Note: Special thanks to Marija Linartaite, for her help in the research for this article.
The film, over 54 years later, can indeed make one cringe.
The male coach, throwing a volleyball to the right and to the left of a young woman whose sole mission is to get a hand on the ball, do a somersault on the hard court over her shoulder or across her back, land on her feet in order to begin running the other way so she can desperately get her hand on the ball, back and forth, down and up, over and over again….until she’s so tired she does not realize her body is simply moving on its own.
This technique is called “kaiten reshibu” (receive and rotate), and was one of the secret weapons that made Japan’s women’s volleyball team so effective in the sixties. When they marched into Moscow to take on the mighty Soviet Union in the 1962 world championships, where the Soviet team was not only on their home court, but had a distinct height and strength advantage, the Japanese entered the arena as underdogs, and left the arena as world champions.
It is said that the Soviet press were so amazed by the Japanese that they called them “The Oriental Witches”, a moniker that the international press took up with relish. Interestingly, the Japanese press and the team itself took to that title with pride.
The domineering head coach of the women’s national team of Japan, Hirobumi Daimatsu, knew that the Japanese had to find a way to compensate for their weaknesses. The Japanese women were smaller, so they had to be quicker, more efficient, more willing to sacrifice their bodies.
And while the end seemed to justify the means – the women’s volleyball team under Daimatsu had never lost – some wondered whether the coach was crossing the line, and abusing his players. In a Japanese documentary cited by Iwona Mewrklejn in her article, “The Taming of the Witch: Daimatsu Hirobumi and Coaching Discourses of Women’s Vollevball in Japan”, the labor union of the company that employed the members of the women’s volleyball team criticized Daimatsu for his training regimen. But “the union’s objections did not seem to matter, either to the coach or to the management.”
Overseas journalists also thought that the women were being abused, as you can tell in the title of a Sports Illustrated article, “Driven Beyond Dignity.” In this March 16, 1964 article, the writer, Eric Whitehead, described the punishing practices that Daimatsu put his players through. When a player looked so exhausted that she wanted to quit, Whitehead quoted Daimatsu as saying:
If you’d rather be home with your mother, then go. We don’t want you here.
There’s a South Korean team in town. If this is too tough for you, maybe you should go and play with them.
Whitehead goes on to describe the evening meal break from practice as terse, something that more or less interrupts the coach’s training timeline.
It is 7 o’clock now and the girls’ supper is wheeled in in metal urns: rice, meat and fish. Daimatsu ignores it and quickens the pace. His grim, wild-eyed intensity is frightening. His face is still a mask, but it is strained and beaded with sweat. Now many of the girls are openly sobbing, their faces distorted with the agony of effort and the physical punishment. But they keep staggering in, and the food sits for half an hour before Daimatsu gives a curt signal and the first-team girls- always the first to eat – go to the urns. The others shift to a brisk scrimmage as Daimatsu goes to the sidelines for his own meal, which is served to him by a ball girl. As he dines he is even more chilling to observe, for now one seems to see in him the cool arrogance of a despot.
One could also say there is a bit of “arrogance” in Whitehead’s writing. In response to a comment by Daimatsu about the importance of this kind of training, Whitehead editorialized directly in his article with a single, dismissive line.
Except for a one-week break around Eastertime, this is the routing, year in and year out. Says Coach Daimatsu: “There is time for nothing else. The players know absolutely no other life. They do it because they choose to. The preparation for winning is a personal, individual challenge. It is accepted without question.
Ah, but then, I said to myself, it’s only volleyball, played by girls.
If this were high school football in Texas, where football has been religion for decades, my guess is that Whitehead would never write “Ah, but then, it’s only high school football, played by boys.” Never mind that many of the women on Daimatsu’s team were in their mid to late 20s, he may not have fully understood the expectations that the entire nation of Japan had of this women’s team, although he gives a nod to the notion, albeit in a somewhat patronizing way:
The team’s captain, tall, graceful Masae Kasai, smiles shyly from her desk. Little stories like hers tell the big one. Two years ago, at age 28, Masae was in love and engaged to a young man from Osaka. She had a choice: marriage and a home, or a continuation of the daily torture under Hirofumi (sic) Daimatsu. She chose the latter, for at the 1964 Olympics the glory of Japan will flicker again and glory is everything.
Perhaps Masae had said it all the previous night when I asked her about the team’s chances at the Olympics. “You must understand,” she said gravely. “We have never experienced defeat. We must win.”
Whether they were chasing glory or just trying to meet the heavy expectations of their country, Kasai and her teammates bought into Daimatsu’s approach, as explained by Macnaughtan. After all, they tried his methods and won, and never believed that he was treating them with disrespect. In fact, they trusted Daimatsu explicitly.
I had a lot of trust and respect for Coach Daimatsu. The team was happy to take direction from him because we trusted him. He was a volleyball player himself when he was a university student. He joined Nichibo (the name of the team’s company) after being a soldier in the war. The team and I followed his hard training because of his great human nature. He was a man we could trust and respect as a human being. Whenever our team won, we were convinced that his hard training was the right way to go, and so we would practice and train hard again, and then we would win again. There was a very close bond between him and the team.
The year 1962 was a fateful year for Masae Kasai and her teammates on the national women’s volleyball team.
The Japanese team won the world volleyball championships by defeating then champions, the Soviet Union, in the finals match in Moscow. The team was at the top of their game, but the practices were punishing (as related in this post), and some of the team members were getting older – in fact, the captain, Kasai, was 29 years old when the team captured the world championship crown.
In the 1960s, it was considered unfortunate if a woman did not marry by their mid-20s. In fact, it used to be a bit of a slur to a woman if she were considered a “Christmas Cake” – in demand until the 25th (of December), but no longer of value after the 25th. Thus family and society constantly reminded the women of Japan’s undefeated and champion volleyball team that true success in life for them would come with marriage. The coach, Hirobumi Daimatsu, believed that part of his responsibility included to help arrange marriages for his team members after retirement from the game.
And in 1962, after the world championships, Daimatsu, Kasai and other members of the team intended to retire so they could go on with their lives and leave behind a life of harsh training nearly 7 days a week, 51 weeks a year.
However, in 1962, it was announced that volleyball would debut at the Olympics in 1964, the year that Tokyo would host the Olympics. After their victory in Moscow, the public and the media strongly called for the coach, Kasai and the entire team to fight on through 1964, with the goal of winning gold at the 1964 Olympiad, as Helen Mcnaughtan explains in her article, The Oriental Witches: Women Volleyball and the 1964 Tokyo Olympics.
…the public expectation was immense, and the team received some 5,000 letters from fans urging the ‘Oriental Witches’ to continue. In early 1963, the team members got together after the New Year holiday, and most of the players decided to stay until the Olympics. Kasai decided to give up her ambitions to marry for the time being and to aim for the gold medal at the Tokyo Olympics. In interview, Kasai recollected that she decided to continue because she felt that the public at that time would ‘not allow her to retire’, and that the only way to respond to the public’s expectation that the national team could win the gold medal was to try to give them that victory.
Fortunately, as related in this blog post, the Oriental Witches swept through the round-robin matches and dominated the Soviet Union in the finals to win gold for Japan. So finally, it was time for the women to get married. Kasai, as the captain and star of the team, was given extraordinary help in finding a mate. Coach Daimatsu asked Japan’s newly minted prime minister, Eisaku Sato, to help. After meetings with three other men, when Kasai failed to experience that spark of possibility, the prime minister’s wife introduced Kasai to an officer in the Japan Self Defense Forces named Kazuo Nakamura.
In Kasai’s autobiography, Okaasan no Kin Medaru (Mom’s Gold Medal), she wrote how her first meeting with Nakamura involved a considerable number of other people, including the prime minister, and thus there was practically no conversation between Nakamura and Kasai during that first meeting. But Kasai felt something in Nakamura’s voice that seemed to speak to her heart. And so she told the prime minister that she would like to meet Nakamura again. Nakamura agreed to meet again. According to Kasai, Nakamura was nervous about the idea of marrying Kasai, and she appreciated his willingness to explain himself in a straight manner.
Nakamura: Does Kasai-san intend to get married?
Nakamura: Well, you said you would give up volleyball at the age of 29. However the world didn’t let you to do it. So you decided to live until 31 as a volleyball player and give up on marriage. So now that you won the gold medal, I think people are just making noise about your marriage.
Kasai: No, this is not true. I quit volleyball after the Olympics, and I strongly wish to get married.
Nakamura: I am sorry, I was rude. However, I think I am unsuitable for Kasai-san as a husband. Even though I hate war, if anything happens, I will need to fight on the frontlines. In that time, if I have children or a wife, I will unfortunately be drawn back home. So I think being single is more convenient for me. The Self-defense forces, different from our domestic troops, cannot settle down to domestic lives. And I would have no inconveniences in the military, and thus have no need for help with cooking or laundry.
Nakamura: Of course, there are some senior officers who are married, but I don’t think that it is a happy life. This is why, even though I am 33 years old, I believe, in principle, that military men like me should not marry.”
My assistant regimental commander said that I should stop thinking this way and just go see you. In fact, the day we had our first omiai meeting, I did not even know where I was going, since he just took me there. Once we arrived, I found myself in the prime minister’s private residence, I was so scared my legs froze up, ha ha ha…,” Nakamura laughed. “In fact, they still are! My parents were surprised when I got home and told them that I was in the prime minister’s home and that my matchmaking pair was that volleyball player Kasai, hahaha….
Kasai was hooked. She wrote that she had never a man who would speak so frankly with her, which made him even more attractive to him. Once she realized that Nakamura may be the man for her, she attempted to explain that she was a simple person, that the gold medal did not go to her head. “Even though I won a gold medal, I am still just a very ordinary woman from a farmer family in Yamanashi. I did not become rich because of the gold medal, and without volleyball I am just a woman, although admittedly, a very tall woman.”
Nakamura replied that for people of their age, a person of her height is beautiful. It was a sign to Kasai that Nakamura was interested, that he would speak to his admiration for a quality – her height – that Kasai has spent a lifetime being embarrassed about.
About 5 weeks after their initial meeting, Kazuo Nakamura and Masae Kasai were married on May 31 at Ichigaya Kaikan in Tokyo.
Note: Special thanks to Marija Linartaite, for her help in the research for this article.
I was asked that question by best-selling author, Bob Whiting, for a weekly column he writes for the Japanese newspaper, Yūkan Fuji. My answer to him?
And we don’t have to go too far back in time for a prime example.
It was less than three years ago when the organizers of the 2016 Rio Olympics had to endure an endless number of threats to the reputation of Brazil and the Olympics:
The Brazilian economy had tanked. Police and firemen protested at the airports they were not getting paid, warning people to stay away. There was even significant speculation that the organizers would cut air conditioning in the Olympic Village to save costs.
The largest scandal in Brazilian history filled the headlines in 2016, one that involved state-run oil company, Petrobras, in which officials received kickbacks in return for selection of specific suppliers, kickbacks that totaled some USD3 to 5 billion.
The question of whether the president of Brazil, Dilma Rousseff, would be impeached and removed hung over the Games like a cloud. (She was removed from office 10 days after the end of the Rio Olympics.)
The site of the triathlon and sailing competition, Guanabara Bay, was so contaminated with human waste that it threatened the health of athletes who would compete in those waters.
It’s impossible for Olympic officials to control the media’s thirst for issues and scandal, but the circumstances of Brazil at the time made it easy for the press to generate negative storylines.
Will that be the case in Tokyo, when the Olympics come to town in July and August of 2020? What are the headlines that could shake Olympic officials or encourage the naysayers?
North Korea Boycotts the Olympics: The Korean teams marched together at the PyeongChang Winter Olympics in 2018, and even brought together North and South Koreans on the women’s ice hockey team. But if pressure mounts due to lack of progress in US-North Korea talks to denuclearize North Korea, who knows whether the Olympics will become an opportunity to raise the rhetoric and make North Korea’s participation a bargaining chip?
Magnitude 8.0 Earthquake Hits Tokyo – Olympics Disrupted: The timing of an earthquake just prior or during the Olympics are highly unlikely. And yet, the fear of the big one in Tokyo is in the back of the minds of many in Japan since there hasn’t been one since the Great Kanto Earthquake of 1923. Last year provided multiple reminders of Japan’s vulnerability to mother nature. In an annual vote of the kanji character that bests represent the year of 2018, the symbol for “disaster” was selected. After all, in 2018, 200 people were killed in flood waters across 23 prefectures, dozens perished in a 6.6 magnitude earthquake in Hokkaido, and there were at least 11 fatalities when Typhoon Jebi swept through the Kansai region.
Is there precedent? Yes. The 1989 World Series, when a magnitude 6.9 earthquake struck San Francisco just prior to the start of Game 3 match between two Bay City teams, the Oakland Athletics and the San Francisco Giants.
Officials Deny Bribery Allegations in Black Tidings Affair: A dark cloud in the distance appears to be approaching. The former president of the International Association of Athletics Federation (IAAF), and longtime IOC member, Lamine Diack, has been held by authorities in France since November, 2015. One of the allegations under investigation is whether Diack and his son Papa Massata Diack, were responsible for payments of USD2 million made from officials in Japan to Papa Diack through a company in Singapore called Black Tidings. It is alleged that these payments, made in July 2013, were connected to bribes that would “help the Japanese capital secure the hosting rights for the Olympic and Paralympic Games,” according to the French newspaper, Le monde. The current president of the Japan Olympic Committee, and member of the IOC, Tsunekazu Takeda, is under investigation for corruption, and may end up retiring from the Japan Olympic Committee in June or July.
Is there a precedent? Yes. A year after the end of the 2016 Rio Olympics, the head of the Rio de Janeiro Organizing Committee and member of the Brazilian men’s volleyball team at the 1964 Tokyo Olympics, Carlos Nuzman, was arrested for soliciting votes ahead of the 2009 IOC session to select the host city for the 2016 Summer Olympics.
Make no mistake – prior to the 2020 Tokyo Olympics, there will be a lot of noise, much of it negative. That’s just the reality of hosting a high budget big tent event like the Olympics.
But also, make no mistake – in the end, it is always about the athletes – their stories of struggle, fair play, excellence and achievement – that drive the headlines during the Games. Those are the headlines that will inspire millions of young Japanese, and provide the motivation that propels a select few to future Olympiads.
By the way, the last two paragraphs are what Bob quoted me on at the end of his column – after all, you can’t end a story like this with such black tidings.
The 2020 Tokyo Olympics will be great, and you won’t want to miss it!
The Japan’s Women’s Volleyball Team has legendary status, medaling in five straight Olympics from 1964 to 1984, excluding the boycotted 1980 Moscow Games. They fell out of contention over the 1990s and the “oughts”, but regained form taking bronze at the 2012 London Games.
But there the Japanese team was on the evening of May 18, losing significantly in the fifth and final set to Thailand, a nation that has never sent a volleyball team to the Olympics. This was the International Volleyball Federation (FIVB) Women’s Rio 2016 Qualifier, and it was being played in the Tokyo Metropolitan Gymnasium in Tokyo, the site of Japan’s gold-medal winning performance in the Olympic debut of women’s volleyball.
Thailand was tasting it, they could see it – victory. They were up 10-5 in the fifth and final set. (Start watching the above video at the 2 hour 54-minute mark.) Japan served, starting an incredible rally. Thailand received a jump serve, it was returned to the setter waiting at the front of the net, who laid up an easy hit for a Thai striker who smashed it across court, right at a Japanese player who sent the ball out of bounds. The Thai players start slapping high fives. But a Japanese had lunged out of bounds to save the ball and send it across the net to the surprised Thais. Another Thai spike. This time, an amazing one-handed save by the Japanese. The announcer is incredulous. “Has it gone? It’s still in! It’s still in! I can’t believe it.” Back and forth it goes as the Thais re-group. And they have a chance, but their spike sails out. There’s a challenge, but no Japanese fingers touch the ball, and Japan climbs one point closer, 10-6.
They call it momentum. And one could sense it slipping Japan’s way.
Thailand managed to win the next two points to go up 12-6. A poor serve from Thailand made it 12-7. The announcer said, “Can Japan get some Harry Potter magic here and get a few points.” And that’s when it all started to fall apart for the Southeast Asian nation. If they win the set and the match, there’s a very real chance they would eventually qualify for their first Olympics in Rio. But they were on Japan’s home court and they were feeling the pressure.
Japan gets another point to claw closer to 12-8. It’s unclear why watching the broadcast of the match, but Thai coach, Kiattipong Radchatagriengkai, was upset, and challenged the call. The referee from Mexico, Luis Gerardo Macias, denied the challenge, leaving the Thai coach in a huff. Kiattipong calls a time out. When the time out ends and the Thai players go back onto the court, Macias calls the Thai players over to explain something. Macias raises a red card, and suddenly, the score is 12-9. You can hear Kiattipong say in surprise, “aray wa?”, which is a crude way of saying in Thai, “what the heck happened?”
And that is a good question.
But life quickly goes on. Japan serves, the Thai player lets it go, and the ball falls safely inside the lines for the match’s only ace. It’s now 12-10. “Nerves must be jangling on Thailand’s side,” says the announcer. With the crowd roaring, Japan spikes to another point, and are behind by one, 12-11. Kiattipong calls another timeout. Japan serves, takes Thailand’s attack, and blocks for the tying point. It’s now tied, 12-12. Japan serves, sets up for a spike which the Thai defenders can’t handle. 13-12 Japan. That’s seven points in a row.
You can see Kiattipong prowling the sidelines in disbelief. The camera switches to Macias, who has an expression that essentially says, “I told him to shut up and he won’t shut up.” Suddenly, Macias indicates another penalty, and Japan is amazingly given another point by
On Sunday, May 1, during the long break in Japan known as Golden Week, I took a short bicycle ride to Komazawa Olympic Park, and walk where 1964 Olympians walked. The Park is a collection of venues: Komazawa Gymnasium where Japan won 5 of 16 total gold medals just in wrestling, Komazawa Hockey Field where India beat Pakistan in a memorable finals between two field hockey blood rivals, Komazawa Stadium where soccer preliminary matches were played, and Komazawa Volleyball Courts where Japan’s famed women’s volleyball team mowed through the competition until they won gold at a different venue.
On that day, thousands of people were enjoying unseasonably warm weather under clear, blue skies. The tracks around the park were filled with runners. The gymnasium was hosting a local table tennis tournament, and the stadium was prepping for the third day of the four-day Tokyo U-14 International Youth Football Tournament.
In the plaza between the various Komazawa venues, hundreds were enjoying the weather with great food and drink. I was pleasantly surprised to find draft Seattle Pike IPA. While enjoying the cold beer on the hot day, surrounded by hundreds of people loving the day, I realized that Japan in the 1960s made great decisions in planning for the 1964 Olympics. I had a similar revelation earlier when I visited the National Gymnasium months earlier. So much of what was built for those Summer Games are a part of the everyday life of the Japanese.
Japan built a fantastic legacy for 1964. What legacy will Japan begin in 2020?