One of the biggest cosmetics brands in Japan is Kanebo. But its corporate origins were in textiles. Established in 1887 as the Tokyo Cotton Trading Company, a few years later the name was changed to the Kanegafuchi Spinning company, or Kanebo. As you can see in the above ad, printed in the Tokyo Olympics Official Souvenir book from 1964, Kanebo was primarily a major exporter of cotton, silk, wool and non-natural textiles.
The cotton and silk spinning industry, born of the age of industrialization that hit Japan in the late 19th century and early 20th century, was a huge employer of young women, most of them teenagers. As industry was transforming the state of the family, companies wanted to reassure parents that their daughters were well cared for. The textile companies would provide educational and social opportunities for their employees, as well as in sports so that they could stay physically fit.
Sport and recreation activities developed alongside key educational initiatives as a way not only of keeping young girls busy and occupied during non-working hours within factory residential compounds but also as a way of promoting the physical health of workers. The sport of volleyball was introduced by textile companies as it offered the chance to encourage team work amongst young female workers, required minimal equipment and could be played both indoors and outdoors. Over time the increased popularity and indeed strength of these female corporate teams from the large Japanese textile companies became notable, and developed into an investment beyond mere recreation.
In the 1950s, women’s volleyball had become a highly popular sport in Japan, resulting in the first national volleyball tournament in 1951. According to Macnaughtan, six teams were from Kanebo, one of the earliest adopters of volleyball in textile factories, and five from Nichibo. In 1960, Japan sent a male and female volleyball teams to the world championships held in Brazil. The women’s team took second place, which was a surprise. It happened to be a team completely from the Kaizuka factory of the Nichibo Company, the logic being that instead of trying to put a team of all stars together very quickly, they should probably send one of their best teams. This team, buoyed by the success in Brazil, was then funded to compete in Europe, where they won 24 straight matches.
At the 1964 Tokyo Olympics, the first female team competition was debuting – women’s volleyball. Nichibo’s team from Kaizuka was now considered one of the best in the world, if not the best. Ten of the twelve members of the Japanese women’s Olympic team were selected from that Nichibo team, with two coming from other corporate volleyball teams.
And on the last day of competition at the 1964 Tokyo Olympics, all of Japan exploded in joy when Japan beat the Soviet Union in three straight matches. How did the Japanese achieve this monumental victory? You just need to pull the thread that leads you back 100 years ago, at the emergence of the age of industrialization in Japan.
The taxi driver couldn’t help it. He started talking about Japan’s incredible upset over Ireland in rugby on Saturday. Then he talked about the Japan women’s volleyball team come back win over Serbia a day before that. And how about those Japanese boys in Doha at the World Track and Field Championships? He said that if he could, he would be ditching the taxi and watching sports all day and all night.
Something’s in the air in Japan.
The 2-month 2019 Rugby World Cup taking place in Japan is a huge hit – stadiums are packed with fans from all over the world. And Japan, which entered the tournament ranked ninth in the world, pulled off an incredible upset of second-ranked Ireland, which set the country on fire. As The Guardian put it:
Japan have done it again, this time against the team ranked No 1 in the world two weeks ago. The World Cup hosts came from nine points down to win after playing with pace, skill and fervour that the humidity and time could not dim. Such was the thunderous roar when the final whistle sounded it would have caused the nearby Mount Fuji to wobble.
Over the weekend, Japan watched the Japanese women’s volleyball team win the last three games of an 11-game FIVB Volleyball Women’s World Cup. They had fallen into a funk and ran their record to 3 – 5, losing to regional rivals China and South Korea, but defeated Serbia, Argentina and the Netherlands in the final three days to take fifth place in the tournament.
Like the rugby matches, all games were on national television, and the volleyball arena in Osaka was packed with enthusiastic, cheering fans.
Unfortunately, Japan’s sprinters were all eliminated in the semi-finals. But that did not dampen the mood of a nation electrified by the accomplishments of their national teams over the weekend.
Japan’s rugby team showed that on your home turf, anything’s possible. Japan’s volleyball team showed that on their home court, they can be as dangerous as any other team – in fact they took number 2 USA to five sets last week.
Japan’s athletes are competing at the highest levels. They look to smash their record of 16 gold medals at an Olympics at the 2020 Tokyo Olympics.
There’s something in the air. And to the Japanese, it’s a tailwind, and it’s just beginning to build.
October 23, 1964 was a momentous day for Japan. Two of the most memorable sports events in Japanese history took place on that day, both which left irrevocable imprints on the Japanese psyche.
That afternoon, hulkingingly tall Anton Geesink of the Netherlands handily defeated Akio Kaminaga of Japan in the open weight class of the judo competition at the Budokan, thus denying Japan to win gold in all four weight classes in judo’s debut at the Tokyo Olympics.
That evening, the Japanese women’s volleyball team closed out the Soviet Union in three straight sets to win gold at the Komazawa Indoor Ball Sports Field, thus fulfilling the expectations of an entire nation.
In comparison to the “West”, the Japanese saw themselves as underdogs. After all, it was only 19 years earlier when the Allied Forces flattened Japan with its superior weaponry, and then ruled over Japan as occupiers for over 5 years. Judo was a Japanese creation, and yet a taller, stronger Westerner easily defeated Japan’s best. Was Geesink’s victory yet another symbol of Japan’s “inferiority”?
But only a few hours later, the national psychology was already undergoing a shift, as people all over the country completed their day’s work, settled down to meals, or gathered in public places to watch the finals of the women’s volleyball competition. The Japanese team had never lost since joining international competition and losing to the Soviet Union in the volleyball world championships in 1960. This very team had already defeated the Soviet Union at the 1962 world championships…in Moscow. And so, the weight of an entire country pushed heavily on the shoulders of these Japanese women, particularly after the jarring disappointment of that day’s judo finals.
Fortunately, the women of the Japanese volleyball team restored their country’s faith in themselves by easily defeating the Soviet Union in three sets. The shorter, less muscular team from Asia defeated the taller, more powerful team from the West, on the biggest sports stage in the world, on the final competitive day of the 1964 Olympics.
… the Oriental Witches were clearly linked to the economic and technological progress of the 1960s. This success replaced the more classical notions of the nation in Japan and supported a new type of nationalism. Economic achievements were vital for regaining international standing as a nation, because the GNP acted as a yardstick for national pride. The Oriental Witches embodied this new self-assurance.
Tagsold is referring in his title to a particular maneuver developed by team coach Hirobumi Daimatsu, a technique called “kaiten reshibu” (receive and rotate). Players were trained to dive for balls, using their momentum to roll as they hit the ground, like a judoka would, so that they could emerge back on their feet quickly to take on another attack. This technique was a competitive advantage as Japanese players were more willing to dive to the hard court floors and quicker to their feet than players on other teams.
Tagsold highlights this technique as a symbol of how the underdog Japanese can outperform bigger stronger foes, not only on the volleyball court, but also on the global economic stage.
(The kaiten reshibu) was a symbol for the means in which Japan had invested to regain her economic strength only two decades after suffering the worst. The invention of clever technical solutions was imperative to the country, which saw itself as small island without natural resources to offer. Daimatsu did for volleyball and Japanese sports, in general, what Morita Akio did as a leader of Sony and what Ohno Taiichi achieved at Toyota by introducing the Toyota Production System. The rolling dive recovered lost time and reduced the burden on Japanese bodies caused by their inferiority compared to Western athletes.
… the kaiten reshıbu could be read very naively as the story of post-war Japan. The Japanese fell, but they got back on their feet again quickly. It had taken the country only 19 years to be back on top, both economically and in women’s volleyball…. The women overcame all hard attacks and rolled on the ground only momentarily. But falling was part of the success in the end. Many conservatives in the 1960s began to stress the sacrifice that the country had made in the Second World War as a cause for their current prosperity. In their opinion, it seemed inevitable to stumble once in order to be in a much better position in the future.
After all, Geesink shocked the judo world by becoming the first non-Japanese to win the World Championships in 1961. More relevantly, Geesink had already defeated Kaminaga in a preliminary bout. So while the Japanese, including Crown Prince Akihito and Princess Michiko who were in the Budokan, were hoping Kaminaga would exceed expectations, all they had to do was see the two judoka stand next to each other to be concerned – the 2-meter tall, 120 kg foreign giant vs the 1.8-meter tall, 102 kg Japanese.
Even though judo purists know that skill, balance and coordination are more important to winning than size, deep down many likely felt that the bigger, stronger foreigner was going to win. After all, the bigger, stronger US soldiers and their allies had defeated the Imperial forces of Japan in the Pacific War.
That was late in the afternoon on October 23. About 13 kilometers southwest of the Nippon Budokan and the site of Kaminaga’s defeat, the Japanese women’s volleyball team was preparing for their finals at the Komazawa Indoor Stadium. They too were going up against bigger, stronger adversaries, from the USSR.
In this case, however, there was a lingering sense that their magical women of volleyball would defeat the Soviets. They had in fact already done so at the World Championships in 1962, walking into the lioness’ den in Moscow and winning the finals. So when nearly every citizen in Japan had settled in front of their televisions that Friday evening, having the choice of four channels to choose from to watch the match, they were gearing up to explode in celebration.
And yet, Geesink had just sunk Kaminaga, as well as Japan’s hopes of sweeping gold in the only sport at the Olympics native to Japan. Maybe we just aren’t big enough, or strong enough, some may have thought.
Hirobumi Daimatsu, coach of the women’s volleyball team, accepted the challenge and worked over the years to train his players to compensate for relative weaknesses in size and strength, with speed, technique and guts. And much to the relief and joy of the nation, the Japanese defeated the Soviet Union in straight sets: 15-11, 15-8 and a tantalizingly close final set, 15-13.
And on that Friday evening, the day before the final day of Japan’s two-week Olympic journey to show the world that they were a nation to be recognized and respected, a team of diminutive Japanese women took down the larger Soviet women.
Whatever lingering sting from Kaminaga’s loss remained, whatever bad feelings of boycotts by the Indonesians or the North Koreans may have left, even perhaps, whatever shame that came from “enduring the unendurable” after the nation’s defeat in the Second World War, may have washed away in that moment the ball fell to the ground for the final point of the match.
On that day, Japan was a nation re-born – young, confident, world-beaters.
The Japanese were buying televisions, this magical device that brought the world into their homes. And with the Tokyo Olympics arriving in October, 1964, sales for color television were soaring like their pride in hosting the Olympics.
The Tokyo Games had a massive impact on the psyche of the Japanese – no event in the history of Japan was viewed as much by as many people. Reports of television ratings in Japan vary wildly depending on the source. One source explains that over 75 million people watched some part of the Olympics over the two-week period, for a rating of 97.3%. That’s amazing since the population in Japan at the time was about 100 million.
Another source explains that three of the four highest rated programs in Japan in 1964 were related to the Olympics:
15th NHK Red and White Song Battle (NHK General, December 31) 72.0%
Tokyo Olympic and Volleyball Women’s Final “Japan vs Soviet Union” (NHK General, October 23) 66.8%
Tokyo Olympics Closing Ceremony (NHK General, October 24, 16: 52-18: 20) 63.2%
Tokyo Olympics Opening Ceremony (NHK General, October 10 13: 43-15: 20) 61.2%
But I suspect this list from Wikipedia is misleading as it focuses on ratings for one channel. The number one program, the annual new year’s eve programming (Red and White Song Battle) was broadcast only on NHK. But the Tokyo Olympics, on the whole, was broadcasted on multiple channels, sometimes up to five channels covering the same event. That was the case for the Opening and Closing ceremonies, as well as the highest rated event during the Olympics – the women’s volleyball final – when the Japanese defeated the Soviet Union to win gold.
One can say, with little exaggeration, that nearly everyone in Japan was watching that match.
Think about that – when was the last time an entire nation’s eyes were watching the same exact thing, united in their attention and feelings? In recent years, I can think of only moments of disaster and distress: 9.11 in the US or 3.11 in Japan.
In terms of uplifting moments, never was Japan more united, or prouder, than at 9 pm on October 23, 1964, when the final point sealed the victory for the Witches of the Orient, as the women’s basketball team was affectionately called.
I must admit. I believe I felt a bit of that unity and pride 55 years later, in September and October 2019. The Rugby World Cup is currently being held for the first time in Asia, and the host country, Japan has the only Asian representative in the tournament.
Japan kicked off the tournament on September 20, 2019, defeating Russia 30-10. The television rating was 18.3%, attracting a peak of 26 million viewers. On September 28, Japan pulled off an upset, upending Ireland 19-12, igniting celebrations across the country, and sending ratings higher with 29.5 million viewers. As excitement and expectations noticeably grew among casual and non-rugby fans, viewers of the Japan-Samoa match on October 5 climbed to 47 million.
With three wins in hand during the tournament pool plan, a Japan victory against Scotland would send Japan into the Top 8 for the first time. Nervous but hopeful, over 54 million people were tuned into to watch, attracting a peak rating of 53.7% at the end of the match, when Japan realized their dream of advancement into the elimination round.
Alas, the Brave Blossoms could not survive the South African python that squeezed the life out of the Japanese ruggers. Ratings during the course of the match suffered as viewers realized that the impossible dream was indeed just a dream.
But the dream is the thing. Japan was living a dream vicariously through the incredible energy and surprising skill of the Brave Blossoms – these upstarts turned world beaters.
Is the 2019 Rugby World Cup a sign of things to come? Will the 2020 Tokyo Olympics raise expectations of triumph and pride? Will Japanese heroes emerge to capture the imagination of children and adults across the nation? Will the Olympics unite Japan in a way that exceeds the unity inspired by the Japanese ruggers?
There is little doubt in my mind – the Tokyo 2020 Olympics will bring the nation together.
As I drive towards the first draft of my book on the 1964 Tokyo Olympics, I wrote extensively on some of the greatest as well as some of the lesser known dramas of those Games, some of these based on interviews I’ve had with Olympians. Interviewing Olympians, as well as reading about them, has been such an inspiration to me. I hope they are to you too.
The best novelists see the world more through their characters’ eyes and hearts. Japanese publisher, Kodansha, assembled a collection of essays of the 1964 Tokyo Olympics by some of Japan’s most prominent writers in the book, A Literary Writers’ Record of the Tokyo Olympics.
Their particular reflections on the triumphant women’s volleyball team are fascinating – not so much about the competitions, the strategies, the changes in momentum as a sports writer would note, but more about their impressions of the players’ appearances, and their own feelings toward the players and their accomplishment. I believe their views might be speaking to the state of mind of the rest of the Japanese population.
Calm and Collected
Novelist Tsutomu Minakami, whose works have been turned into many movies, observed an unexpected calm during the women’s team’s finals match against the mighty Soviet team.
At first, Soviets took the lead by four points. However before the game started I felt something strange, seeing the expressions of the Japanese team. There was no tension to be seen on those faces, giving no indication that they were entering a decisive battle. Before the game, the faces of (captain Masae) Kasai and her teammates were pale, with little smiles on their faces. There was no indication of tension. Coach Daimatsu was sitting on the bench looking like he was taking a short break. He sometimes raised his head, but kept still, expressionless – a swarthy look. He looked like he was interested only in the weather.
Novelist Hiroyuki Agawa, renowned for his post-war novels on Hiroshima, watched the Japanese women’s team in their penultimate match against Poland. And even though Poland was the only team to take a set from Japan, both sides, according to Agawa, understood that Japan was on a mission and that Poland was merely in their way.
At the beginning of fourth set, the ball rolled over the net without me understanding where it would fall, and when it finally fell on the Poland side, it was good that the Polish girl with the golden hair of a lioness, had the wherewithal to laugh. However, the Polish team looked exhausted. They couldn’t jump so well as they had used up all their energy in the third set, falling behind 9 to 1, then 14 to 2. The match finished with a Japanese victory – 15 to 2. Both teams shook hands, but the Poles were all smiling. For the Japanese team, there was no excitement of victory. The win appeared to be a customary outcome, quite natural to them, so they simply walked off the court.
Proud of our Feminine Warriors
1964 was the first time in the Olympics that featured female team competitions. And it just happened to be a sport where Japanese women were favorites. The entire country rallied around this powerful women’s team, amazed that this relatively shorter, less muscular collection of women could take on the Amazonian women from the West. The novelists who observed these matches likely reflected the views of the masses – not only were Japanese women to be praised for their impressive athletic accomplishment on the volleyball court, they were able to triumph while retaining the ideal characteristics of Japanese femininity – sweetness, restraint, and quiet fortitude.
Here again is Agawa, comparing the sweetness of the Japanese women versus the coarseness of the Polish women.
Members of the Poland team were wearing red pants and white shirts and Japanese were in white shirts and green shorts. The Japanese girls would shout in curt strong voices, “Come on, let’s go,” and their teammates would answer with “hai, hai!” Those sweet “hai’s” were impressive. On the Polish side, voices called out what sounded like “yassera”, “buraa!”. All these voices sounded like big birds croaking in the woods. When our girls shouted, “hai”, their little faces in the court looked very beautiful. Besides that, even though these girls were playing sports, they didn’t look like boyish – they looked very feminine.
Macho-man and literary giant, Yukio Mishima, also framed the volleyball team in terms of gender, somewhat playfully referring to the Japanese captain as the hostess of a party.
Kasai is a wonderful hostess as she notices almost instantly if the glasses of the guests (he means her enemies) are getting empty or any guests have a stiff muscles and takes care of that with splendid service. The Soviets became tired of such painful attention. However, the Russian player Riskal was amazing. The blond girl with loose hair and big breasts flew like an arrow and strongly hit the ball.
Even novelist, Sawako Ariyoshi, a woman who championed women in such novel’s as The Doctor’s Wife, The Twilight Years, and The River Ki, found herself praising the Japanese players as domestically minded and potentially good future wives.
Japanese athletes have not forgotten the elegance of Japanese women. It was a hot battle and the sweat was falling to the floor. As soon as they noticed it, they would wipe the floor with a cloth. That was a pretty sight. I was applauding to them thinking that they would be wonderful wives when they get married. I think that their attitude towards the game also made a strong impression about our country. They behaved very well.
But at the end of her essay, Ariyoshi seemed to assert more feminist views, praising these symbols of Japanese women power, where marriage was merely an option, and that they could accomplish anything. Having said that, the only person she gives thanks to is the male coach, Hirobumi Daimatsu.
Please don’t say such gloomy words to girls as marriage and love. From now on, be confident because you can do anything. If you go back to work or start a life in marriage, you will be fine. Because you showed everybody in Japan how smart you are to master those sports techniques and skills. I am praying for your happiness in the future to have all three – pretty appearance, physical fitness and a strong spirit. But at the same time, I must thank a man who brought up these women. Thank you, coach Daimatsu.
Note: Special thanks to Marija Linartaite, for her help in the research for this article.
Gymnast Shuji Tsurumi emerged as one of the most decorated Olympians of the 1964 Tokyo Olympics, winning a gold medal for Japan in the team competition, and three silver medals in the individual all around, the pommel horse and the parallel bars.
And yet, the two-time Olympian has in his possession only the three silver medals from 1964.
Gymnast Toshiko Shirasu-Aihara held it in her hand – the bronze medal awarded to Japan for the Japanese women’s team’s third place finish at the 1964 Tokyo Olympics.
But she has no medal at home.
While individuals of winning volleyball, basketball, water polo teams for example took home their own medals, individuals of teams that finished first, second or third in the Team category for artistic gymnastics were awarded only a “diploma,” an official document recognizing the individual’s participation in the team’s medal award.
There is actually a single medal awarded to the gymnastics team in this case, awarded to the nation. At the 100th Birthday Anniversary of gymnast great, Masao Takemoto, on September 29, 2019, the medals of the gold-medal winning men’s gymnastics team, and the bronze-medal winning women’s gymnastics team were on display.
Shirasu-Aihara, who had won the inaugural NHK Cup Championship in women’s gymnastics in 1962, saw the team bronze medal for the Japan women’s Tokyo Olympic achievements for the first time at the Takemoto anniversary event, nearly 55 years after helping her team win it. She told me it would be wonderful if somehow the IOC could reconsider their decision and provide a medal to members of her team and the Japan men’s gymnastics team that won gold.
A few weeks later, I contacted David Wallechinsky, Olympic historian and president of the International Society of Olympic Historians. He graciously agreed to send a note to the president of the International Olympic Committee (IOC). A few weeks later, he got a clear and logical response from the IOC.
While we very much appreciate your thought for each team member of the 1964 Japanese gymnastics team events to be handed an Olympic medal retroactively and the symbolic gesture that such an initiative would send, we have to respect that the rules of the sport in force at the time for the team competition were: “To the team classed first: Olympic medal in silver-gilt for the nation: diploma for each team member and leader”. See Olympic Charter 1962, Rule 41 Prizes.
We also have to stay sensitive to the fact that similar rules of “one medal for the whole team and only diplomas for the team members” is not unique to the Tokyo 1964 Games, but also were applied to other sports and Games editions.
According to the Olympic Charter of 1962, in cases where individuals compete as a team with the purpose of winning a team competition, then the individuals whose teams place first, second or third receive their own medal. Thus individuals on teams that medaled in volleyball or basketball received medals.
But victory for the team category in artistic gymnastics was determined by the total scores of performances in the individual competitions, in which medals were also awarded.
Here is how the Olympic Charter of 1962 described Rule 41, which dictated which individuals and teams are awarded medals:
In team events, except those of an ” artificial ” nature (one in which the score is computed from the position of the contestant in the individual competition) each member of the winning team participating in the final match shall be given a silver-gilt medal and a diploma, of the second team a silver medal and a diploma and of the third team a bronze medal and a diploma. Those team members who have not participated in the final matches are given diplomas but no medals. In “artificial ” team events one medal only shall be given to the team and the members shall receive diplomas only.Members of teams placed fourth, fifth and sixth receive diplomas only.
In today’s world, time for a separate team competition is carved out for gymnastics, so individuals can receive team medals.
A decade later, the IOC did indeed issue a special recognition to the individuals of such “artificial teams” – Olympic rings made of silver.
I was asked that question by best-selling author, Bob Whiting, for a weekly column he writes for the Japanese newspaper, Yūkan Fuji. My answer to him?
And we don’t have to go too far back in time for a prime example.
It was less than three years ago when the organizers of the 2016 Rio Olympics had to endure an endless number of threats to the reputation of Brazil and the Olympics:
The Brazilian economy had tanked. Police and firemen protested at the airports they were not getting paid, warning people to stay away. There was even significant speculation that the organizers would cut air conditioning in the Olympic Village to save costs.
The largest scandal in Brazilian history filled the headlines in 2016, one that involved state-run oil company, Petrobras, in which officials received kickbacks in return for selection of specific suppliers, kickbacks that totaled some USD3 to 5 billion.
The question of whether the president of Brazil, Dilma Rousseff, would be impeached and removed hung over the Games like a cloud. (She was removed from office 10 days after the end of the Rio Olympics.)
The site of the triathlon and sailing competition, Guanabara Bay, was so contaminated with human waste that it threatened the health of athletes who would compete in those waters.
It’s impossible for Olympic officials to control the media’s thirst for issues and scandal, but the circumstances of Brazil at the time made it easy for the press to generate negative storylines.
Will that be the case in Tokyo, when the Olympics come to town in July and August of 2020? What are the headlines that could shake Olympic officials or encourage the naysayers?
North Korea Boycotts the Olympics: The Korean teams marched together at the PyeongChang Winter Olympics in 2018, and even brought together North and South Koreans on the women’s ice hockey team. But if pressure mounts due to lack of progress in US-North Korea talks to denuclearize North Korea, who knows whether the Olympics will become an opportunity to raise the rhetoric and make North Korea’s participation a bargaining chip?
Magnitude 8.0 Earthquake Hits Tokyo – Olympics Disrupted: The timing of an earthquake just prior or during the Olympics are highly unlikely. And yet, the fear of the big one in Tokyo is in the back of the minds of many in Japan since there hasn’t been one since the Great Kanto Earthquake of 1923. Last year provided multiple reminders of Japan’s vulnerability to mother nature. In an annual vote of the kanji character that bests represent the year of 2018, the symbol for “disaster” was selected. After all, in 2018, 200 people were killed in flood waters across 23 prefectures, dozens perished in a 6.6 magnitude earthquake in Hokkaido, and there were at least 11 fatalities when Typhoon Jebi swept through the Kansai region.
Is there precedent? Yes. The 1989 World Series, when a magnitude 6.9 earthquake struck San Francisco just prior to the start of Game 3 match between two Bay City teams, the Oakland Athletics and the San Francisco Giants.
Officials Deny Bribery Allegations in Black Tidings Affair: A dark cloud in the distance appears to be approaching. The former president of the International Association of Athletics Federation (IAAF), and longtime IOC member, Lamine Diack, has been held by authorities in France since November, 2015. One of the allegations under investigation is whether Diack and his son Papa Massata Diack, were responsible for payments of USD2 million made from officials in Japan to Papa Diack through a company in Singapore called Black Tidings. It is alleged that these payments, made in July 2013, were connected to bribes that would “help the Japanese capital secure the hosting rights for the Olympic and Paralympic Games,” according to the French newspaper, Le monde. The current president of the Japan Olympic Committee, and member of the IOC, Tsunekazu Takeda, is under investigation for corruption, and may end up retiring from the Japan Olympic Committee in June or July.
Is there a precedent? Yes. A year after the end of the 2016 Rio Olympics, the head of the Rio de Janeiro Organizing Committee and member of the Brazilian men’s volleyball team at the 1964 Tokyo Olympics, Carlos Nuzman, was arrested for soliciting votes ahead of the 2009 IOC session to select the host city for the 2016 Summer Olympics.
Make no mistake – prior to the 2020 Tokyo Olympics, there will be a lot of noise, much of it negative. That’s just the reality of hosting a high budget big tent event like the Olympics.
But also, make no mistake – in the end, it is always about the athletes – their stories of struggle, fair play, excellence and achievement – that drive the headlines during the Games. Those are the headlines that will inspire millions of young Japanese, and provide the motivation that propels a select few to future Olympiads.
By the way, the last two paragraphs are what Bob quoted me on at the end of his column – after all, you can’t end a story like this with such black tidings.
The 2020 Tokyo Olympics will be great, and you won’t want to miss it!
The film, over 54 years later, can indeed make one cringe.
The male coach, throwing a volleyball to the right and to the left of a young woman whose sole mission is to get a hand on the ball, do a somersault on the hard court over her shoulder or across her back, land on her feet in order to begin running the other way so she can desperately get her hand on the ball, back and forth, down and up, over and over again….until she’s so tired she does not realize her body is simply moving on its own.
This technique is called “kaiten reshibu” (receive and rotate), and was one of the secret weapons that made Japan’s women’s volleyball team so effective in the sixties. When they marched into Moscow to take on the mighty Soviet Union in the 1962 world championships, where the Soviet team was not only on their home court, but had a distinct height and strength advantage, the Japanese entered the arena as underdogs, and left the arena as world champions.
It is said that the Soviet press were so amazed by the Japanese that they called them “The Oriental Witches”, a moniker that the international press took up with relish. Interestingly, the Japanese press and the team itself took to that title with pride.
The domineering head coach of the women’s national team of Japan, Hirobumi Daimatsu, knew that the Japanese had to find a way to compensate for their weaknesses. The Japanese women were smaller, so they had to be quicker, more efficient, more willing to sacrifice their bodies.
And while the end seemed to justify the means – the women’s volleyball team under Daimatsu had never lost – some wondered whether the coach was crossing the line, and abusing his players. In a Japanese documentary cited by Iwona Mewrklejn in her article, “The Taming of the Witch: Daimatsu Hirobumi and Coaching Discourses of Women’s Vollevball in Japan”, the labor union of the company that employed the members of the women’s volleyball team criticized Daimatsu for his training regimen. But “the union’s objections did not seem to matter, either to the coach or to the management.”
Overseas journalists also thought that the women were being abused, as you can tell in the title of a Sports Illustrated article, “Driven Beyond Dignity.” In this March 16, 1964 article, the writer, Eric Whitehead, described the punishing practices that Daimatsu put his players through. When a player looked so exhausted that she wanted to quit, Whitehead quoted Daimatsu as saying:
If you’d rather be home with your mother, then go. We don’t want you here.
There’s a South Korean team in town. If this is too tough for you, maybe you should go and play with them.
Whitehead goes on to describe the evening meal break from practice as terse, something that more or less interrupts the coach’s training timeline.
It is 7 o’clock now and the girls’ supper is wheeled in in metal urns: rice, meat and fish. Daimatsu ignores it and quickens the pace. His grim, wild-eyed intensity is frightening. His face is still a mask, but it is strained and beaded with sweat. Now many of the girls are openly sobbing, their faces distorted with the agony of effort and the physical punishment. But they keep staggering in, and the food sits for half an hour before Daimatsu gives a curt signal and the first-team girls- always the first to eat – go to the urns. The others shift to a brisk scrimmage as Daimatsu goes to the sidelines for his own meal, which is served to him by a ball girl. As he dines he is even more chilling to observe, for now one seems to see in him the cool arrogance of a despot.
One could also say there is a bit of “arrogance” in Whitehead’s writing. In response to a comment by Daimatsu about the importance of this kind of training, Whitehead editorialized directly in his article with a single, dismissive line.
Except for a one-week break around Eastertime, this is the routing, year in and year out. Says Coach Daimatsu: “There is time for nothing else. The players know absolutely no other life. They do it because they choose to. The preparation for winning is a personal, individual challenge. It is accepted without question.
Ah, but then, I said to myself, it’s only volleyball, played by girls.
If this were high school football in Texas, where football has been religion for decades, my guess is that Whitehead would never write “Ah, but then, it’s only high school football, played by boys.” Never mind that many of the women on Daimatsu’s team were in their mid to late 20s, he may not have fully understood the expectations that the entire nation of Japan had of this women’s team, although he gives a nod to the notion, albeit in a somewhat patronizing way:
The team’s captain, tall, graceful Masae Kasai, smiles shyly from her desk. Little stories like hers tell the big one. Two years ago, at age 28, Masae was in love and engaged to a young man from Osaka. She had a choice: marriage and a home, or a continuation of the daily torture under Hirofumi (sic) Daimatsu. She chose the latter, for at the 1964 Olympics the glory of Japan will flicker again and glory is everything.
Perhaps Masae had said it all the previous night when I asked her about the team’s chances at the Olympics. “You must understand,” she said gravely. “We have never experienced defeat. We must win.”
Whether they were chasing glory or just trying to meet the heavy expectations of their country, Kasai and her teammates bought into Daimatsu’s approach, as explained by Macnaughtan. After all, they tried his methods and won, and never believed that he was treating them with disrespect. In fact, they trusted Daimatsu explicitly.
I had a lot of trust and respect for Coach Daimatsu. The team was happy to take direction from him because we trusted him. He was a volleyball player himself when he was a university student. He joined Nichibo (the name of the team’s company) after being a soldier in the war. The team and I followed his hard training because of his great human nature. He was a man we could trust and respect as a human being. Whenever our team won, we were convinced that his hard training was the right way to go, and so we would practice and train hard again, and then we would win again. There was a very close bond between him and the team.