TripAdvisor mascot – an owl called Ollie – has one red eye and one green eye. And like the traffic light symbols they represent, TripAdvisor and other online recommendation sites let you know through massive user content contribution which hotels are a-go, and which are not. According to Mr. Michael Stobo, the head of APAC Market Development at TripAdvisor, Japan had a record 14 million foreign tourists in 2014, and that is expected to climb to 20 million in the next five years. Now I thought that a big issue for the Olympics will be hotel capacity, since hotels in Tokyo appear to be already at high occupancy rates on average days.
But according to Mr Stobo, who spoke recently at an American Chamber of Commerce Japan event, the issue is more about inefficiency. “Lots of companies that manage properties in Japan still target mostly domestic travelers,” answered Stobo to my question. “These travel companies – like Jalan, and Rakuten- need to be more externally aware as they are so Japan focused.” “For example, Expedia may only offer 10 rooms of a given hotel to a customer, but while there is actually remaining inventory, those rooms aren’t made available to overseas customers. It’s an efficiency issue. It’s possible because they have difficulty selling in French or German, they are reluctant to make the rooms available (to non-Japanese).” Interesting! Stobo went on to say that Japan needs to continue improving the ability for the non-Japanese to navigate on their own. “It’s not just about making inventory available. Navigating the rail
From Melbourne in 1956 to Mexico City in 1968, Al Oerter was one of the most dominant performers in any sport, winning gold and breaking Olympic records in four successive Summer Games. In 1964, he had to overcome tremendous pain to win. As he was once quoted as saying, “I slipped one day in the wet weather, and I tore a fairly good portion of my rib cage. Given any other environment, I would have stopped. I don’t what it was. But I can remember saying ‘These are the Olympic Games and you’d die for them.’ I really felt that at that moment. I was there and I was going to do my best.”
Australian, Warwick Selvey also competed in the discus throw and shot put in Rome in 1960, as well as in the discus in Tokyo in 1964. Selvey told me that by studying a slow motion series of 20 or so frames of a single throw by Oerter, Selvey was able to reproduce his technique, with the help of his coach Alan Barlow in Melbourne.
“Al crouched close to the ground, lower than most men, so the drive through his legs was greater than others, creating a longer arm pull on the discus,” explained Selvey, who won 18 Australian Championships in athletic events. “When he did his turns in the discus ring, he transferred his weight from his left leg at the rear of the ring to the right leg in
We watch world-class athletes with amazement, the effortlessness with which they achieve feats of strength and speed and accuracy beyond the average Joe. And yet, in truth, tremendous effort, and risk, go into the making of an Olympic champion. Paralyzed from the neck down, Laís Souza can no longer do the flips, twirls and leaps made natural from years of training as a gymnast. A two-time Olympian from Brazil, Souza was 25 and no longer able to grow in her discipline. Someone suggested that she try aerial skiing as a way to feed her thirst for competition, and aim for the 2018 Winter Games in Pyeongchang. But Souza’s progress was so good, she actually qualified for Sochi in 2014, only a week before the start of the Games.
As a reward, she and her coach decided to hit the slopes for a celebratory run. And in an instant, she was on her back. And from that point on, unable to move, let alone dream of Olympic glory. “Of course I cry sometimes. Sometimes
Balloon releases are getting a bum rap these days – balloon waste dotting the landscape, creating potential harm to wildlife and the environment. But when the balloon release premiered at the Tokyo Olympics in 1964, onlookers, Olympian and spectator alike, were blown away.
Primary school children marched in with a drum band, accompanying the Mayor of Rome, who handed the commemorative Olympic Flag to the Governor of Tokyo. In the stands were hundreds of high school students, each of whom held the strings to 40 balloons, at the ready. When the Olympic flag was exchanged, canons boomed in salute, and the students cut the cords sending 12,000 helium-filled balloons shooting into the beautiful cloudless sky.
“With fame, you know, you can read about yourself, somebody else’s ideas about you, but what’s important is how you feel about yourself – for survival and living day to day with what comes up.”
So said Marilyn Monroe, that candle in the wind.
Sandra Bezic was 15 years old when she competed in the pairs figure skating competition at the Sapporo Olympic Games in 1972. Sandra and her brother Val finished ninth, and were in a frame of mind in which winning a medal was out of the question, which meant they could enjoy their lives after the competition.
Their parents decided that this was a once-in-a-lifetime opportunity to see a country – Japan – they may never come back to, so before the 2-week competition ended, they went on a family holiday to Tokyo and Kyoto.
And one day, while walking along the streets of Kyoto, the ancient seat of government, they came upon a magazine rack at a shop that had “rows and rows of me” – a magazine with a cover graced by the youthful face of the figure skater from Canada. “We bought up a whole bunch of copies,” Bezic told me, “and just laughed and laughed.”
But Bezic was not a candle in the wind. She had a plan post-Olympics. She found a niche as a choreographer for figure skating long before specialists were a part of a coach’s toolkit in shaping future Olympians. Such skaters as Barbara Underhill and Paul Martini, Brian Boitano, Kristi Yamaguchi and Tara Lipinski had routines designed by Bezic.
Bezic went on to become a commentator for NBC during
Red sun over Olympic gold – a striking design that won over the Olympic organizers instantly. As explained by this article in pingmag.jp, the 1964 Olympics emblem was designed by Yusaku Kamekura in what might seem a flash of genius.
“Legend has it that Kamekura forgot when he had to submit his design and on the day of the deadline got a phone fall. He dashed this out in less than two hours. Of course, that’s not to say that he just did it off the cuff – clearly he had been mulling over the concept for a long time in his head. The design has real impact and perhaps cannot be better for its striking minimalism. It was
Tamara Press was a phenomenon, winning gold in the shot put and discus in Rome, as well as gold in the shot put in Tokyo. She was a large woman, and as American gymnast, Ron Barak, told me in an interview, a hulking woman, fortunately with an equally hulking sense of humor.
“I was in line one day in the Olympic Village cafeteria, and right behind me, Tamara Press was waiting in line with a couple of Soviet teammates. My wife, who was fairly tiny, came rushing in. US officials had given wives of the gymnastic teams sweat suits so they could get in and out of the village. Barbie was coming to meet me for lunch, and was a bit late. She spotted me and hurried over. Focused on me, she somehow didn’t see Tamara, and butted right in front of her.”
“Well, Tamara Press is a very nice person. She comes up to her from behind, grabs her elbows gently and firmly and bench presses my wife above her 6 foot frame, holding her high up like a piece of lumber. Her head was pointed to the ceiling and her back was pointed to the ground. Tamara proceeded to spin her in a revolution above her head, before finally putting her down behind Tamara in line. Barbie’s eyes were wide open in shock.”