We watch world-class athletes with amazement, the effortlessness with which they achieve feats of strength and speed and accuracy beyond the average Joe. And yet, in truth, tremendous effort, and risk, go into the making of an Olympic champion. Paralyzed from the neck down, Laís Souza can no longer do the flips, twirls and leaps made natural from years of training as a gymnast. A two-time Olympian from Brazil, Souza was 25 and no longer able to grow in her discipline. Someone suggested that she try aerial skiing as a way to feed her thirst for competition, and aim for the 2018 Winter Games in Pyeongchang. But Souza’s progress was so good, she actually qualified for Sochi in 2014, only a week before the start of the Games.
As a reward, she and her coach decided to hit the slopes for a celebratory run. And in an instant, she was on her back. And from that point on, unable to move, let alone dream of Olympic glory. “Of course I cry sometimes. Sometimes
“With fame, you know, you can read about yourself, somebody else’s ideas about you, but what’s important is how you feel about yourself – for survival and living day to day with what comes up.”
So said Marilyn Monroe, that candle in the wind.
Sandra Bezic was 15 years old when she competed in the pairs figure skating competition at the Sapporo Olympic Games in 1972. Sandra and her brother Val finished ninth, and were in a frame of mind in which winning a medal was out of the question, which meant they could enjoy their lives after the competition.
Their parents decided that this was a once-in-a-lifetime opportunity to see a country – Japan – they may never come back to, so before the 2-week competition ended, they went on a family holiday to Tokyo and Kyoto.
And one day, while walking along the streets of Kyoto, the ancient seat of government, they came upon a magazine rack at a shop that had “rows and rows of me” – a magazine with a cover graced by the youthful face of the figure skater from Canada. “We bought up a whole bunch of copies,” Bezic told me, “and just laughed and laughed.”
But Bezic was not a candle in the wind. She had a plan post-Olympics. She found a niche as a choreographer for figure skating long before specialists were a part of a coach’s toolkit in shaping future Olympians. Such skaters as Barbara Underhill and Paul Martini, Brian Boitano, Kristi Yamaguchi and Tara Lipinski had routines designed by Bezic.
Bezic went on to become a commentator for NBC during