torch

“Atomic Bomb Boy” and the Subtlest of Anti-American Protests in 1964

In commemoration of the 56th anniversary of the XVIII Olympiad, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”
日本語版：「原爆っ子」とアメリカへのささやかな抵抗

Seventeen-year-old Dick Roth, winner of the individual medley race at the 1964 Tokyo Olympics, was thirteen years old when he first travelled with the US swim team to Japan in 1960. He remembers being treated like a celebrity. Toward the end of his stay, the team went to Nikko, the beautiful resort town not far from Tokyo. And while walking about the woods with the team, he saw something he clearly remembers today.

I wandered off on my own, which was a habit I have when I travel, skipping the handlers. I was walking back to the lodge and I came face to face with a group of eight to ten horribly disfigured children of my age, probably older. They were from Nagasaki and Hiroshima. Later I talked with one of my handlers and asked about them. He said they were also on a tour. The organizers were trying to keep us apart. I was shocked and horrified. To think anyone could do anything so barbaric. I know we dropped the bomb to shorten the war. But it’s a visceral feeling I will never forget.

Back in Tokyo four years later, Roth also remembers the Opening Ceremonies when a sole torchbearer ran into the National Stadium. “The torchbearer came in and there was cheering and a kind of reverence. I don’t know what to call it. The attention was locked on this individual. I was stunned by the switch in the crowd. He got to the top and turned around. It was like another one of those moments that defies description. When he stood there and held the torch high, I was stunned.”

Roth was referring to Yoshinori Sakai, who was born in Hiroshima on August 6, 1945, the day an atomic bomb was dropped on his city. “When he reached the bottom of the stairs he didn’t stop, just ran up the stairs in stride. He only paused at the top, turning to face the full stadium and the world. He then turned and lit the flame, causing an entire nation a collective moment of pride and sadness.”

It was a bold move. For a country that was trying desperately to erase from its collective memory the horrors of World War II, the Olympic organizers risked offending the United States of America by reminding the world that Japan was the first and only country to be attacked by nuclear weapons.

In fact, prominent Japanophile and translator of such classics as The Tale of Genji, American Edwin Seidensticker, said that the selection of Sakai as the final torchbearer was not “incidental,” and was “unpleasant to Americans.”

When G. D. Sondhi of India, a member of the International Olympic Committee who had just witnessed Sakai’s torch lighting at the opening ceremonies, was asked to comment on Seidensticker’s reaction, he replied, “He (Sakai) is good and I’m happy to see him do it so nicely. We must bring young people in the Olympics and let those old men just sit and help them.” Sondhi went on to say that he did not think Sakai’s selection to be political, and rather thought that Sakai represented “a big hope” for Japan, and that his was “the most touching of all Olympic ceremonies I ever saw.”

Still, it’s amazing that the organizers, on Japan’s biggest day, consciously chose to highlight Hiroshima via Sakai—whom the press dubbed “Atomic Bomb Boy”—a poke in the ribs of the United States.

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My Olympic Torch: A Symbol that Launched a New Japan

Photograph by Kevin Ing

In Japan, you can emphasize ownership over something by placing the English phrase “my” in front of it. Thus when people dream of expensive purchases, they dream about buying “My car,” or “My home.” This summer, I dreamed about buying “My torch.”

And so I got one.

Photograph by Kevin Ing

“My torch” is from the 1964 Tokyo Olympics. Scars of spent fuel are wrapped in ribbons around the silver cylinder of “My torch,” which protrudes from a black aluminum holder, also sporting stains of fiery remains. “My torch” is a handsome reminder that someone in Japan proudly held the Olympic flame aloft with this torch, while running amidst spectators cheering along the sides of some small town road.

“My torch” was the amalgamation of two Japanese businesses: Showa Kaseihin and the acclaimed designer, Sori Yanagi.

The Cylinder: The gauntlet was thrown down the by the Tokyo Olympic organizing committee: create a torch that would “absolutely not go out, even in the rain.” The job to develop the cylinder and the fuel to sustain a fire was given to defense contractor, Showa Kaseihin in early 1964. The cylinder, from the tip of which flames would fly, is 55 centimeters long, 3 centimeters in diameter, and 54 grams in weight. Inside the stainless steel cylinder, Showa Kaseihin (which is now called Nippon Koki) packed a chemical amalgam into the cylinder of red phosphorus, manganese dioxide and magnesium. The flare-like flame that emerged when the amalgam was lit would last up to 14 minutes come rain or shine, while creating a billowy trail of smoke that can be seen from afar.

The Holder: Sori Yanagi is one of Japan’s most famous industrial designers of the 20th century, who helped put Japan on the map with his globally recognized furniture and kitchenware. (Maybe you’ve seen his famous butterfly or elephant stools in a MOMA exhibit.) His father, Soetsu Yanagi started the Japanese folk craft movement, passed the torch to his son, Sori. In a case of symbolic justice, Sori Yanagi was asked to create the receptacle for the cylinder of the Olympic torch. Crafted from a metal alloy composed primarily of aluminum, the holder is simple and elegant, with a clean black finish. The words “XVIII OLYMPIAD TOKYO 1964” are etched into the surface of the holder’s face, along with the Olympic rings.

The product of this collaboration is an Olympic torch which fits nicely in one’s palm, its heft equal to its gravitas,  its lines simple and striking. This is a torch that spread the word throughout Asia that the world was coming to Japan, and brought hundreds if not thousands running to see the flame, born of the sun in Greece, destined for Tokyo and the commencement of the Olympics, and a new chapter in Japanese history.

Photograph by Kevin Ing
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The Torch Bearer from Hiroshima

Yoshinori Sakai-Sports Illustrated

Yoshinori Sakai (坂井義則) was born on August 6, 1945, the day the first atomic bomb was dropped on Hiroshima. As a symbol of Japan rising from the ashes, Sakai momentously carried the Olympic torch into the National Stadium, and lit the Olympic cauldron at the Opening Ceremony of the Tokyo Games.

He was on the Waseda University track team and won gold and silver at the 1966 Asian Games in 4X400 relay and in the 400 meter race.

With the explosion of television as a mass media channel in the 1960s in Japan, it was clearly apparent to Sakai, who was the focus of attention of billions of people in the most global event in the world, that mass media was a booming industry. Sakai decided in 1968 to join Fuji Television, a major network in Japan, as a journalist.

And while he never represented Japan in an Olympic Games, he worked as a reporter in them. He was at the Munich Games in 1972, when Israeli athletes were murdered by terrorists. He put on a Japan Team uniform and snuck

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