Anton Geesink set the judo world on fire by defeating Koji Sone in the 1961 World Championships. The tall and imposing Dutchman was the first non-Japanese judoka to win in any weight-class in a world championship.

However, Geesink wasn’t satisfied with the way he won. He wrote in his book, My Championship Judo, that he used a “halfway trick” to put Sone to the ground before immobolising him for victory. He felt that despite being the world champion, he needed to continue to improve.

When Geesink visited Japan in 1963 at the invitation of Tenri University, which had some of the best judoka in the world, he learned that Ne-Waza, or ground technique, was the Judo of the future. “In fact, it was the finals of the open weight class competition at the 1964 Tokyo Olympics when Geesink took advantage of a failed Tai-Otoshi attempt by his opponent, Akio Kaminaga. Geesink instead ended up pushing the Japanese to the mat, immediately maneuvering for a Ne-Waza technique Geesink no doubt sharpened at Tenri University.

My Championship Judo cover

 

Geesink wrote in his book that in his time (the 1960s), Ne-Waza, or ground technique, was considered minor by many Japanese judoka purists. “They are – in my opinion – too romantic with their insistence on deciding the contest by a spectacular throw.” But he learned in Japan that for training to be successful, 60% of the time needed to be spent on Ne-Waza, and the remaining 40% on Tachi-Waza.

Here is how Geesink explains a particular Ne-Waza technique – the Kesa-Gatame:

My opponent is recumbent on his back. I am at his right side, my right leg stretched forward, resting on the outside of the foot. My left leg is bent, so that I sit in what one might call a hurdling posture (think of hurdle-racing). My right arm passes around his head, so that I can hold his upper-arm with my right hand. With my left arm I lock in his right arm, which is gripped around my body. My armpit presses against his wrist and with my left hand I grip him precisely under his elbow. Consequently my opponent’s right arm forms a right angle; his elbow sticks out.

Kesa Gatame_My Championship Judo
Kesa Gatame, from the book, “My Championship Judo”

By concentrating my full weight on his trunk, resting only on the outside of my right foot and on the sole of my left foot, so that my buttocks have no contact with the ground, it has become impossible for him to move. If my opponent should succeed in resting the back of his head on the ground, he might be able to develop enough strength to free himself from my immobolising hold. To prevent this, I draw my right arm so tight that his head is moved forward, away from the ground. He has now become quite helpless, immobolised.

And when that actually happened in the finals of the open weight class at the 1964 Tokyo Olympics, when Geesink immobolised Kaminaga in this Kesa-Gatame hold, an entire country fell into collective shock.

Sasae Tsuri Komi Ashi 1_My Championship Judo
Sasae Tsuri Komi Ashi 1, from the book “My Championship Judo”

In the second half of the 1950s, Anton Geesink made a commitment to improving his judo technique by training in Japan for 3-month periods. One of the techniques he learned in Japan was Sasae-Tsuri-Komi-Ashi, which literally means blocking, propping, lifting and pulling. Geesink called it the Lifting Leg Block, and it became yet another weapon in the Dutchman’s arsenal.

In the 1964 Tokyo Olympics, that is the technique Geesink used to handily defeat Ted Boronovskis of Australia in the semi-finals of the open weight competition.

Here is how Geesink explained this technique in his 1966 judo manual, My Championship Judo.

From Shizen-Tai I firmly advance my right foot to my opponent’s left leg and place this foot against the inside of his left foot almost as if I am trying to lift his leg. My opponent’s natural reflex will then be to raise that leg. My first aim has been attained: he has shifted his full weight on to one leg (his right) and on that leg I am now going to concentrate my attack. (in the picture) you can see how I have moved in; my body strongly inclined to the right, my right foot on the inside of his left foot; he has instinctively lifted his left foot (Picture 1).

Pressing my body tightly against his, I now raise my left arm towards me, thus pulling him forward, and – as with any other throw – place the elbow of my right arm against his left side. At the same time I put my left sole against the outside of his right ankle, my leg being practically straight. Thus his full weight is shifted towards his toes and he is, therefore completely off balance. By pulling my body still a little further to the left and by continuing to prop his right foot with my stretched left leg, I can easily bring him to the ground (Picture 2).

By developing the techniques of Okuri-Ashi-Harai, Uchi Mata, and Sasae-Tsuri-Komi-Ashi, Geesink became a well-rounded judoka. This development in technique, combined with his strength, led to a thunderclap heard throughout the judo world in 1961. Geesink became the first non-Japanese in any weight class to win the world championships. He did so in the open weight class by defeating some of the strongest Japanese judoka: Akio Kaminaga, Hitoshi Koga, and Koji Sone. And yet Geesink felt he still needed to evolve. See part 4 for why and how he developed his Ne-Waza capability.

Sasae Tsuri Komi Ashi 2_My Championship Judo
Picture 2