The evening of Saturday, February 10 was freezing cold. The bone chilling cold and skin-shearing winds the organizers were anticipating for the opening ceremonies on Friday, February 9. The cold did not chill, nor the winds destroy during the opening ceremonies. In fact, with enough layers and a little help from the organizers, spectators were able to watch without a thought to the cold.
Thanks to the swag.
On each seat, there was a vinyl bag packed with things to keep us warm and to help us cheer.
As you can see in the above photo, we had a blanket, a hat, and most importantly, a seat cushion and a heat pad that could be slipped into the cushion. Other heat pads, packs of squishy chemicals that warm up and stay warm as you hold and squeeze them.
I had unfortunately lost my hat that afternoon only to find a hat in the bag, which I immediately put on. Together with my boots, a thermal undershirt and underpants, a shirt, a vest, a ski coat, a neck/face warmer, I was sitting pretty on my heated cushion. I didn’t need the blanket, and thankfully, there was no precipitation to require the rain poncho.
One of the gifts was to be used during key moments in the program, when the lights would go down and everyone could turn on their mini-torch, a replica of the PyeongChang Olympic torch. During one of the most powerful moments in the program, when performers launched into a moving rendition of John Lennon’s Imagine, spectators waved their torches, imagining that one day, the world will be as one.
1964年、ザ・ビートルズはアメリカを席巻する。彼らの前途は、そしてどこまでも続くその成功は、誰からの助けも必要としていなかった。彼らの記者会見からもわかる事がだが、彼らの宿泊先での悪ふざけ、エド・サリバンショーへの出演や、ワシントンDC・フロリダへの旅といったリバプールから来たこの4人の若者は、アメリカ人が一緒に街へ繰り出したいと願う友の様な存在であった。ロン・ハワード監督の映画、「The Eight days a Week」に映るのは、ジョン、ジョージ、ポール、そしてリンゴの4人が、共に過ごす時間を心から楽しんでいる姿である。
1964年、ブルガリアの走り幅跳び選手として東京オリンピックに参加していたダイアナ・ヨーゴバは、私に宛てた手紙の中でこう話している。きつい練習の合間に取る休憩時、彼女は女子寮の中にあったミュージックホールへ行き、好きな音楽を聴いた。彼女のお気に入りの一つが「With the Beatles」というアルバムで、これは1963年11月に発売されたものであった。傍らで行われている生け花レッスンを横目で見ながら、そこから漂う花の香りを楽しみつつ、彼女はお気に入りの曲を聴いた。All My Loving, Please Mister Postman, Hold me Tight, I Wanna Be Your Man.
Robbie Brightwell was a 16-year old student in Shropshire, England, and was straining to keep his eyes open while doing research in his local library when he came upon an old magazine and was struck by a picture of runners in a competition sometime in the late 19th century. As he related in his autobiography, Robbie Brightwell and His Golden Girl, he was surprised to see that in an area called Much Wenlock, not far from his own, there was a sporting event called “The Olympics”.
Intrigued, Brightwell, who went on to captain Britain’s track and field team at the 1964 Tokyo Olympics, began impromptu research into the Much Wenlock Games, and learned that Baron de Coubertin, at the age of 27, came to Much Wenlock and met an 81-year-old English physician, who planted the idea for what we now recognize as the Modern Olympics.
But as is true with any great endeavor, new ideas and initiatives are often built on earlier iterations. According to The Games: A Global History of the Olympics by David Goldblatt, events held in both England and France could be considered precursors to Coubertin’s Olympics.
The Cotswold Games: In the early part of the 17th century, fairs and festivals were a common part of the English country lifestyle. One of the biggest in England was the Cotswold Games in Chipping Camden, a mixture of fun and sports, contests and gambling. As can be seen in the poster for the Cotswold Games, also known as the “Cotswold Olimpicks”, there was a mock castle created on a hill, in front of which was the main theater for the events. Developed by Robert Dover, a “charismatic and charming man”, the Cotswold Games featured “hare coursing and horse racing, wrestling and shin kicking, stick fighting and hammer throwing.” Dover established this country fair in 1612 and was able to organize the Cotswold Games for about 30 years. Unfortunately for Dover, and perhaps the community of Chipping Camden, the 1630s saw a shift from the hedonistic reign of King James I to a more conservative, puritanical approach of Oliver Cromwell, who overthrew the King in 1645. That put an end to the Cotswold Games.
The Republican Olympiad:When the French monarchy was overthrown in the French Revolution of 1789, leaders of the new republic were excited about change to come. One of the leaders of the revolution, Charles Gilbert Romme, devised a way to update the calendar for a new, enlightened France. With five days added to the year, with the inclusion of another day added to a Leap Year, which would take place every four years. According to Goldblatt, “Romme thought that the lead day might be a good occasion for staging public festivities and games: ‘we suggest calling it the French Olympiad and the final year the Olympics Year.” In 1796, the first Republican Olympiad was held in Paris, where hundreds of thousands came out for games, music, dancing, running and wrestling. Winners of competitions won wreaths of laurels, pistols, sabres, vases and watches. The Republican Olympiad continued for two more cycles, but died out before the start of the 19th century.
John Lennon in front of poster that inspired “Being for the Benefit of Mr. Kite”
Pablo Fanque’s Travelling Circus Royal: As Goldblatt noted, the Olympics were often more often associated with circuses in the 18th and 19th centuries in England. One of the most popular traveling circuses was called Pablo Fanque’s travelling Circus Royal, which offered an “unrivalled equestrian troupe” and ” new and novel features in the Olympian Games.” Pablo Fanque was said to be the most popular circus proprietor in a golden age of circuses in Victorian England, and was quite accomplished not only as an equestrian, but also as a master of the corde volante. But as you may be able to tell, Fanque’s association to the Olympics is peripheral at best. His association to The Beatles may be stronger. The album, Sergeant Pepper’s Lonely Hearts Club Band” featured a song called “Being for the Benefit of Mr. Kite“, the lyrics of which are primarily lifted from an 1843 poster marketing Fanque’s Circus Royal.
The Much Wenlock Olympian Games: Dr Penny Brookes of Shropshire, England, agreed with the thinking of the time, that it was important to promote “the moral, physical and intellectual improvement of the inhabitants of the town…by the encouragement of outdoor recreations and by the award of prizes annually at public meetings for skill in athletic exercises and industrial attainments.” The first Much Wenlock Olympic Games were held in 1850. While these Olympic Games were a rural fair, they also had a firm sporting focus. In addition to fun events like wheelbarrow and sack races, both amateurs and professionals competed in cricket, football, archery, hurdling, running, shooting, cycling and a pentathlon. Large cash prizes were awarded.
When Baron de Coubertin, was told about the Much Wenlock Olympic Games, he made it a point to visit and meet Dr Brookes, a seminal act in the origin story of the modern Olympic Games.
William Penny Brookes in 1876 Photo WENLOCK OLYMPIAN SOCIETY
But now these days are gone, I’m not so self assured
Now I find I’ve changed my mind and opened up the doors.
Help! By John Lennon and Paul McCartney
In 1964, Japan was younger, so much younger than today. They were bursting with energy, building a new, modern country, one the world would soon see during the Olympics to be friendly, proud, caring, technologically advanced and joyful.
In 1964, the Beatles invaded America, their dream destination, their exuberance boundless – needing absolutely nobody’s help in any way. From their press conferences, to their hotel escapades, to their appearance on the Ed Sullivan show, to their trips to Washington DC and Florida, the four lads from Liverpool were the four mates Americans wanted to hang out with. And as Ron Howard’s film – The Beatles Eight Days a Week – shows, John, George, Paul and Ringo sincerely enjoyed hanging out with each other.
The Beatles Landing at Haneda Airport
I watched this film last week. I can’t say if it was a great film or not. But Howard rightfully kept all the attention on the Beatles and their music. As a lifelong fan, I could not help but smile incessantly throughout. The film, particularly the first half that focused on 1964, was a portrait of The Beatles as the personification of joyfulness.
The Beatles did not relegate their time to the US only. As it turned out, the record deals they agreed to actually paid them little, so they needed to tour to earn themselves the riches they deserved. In 1964, they premiered in the US in February, and then in the middle of the year, went on a 27-day tour of Denmark, Holland, Hong Kong, Australia and New Zealand, where they performed in a total of 37 shows. Then in August, they returned to the US and powered through a 30-concert tour in 23 cities. Everywhere they went, they were mobbed.
As brilliant author, Malcolm Gladwell, explained in Ron Howard’s film, The Beatles were a phenomenon that rode the wave of a new global teen culture, driven by the popularity of the Fab Four. When Olympians the world over gathered in Tokyo in October, 1964, the majority of the Olympians, many teenagers or only years removed from that age group knew The Beatles, and sang their songs.
Diana Yorgova, a Bulgarian long jumper who participated in the 1964 Tokyo Games, wrote to me that she would take a break from the intensity of her training by going to the music hall, a place inside the women’s dormitory. She would listen to the music she liked, and one of her favorite albums was “With the Beatles“, which had come out in November, 1963. While watching ikebana lessons nearby, and taking in the sweet fragrances of the flowers, she would listen to her favorite songs: All My Loving, Please Mister Postman, Hold Me Tight, I Wanna Be Your Man.
Ada Kok, a Dutch swimmer who won two silver medals at the 1964 Tokyo Olympics in the 100m butterfly and 4x100m medley, was also a Beatles’ fan. In the confines of the women’s dormitory, she told me that the Dutch and the Australians had a particularly raucous party after the swimmers celebrated their medal hauls. Kok said they celebrated by singing Beatles songs the entire time.
But alas, all good things….
The 1964 Tokyo Olympics is considered the last pure Games, the last innocent Olympics. Security was not an issue, doping was not so prevalent, the under-the-table sponsorship payments were not so obvious – a good time was had by all.
But the roiling geo-political and social undercurrents were just getting noticed. And as we saw at the Mexico City Olympics in 1968, with the massacre of hundreds just prior to the opening ceremonies, and the murders of 11 Israelis by Palestinian terrorists inside the Olympic Village at the Munich Olympics in 1972, the world had made its transition from joyfulness and purity to cynicism and insecurity.
But now those days are gone, and I’m not so self assured.
In 1966, The Beatles came to Tokyo, playing four shows on June 30 and July 1. After the amazing reception that foreigners got during the Olympics in October 1964, one would think the most popular people in the world would get the very best of welcomes from the Japanese. But as the Howard’s film showed, The Beatles walked into an ambush.
Scheduled to play the Budokan, opened in time for the Olympics, the Beatles would be the first musicians to perform there. The increasingly vocal right wingers in Japan did not take kindly to a group of foreigners coming to Japan to perform music that would, perhaps, despoil The Budokan, a venue they believed should be reserved for only Japanese martial arts. The shows went on, mixed in with the normal Beatlemania response, but tainted by a high level of security and caution for the Beatles in Japan.
Security at the Budokan
The second half of the 1960s was challenging for The Olympics, for the Beatles, for everybody. An Age of Innocence had ended.
Help me if you can, I’m feeling down
And I do appreciate you being round
Help me, get my feet back on the ground
Won’t you please, please help me, help me, help me, ooh
John Lennon and Yoko OnoToday in Japan, it is December 9, but in the US, it is still December 8, the day John Lennon was murdered, the day the music died.
On the closing day of the Munich Olympics in 1972, the torch was extinguished, the lingering waves of joy of Olympic competition and camaraderie merging with countervailing waves of sadness. Eleven Israeli athletes had been killed by the hand of terrorists. According to the book, Secret Olympian: The Inside Story of the Olympic Experience, athletes left the closing ceremony and gathered in the Olympic Village. And as the athletes struggled with their mixed and roiling emotions, a song by John Lennon unified them all.
At the John Lennon memorial event at Central Park on December 14, 1980_photo taken by Roy TomizawaFollowing the closing ceremony, the athletes returned to the Village and converged on the discotheque. John Lennon’s ‘Give Peace a Chance’ was played several times with its poignant relevance. Fencer Susie Murphy’s overriding memory of Munich was a touchingly united scene with athletes of all nations singing along to Lennon in one unified voice, arms round each other’s shoulders, in defiance of the atrocity.
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