undokai_savvy tokyo
Photo from Savvy Tokyo

Today is October 10. Until the year 2000, October 10 was a national holiday in Japan called Sports Day, marking that momentous occasion in Japanese history – the start of the XVIII Olympiad in Tokyo.

It is also a time marker to note when primary and nursery schools across Japan engage in the gathering of children, teachers and parents for undokai, an event dedicated to sporting events. Since 2000, Sports Day was moved from October 10 to the second Monday of October to ensure that Japan always celebrates with a three-day weekend. It is that weekend in which the undokai is often held.

According to this guide, typical sports organized at undokai are the running sports, but also include three-legged races and the formation of human pyramids. As the students get older, that sense of competition increases, but the overwhelming atmosphere is one of cheer and support, with shouts of “ganbare!” to encourage them to do their best.

I remember my son’s first undokai when he was 2, in the same way many parents do – through the countless pictures and video taken of the time. My son was going to a nursery school, and the teachers helped put these somewhat distracted, somewhat awkward children through the various running, jumping and throwing competitions.

Here’s my son in a throwing competition.

Hotel New Otani 1964
Hotel New Otani, 1964

 

The novel, Olympic Ransom, (Orinpikku no Minoshirokin) by Hideo Okuda, weaves a story about the imagining of an attempted terrorist attack during the Opening Ceremony of the 1964 Tokyo Olympics. (See previous two posts for details.)

Inspector Masao Ochiai is searching for clues regarding a series of small explosions in Tokyo. The start of the 1964 Tokyo Olympics is only weeks away, and the explosions are concerning to the authorities overseeing security of Tokyo and the Olympics, wondering if this is the start of something more sinister.

Tadashi Suga is the son of the head of security for the Tokyo Olympics, and since his red sports car was seen near one of the explosions, he was targeted as a potential witness. Ochiai tracks Suga down at the poolside of the Hotel New Otani, one of the most remarkable new structures on the flat landscape of Tokyo. In fact, in 1964, the Hotel New Otani was the tallest and flashiest building in Japan.

As Bruce Suttmeier wrote in his essay, Held Hostage to History: Okuda Hideo’s Olympic Ransom:

The Hotel New Otani was built in the run-up to the Tokyo Olympics, requested by the government in response to the perceived shortage of hotel space for visitors. As James Kirkup wrote after his visit to Japan in 1965, “From the monorail or the expressway, one’s first overall view of Tokyo is of a sprawling, squat city. There were no skyscrapers until the Hotel New Otani, with its revolving circular restaurant sixteen floors up, was opened just in time for the Olympics in September, 1964. Kirkup’s comments highlight that, until building height codes were lifted in 1963, all buildings in Tokyo were restricted to under thirty-one meters. The first major structure to exceed that limit was the Hotel New Otani at five times this limit – one hundred fifty-six meters (seventeen stories, the top floor housing the revolving restaurant.

The New Otani broke the mould, setting the precedence for taller buildings across Tokyo, as well as quickly becoming a photogenic symbol of Tokyo’s transformation to a city of the future. Watch the 1967 James Bond film, You Only Live Twice, and you’ll learn that SPECTRE’s headquarters in Japan was actually the New Otani.

Okuda wrote about the shiniest objects in the Tokyo landscape to create sharp contrast with the poorest parts of Japan. But he did so also to bring to life that feeling of optimism people in Tokyo felt at the time. He expresses this sense of marvel through the eyes of Suga and his girlfriend Midori, who wend their way through Tokyo in a red Honda S600, approaching the newly constructed elevated expressway that passes by the New Otani, as well as the Akasaka Prince Hotel.

Miyake Slope (Miyake-zaka) was up ahead, along with the newly finished elevated interchange. And perched high above was Metropolitan Expressway 4, like the Milky Way itself, sublimely stretching out across the sky. How beautiful were all these roads, winding in all directions. This is a city of the future, he thought.

The Akasaka Prince Hotel is no longer there – it has been replaced by a mixed-use office-hotel complex called Tokyo Garden Terrace Kioicho, where I work today. But the New Otani still stands, accompanied by taller companions developed over the decades, a legacy of the 1964 Tokyo Olympics.

Hotel New Otani from old to new

 

Shimazaki on Yumenoshima
Shimazaki hiding from the police on Dream Island, in the Asahi Television produced film, Olympic Ransom

The phone rings. It’s Kunio Shimazaki, and he’s asking for police inspector Masao Ochiai, to inform him where to deliver the ransom money. If the police do not comply with his demand for 80 million yen, then he will set off another bomb in Tokyo, one that will certainly derail the good-feel bandwagon of the 1964 Tokyo Olympics. (See part 1.)

Shimazaki hangs up, but the police notice in the recording of the call that seagulls could be heard in the background. The Tokyo University student, Shinozaki, as created by Hideo Okuda, in his 1984 novel “Olympic Ransom” (Orinpikku no Minoshirokin), is keeping out of sight.

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Yumenoshima today. The area behind the white fence will be the archery venue for Tokyo 2020. You can see the chimney for the incinerator that get rids of waste and provides heat for the greenhouse.

The police, of the possible hundreds of seaside spots along Tokyo Bay, wonder where Shinozaki, and his partner in crime, Tomekichi Murata, could be.

As it turns out, they are hiding on Dream Island, a landfill in Tokyo Bay off of the mouth of the Arakawa River. First planned in the 1930s as the possible site to replace Haneda Airport, it was opened to the public as a beach called Yumenoshima, the island of dreams. Alas, dreams don’t last forever. The beach was closed, re-opening as a garbage dump in 1957, an out-of-the way destination for the increasing amount of waste generated by a fast-growing economy.

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The map of Yumenoshima, the white box in the middle is where the archery venue will be.

Unfortunately, the ten million tons of garbage accumulated over a ten-year period, was left to fester. And only 8 months after the end of the 1964 Tokyo Olympics, it was reported that massive number of flies, that literally blackened the sky, made their way from Yumenoshima across the Sumida River into the heart of Tokyo. As famed translator, Edward Seidensticker wrote in his book, Tokyo Rising, the Japan Self-Defense forces were brought into the fight off the plague of flies.

Initial efforts of the Self-Defense Force (the Japanese army by another name) to exterminate the flies seem initially to have had only the effect of spreading them. Finally a scorched-earth policy worked. Dream Island was for a time a cinder on which not even flies could live.

Today, Yumenoshima is a nice weekend outing, where you can hold a barbecue, sail away from the Marina, walk through a tropical greenhouse, visit the museum of the famed Daigo Fukuryu Maru, a symbol of the horrors of the nuclear age in the 1950s, or play baseball by the seaside on one of 12 fields.

Tokyo 2020 archery field yumenoshima
An illustration of the planned archery venue for Tokyo 2020.

It will also be the site for the archery competition during the 2020 Tokyo Olympics. A grassy field across the street from the greenhouse, the area is fenced off as construction continues.

From an idea to a dream to a nightmare, Yumenoshima has settled into middle age as a family outing. And in 2020, the world of archery will descend on the man-made island, dreaming of gold.

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If you look closely, you can see Tokyo Skytree in the distance.

 

Orinpikku_no_Minoshirokin_Ochiai and Shimazaki
Inspector Ochiai faces off with Shimazaki in the film, Olympic Ransom.

It’s October 10, 1964, past 2pm and 70,000 people who filled the National Stadium for the Opening Ceremony of the XVIII Olympiad in Tokyo are buzzing with excitement. Kunio Shimazaki, a student of the prestigious Tokyo University, has entered the stands, making his way towards the top of the east facing part of the stadium and the Olympic cauldron.

As Emperor Hirohito’s high-pitched voice declares the Olympic Games open, Shimazaki holds explosives in one hand and a lighter in the other, approaching the yet-to-be lit cauldron with deadly intent. The police surround Shimazaki, and up steps Inspector Masao Ochiai, his grip on his gun tightening.

olympic ransom book coverThis is a scene from the novel, Olympic Ransom (Orinppiku Minoshirokin) by Hideo Okuda, highlighting the national urgency of the time, to ensure that the 1964 Tokyo Olympics begin and end successfully, thus re-establishing Japan’s re-integration to the world community. A terrorist attack like the one Shimazaki hoped to carry out did not come to pass in the novel, but he, through the writing of Okuda, brought attention to the challenges of the Japanese economic miracle and the sacrifices made at the time.

While the Japanese economy was steaming ahead on the eve of the 1964 Tokyo Olympics, GDP growing from 8.8% in1963 to an incredible 11.2% in 1964, there were sacrifices, and omissions of prosperity. In the novel, Shimazaki is from an impoverished town in the Northern part of Japan, Akita. Although he was able to break the cycle of poverty by gaining admission to the best university in the country, his older brother had to work long days on punishing schedules in Tokyo to help the city complete all of its infrastructure projects in time for the Olympic Games. And one day, his brother was dead, a result of an exhausting workload and a dependency on drugs.

Days before Inspector Ochiai stops would-be terrorist Shimazaki at the National Stadium, they meet at Tokyo University. In the film produced by Asahi Television in 2013 based on Okuda’s book, Shimazaki explains to the inspector why he is looking to make the authorities in Japan pay.

Ochiai-san, do you know there is an underground passageway into the National Stadium? An underpass to all for the movement of players from underground into the world’s best stadium? The country has spared no expense in the making of it. Due to various pretexts though, the use of it was stopped. My older brother for the sake of constructing that unused underpass was forced into working shifts of sixteen continuous hours. In order to get through those shifts he turned to taking bad Philopon….and died. For the national honor, the country wasted huge amounts of money all while treating migrant workers like trash until they die, paying them only tens of thousands of yen. If we don’t change something here, the unfair gap between rich and poor will go on widening forever. And endlessly the same tragedy will repeat.

As Bruce Suttmeier in his essay, “Held Hostage to History – Okuda Hideo’s Olympic Ransom” writes that Okuda’s re-imagining of history is “a thought experiment in narrative form”…with an intent to “expose political and social certainties to speculative inquiry.”

For example, Shimazaki explained in the encounter with Ochiai that his brother was sacrificed to help build an underpass under the National Stadium, and that it was not used despite the pain and labor that went into its construction. While such a tunnel was indeed constructed, the reality is the tunnel was actually used by athletes and officials alike during the 1964 Tokyo Olympics, as noted in this previous post.

Regardless, the point being made in the novel is that economic progress made in the lead up to the 1964 Olympics, while impressive, was not necessarily true for all of Japan. The widening gap between haves and have nots was an uncomfortable social reality, and the 1963 Akira Kurosawa film, High and Low, projects the anxiety many felt at the time.

But it’s the head of security for the Tokyo Olympics, Shuichiro Suga, who explains to Ochiai that Shimazaki is not a hero of the people, but a terrorist.

Suga: The permission to shoot to kill Shimazaki Kunio has been issued. If you find Shimazaki this time around, shoot him without hesitation. Are you okay with the Olympics ending in failure due to your sentimentality? From the ashes of defeat , are you okay with wasting what the Japanese people have gritted their teeth over and rebuilt with great effort?

Ochiai: However, for those people struggling in poverty in rural regions, They have been rewarded with nothing.

Suga: Is there something wrong with Tokyo becoming enriched? First off, Tokyo, the center of the country, should prosper, and then the other regions will gradually become richer. Don’t forget. Shimazaki is a brutal criminal, and the lives of hundreds of thousands of people are still exposed by this crisis. In order to protect their lives you’ll have to pull the trigger too.

Shimazaki in the stadium
Shimazaki in the Olympic crowd on opening day.

In the end, Ochia does indeed pull the trigger, bringing Shimazaki down, with nary a soul outside the police knowing that a deadly threat was thwarted. And so, the novel ends as the actual 1964 Tokyo Olympic opening ceremony ends – without incident.

In the essay, Held Hostage to History: Okuda Hideo’s Olympic Ransom, the author, Bruce Suttmeier, explains that while Okuda’s book is a novel, the author may be suggesting that so many things of significance may have happened, but that in the end, historians, authorities and society may have selective memories.

After the unnoticed shooting in the stadium and the brisk removal of Shimazaki’s injured body, the story quickly returns in its final pages to a sanctioned historical narrative, free from the destabilizing presence of a past encumbered by contingency and potential and by the weight of epistemic uncertainty.

As Suttmeier writes, when the head of security, Suga, is asked by his son whether the threat is over, Suga replies “what bomber?” In other words, why worry the public, the overjoyed and proud public with such distractions. Let the Games be the glowing symbol of Japan’s resurrection and triumphant return to the international community.

Perhaps what Okuda is saying in a way – no great triumph comes without sacrifice, and that we should peer a bit deeper into our own understandings of the past.

Tiger Woods TOUR Championship
Photo: Christopher Hanewinckel-USA TODAY Sports

Tiger Woods won the TOUR Championship, his first victory in five years. He slogged his way to the finish with two bogies in the final four holes, but he enjoyed the stroll towards the green of East Lake Golf Course in Atlanta, Georgia, leading a Tiger swarm not seen in years.

“I had a hard time not crying coming up the last hole,” he said. “I had to suck it up and hit some shots.”

And when he hit his final putt on 18, the NBC announcer said what so many thought, that after so much injury, so many surgeries, and a very long championship drought, Tiger was back. “We thought we’d never see it. Probably he didn’t either. Tiger Woods – a winner again. Number 80.”

Up by three holes at 14 in the final round, his closest competitors fading, Woods two putts a birdie chance away, bogies away two shots on 15 and 16, and then hangs on for a 2-shot victory over fellow American Billy Horschel. “It was a just grind,” said Woods on NBC. “I loved every bit of it – the fight and the grind and the tough conditions. I loved every bit of it.

Tiger Woods TOUR Championship 2
TWITTER: Congratulations to our boss on winning the Tour Championship today, marking it his 80th PGA Tour victory and a comeback for the ages. – TGR #TW80

Justin Rose, who won gold at the re-boot of Olympic golf in Rio, finished tied for fourth but with enough points to win the FedEx Cup. Woods is not thinking of Tokyo 2020 right now, but you can bet organizers and members of the Kasumigaseki Country Club are catching Tiger Fever. The Kasumigaseki C. C. in particular does not want the gender controversy to get attention every time their club is mentioned, so a little Tiger magic will distract.

Will Tiger make it to Tokyo, and be one of the incandescent stars of Tokyo2020?

Right now, Tiger doesn’t make the cut.

According to the International Golf Federation (IGF), the Olympics limit the number of players to 60 each for the men’s and women’s competitions. The IGF will look to the official world golf rankings as a basis of their own Olympic World Golf Rankings (OWGR). The top 15 men in the world, ranked over the period of July 1, 2018 to June 22, 2020, will be eligible to compete in the 2020 Tokyo Olympics. There is a caveat – with countries rich in golf talent, there is a limit of four players.

Unless, Tiger really gets his game into high gear in the coming 22 months, he could get left behind. According to gold prognosticator, Nosferatu, Americans -Dustin Johnson, Brooks Koepka, Justin Thomas, Bryson DeChambreau, Rickie Fowler, and Jordan Spieth – already occupy the first six slots in the OWGR rank list as of today. The PGA Tour official world gold ranking has Woods at 21, with 11 Americans ahead of him.

But that was before Woods’ final putt on 18 today. And he had already climbed from 80th in April to 13th in September in the OWGR. What do the coming weeks months have in store? Hopefully, we can follow those tiger tracks all the way to Tokyo in 2020.

 

no tattoo sign

Some of the famous people in the world have tattoos. The US tattoo industry alone is a $1.5 billion business. And many of the 20 million plus foreigners visiting Japan every year are sporting tattoos. But as some visitors are surprised to learn, their tattoos are sometimes frowned upon, and result in being turned away from the hot springs and beaches of Japan.

Rugby World Cup Organizers are excited about the 2019 Rugby World Cup tournament coming to Japan, and have been eager to show respect to their hosts next year. At the one-year-to-go milestone, tournament director Alan Gilpin stated in a press conference that rugby players with tattoos need to cover up their body ink.

“We will make (Japanese) people aware around the facilities that players will use in the country that people with tattoos in a Rugby World Cup context are not part of the yakuza, the Japanese mafia,” added Gilpin.

It’s a socially sensitive statement as there is generally a negative attitude of Japanese towards tattoos – a common rationale being that Yakuza were commonly associated with tattoos. In fact, there is a law against tattoo artists without a medical license, which has been enforced. And signs at pools, hot springs and public beaches commonly explain in multiple languages that people with tattoos are prohibited from entry, or at least asked to cover them up.

The Japan Travel Association (JTA), eager to avoid private establishments from kicking surprised foreign guests out of their establishments, have encouraged hot spring proprietors to relax their rules against people with tattoos. But the reality is, with the Rugby World Cup in 2019 and the Olympics in 2020, Japanese will see a lot of foreign athletes with tattoos – on the beach, in the pools, all round town.

Here are a few of the Olympic hopefuls who sport tattoos.

Joseph Schooling tattoo
Joseph Schooling – swimmer, Singapore, gold medalist in 100 meter butterfly at the 2016 Rio Olympics
Shaun White tattoo
Shaun White – three-time gold medalist in showboarding halfpipe, American, and potential Olympian in skateboarding at Tokyo 2020 Olympics

 

Simon Biles tattoo
Simone Biles – gymnastics, American, four-time gold medalist

To think that Japan is anti-tattoo is taking a negative perception too far. The fact is the number of tattoo artists (despite the law) has increased significantly in the past 30 years. And foreigners with tattoos who come to Japan feel that attitudes are shifting. According to best-selling Australian author, Tara Moss, “there is a quiet rebellion against these prevailing rules and social norms in Japan.”

I received several compliments when mine were visible, and one of my favourite moments on our most recent trip was when I had a summer dress on in the subway and my forearm tattoos were showing. One particularly cool young man seemed quietly fascinated, and rolled up his shirt sleeves silently to reveal the very lower edges of his arm tattoos. We were part of some similar ‘tribe’. No words were exchanged, only a nod that my husband could take his picture as he posed nonchalantly against the train door.

If you have tattoos and plan a visit to Japan, Moss writes that you should take the following under advisement:

  1. Expect to completely cover tattoos at any pool, gym and most water parks and beaches.
  2. Tattoos are banned at onsens (bath houses).
  3. Many ryokans (Japanese inns) will not accept tattooed guests.
  4. You should consider covering your tattoos at any temple or sacred site.

And what does Moss suggest are the best ways to avoid Japanese seeing your tattoo?

  1. Use a rashie at the pool
  2. Book a private onsen instead of attending a public one.
  3. Use clothing/scarves.
  4. Try arm covers
  5. Use a bandaid or bandage.
Rich Stebbins_2016
Stebbins at the Northwest Express Track and Field Classic in Florida, June, 2016.

I remember the very first time you called my name. Olamide Orebamjo, announcing that I was an Olympian and now I am getting ready to hear my name called during my graduation ceremony. As I look back over the years, I can honestly say that you were not only my favorite teacher, but the best teacher I ever had.

Orebamjo was a shy, little sixth grader at Mayfield Woods Middle School in Elkridge, Maryland when she first met her social studies teacher, Richard Stebbins. But after completing his class, she was transformed, and sent a thank you note to him upon her high school graduation in 2010. She also wrote that she aspired “one day to become an attorney for the United Nations and later on become an ambassador for the United States.” Today, she is a 25-year-old judicial law clerk in Baltimore City, supporting a judge by researching, drafting opinions and memoranda, and preparing the judge for civil litigation matters.

Olamide Orebamjo
Olamide Orebamjo

Orebamjo is just one of many students at Mayfield Woods who had been deeply impacted by the ideas and the methods of their social studies teacher, who also happened to be an Olympic gold medalist from the 1964 Tokyo Summer Games. Now a retired teacher, Stebbins is also a member of the Southwest Athletic Conference (SWAC) Hall of Fame for his world-class sprinting at Grambling College, and is most famously known as the third leg of the US 4×100 relay team anchored by the legendary Bob Hayes that took gold in Tokyo.

Stebbins would frame his social studies class year as a long-term competition of sorts, placing eight of the student desks at the front of the room, facing the other students. Those eight desks were for the students who achieved the highest quiz scores at different points in the year. And this had a motivating effect on students, including one named Maria, who wrote about her excitement in a year-end essay:

When you told us about your Olympian method, boy was I excited! I listened to you attentively as you told us about those great kids who had sat at your left and at your right. They had earned A’s on most of their tests and their quizzes. I remember looking at that first desk at your left and thinking, “I will be there one day.” I wanted to so badly to show you that I could really work hard and that I love learning. Now that I look back at all the hard work that I put towards being on that Olympian sit, I am thankful I did because it is such a rewarding feeling to know that my hard work pays off. Since you showed us your Olympic method I started to dislike B’s. I set my goal at the beginning of the year that if I wanted to be an Olympian my grades on everything had to be mostly A’s.

Sandra Hwang medal
Students recognized as Olympians in Stebbin’s class were allowed to wear Stebbins’ gold medal at the end of the year. This is Sandra Hwang as a sixth grader.

Stebbins wanted his students to work hard, but he also wanted them to relax and have fun. He played jazz music during quizzes, showed videos, played games. But most importantly, he drilled certain messages over and over into the heads of his eager students.

Education is a Privilege: Recalled a student named Andrew, “You made me understand that hard work and an education are a privilege, not a burden. We may think we don’t have enough, but in reality we have way too much. You made us aware of the situation of people on every continent, and of their struggle to survive daily.”

Excellence: Stebbins, his Olympian system and the fact that he had a gold medal made him a symbol of excellence to his students. But he also showed many examples of people who demonstrated excellence in their lives, including his sharing of videos of people recognized by the President of the United States for their excellence. Wrote a student named Jadah, “My favorite thing about your class was the Kennedy Center Honors (videos). I might have not looked interested but it was only because it was early in the morning but I was excited to learn about different people and what they have added to the world. I want to be something that the world admires and what to honor.”

The World is Big and Diverse: Wrote a student named Brendan in his year-end essay, “Before I came to sixth grade, I always saw the world as just a place where I live. Now, with Mr. Stebbins help, I see the world as one big history book filled with knowledge and connections. He has influenced me to travel around the world, and see many of the world’s greatest wonders. I think that knowledge is the best gift you can give to anybody and when I moved into Mr. Stebbins class that is the first thing he gave to me. I am honored that I was able to meet this wonderful man.”

A big focus of Stebbins’ teaching was the history of African Americans. In addition to dressing up in traditional African wear, and talking about people like Miles Davis and Malcolm X, he awarded Olympians with a 365 Days of Black History calendar that featured Stebbins. “This was and is a prized possession that I still have – his photo from the 1964 Olympics is featured on one of its pages,” said a student, Sandra Hwang. “Signed by Mr. Stebbins, it says, ‘you are a seeker of truth.'”

Version 2
Sandra Hwang today.

Never Give Up: Jeremy wrote to Stebbins 11 years after taking his social studies class, describing his teacher’s penchant to quote from a popular cartoon at the time, Pinky and the Brain, secondarily to inject fun into the class, but primarily to send a message. “You incorporated your love of Pinky and the Brain into the class lesson, and into the values, you wanted to instill in your students. You used to say all the time “Brain never took over the world, but he never gave up.” You wanted us to do the same. You wanted us to have a dream and no matter how long it took not to give up. Your words ring in my ears until this day.”

You are Special: Stebbins always had something specific to say about each of his students. Amber wrote that Stebbins said something to her that stuck with her since. “I was really one of a kind, and he could tell that I was going to do great things. I will never forget that day.” Hwang was in Stebbin’s class in 2003, and she remembers ordinary days that instantly became most memorable ones thanks to Stebbins.

While I was in other classes, say math class, if Mr. Stebbins came in the room to pick up something from the teacher and saw me in the room, he would point his finger at me and, in total interruption, announce loudly to the room, “this one, she is destined to be great.”

Today, Sandra is a 26-year-old healthcare design strategist for a consultancy in Boston, with a personal goal of helping people “have a better chance at the health and happiness they deserve…and to do this work for those among us that truly need it most. Children, minorities, women, refugees, people living in homelessness, without support, without equal access, without the right to health.” She wrote to me emphasizing what a huge influence Stebbins was for her.

I cannot articulate how many young students out there need someone like Mr. Stebbins to walk into the room and declare their worth with such absolute certainty. Mr. Stebbins did not set me up to do a good job in school, have a good job, and to live a good, stable life. He set me up to dream and to elevate myself in accordance to my dreams – to aspire for excellence, for greatness, and with the kind of boldness and audacity carried by the heroes we learned about in class.

Stebbins explained in a Baltimore Sun article that he only did what his best teachers did for him when he was growing up in Los Angeles in a single-parent household. “Two teachers in junior high school saved my life — an old black man, and an old white woman,” he said. “They told me I could be somebody, that I could do something with my life.”

Those teachers did what Stebbins did for countless kids at Mayfield Woods Middle School. Orebamjo noted that to Stebbins in her letter, quoting William A. Ward.

The mediocre teacher tells.

The good teacher explains.

The superior teacher demonstrates.

The great teacher inspires.