When coronavirus body slammed the world, the IOC and the government of Japan postponed the Tokyo2020 Olympics and Paralympics as the global economy stood punch drunk in the corner, tagged with constant jabs and body blows.

 

As we approach the end of the year, as infection rates continue to soar, a ray of hope has appeared in the form of newly developed vaccines. Will that ray of hope grow into that light at the end of the tunnel IOC president Thomas Bach desperately wants to see?

I hope so.

 

As a footnote, my own 2020 was not a total bust – the Japanese version of my book was published, and I appeared in A&E History Channel’s documentary, Tokyo Legacy, which is about the history of Tokyo from 1945 to 2020. While I was not so prolific this year in my blog, I did write a number of original articles I am proud of.

 

Reasons to Believe

 

Emotional Memories of Japan

 

The Paralympic Movement

Recalling 1980 and the Cold War

Paralympian Mami Sato speaks during the Tokyo 2020 bid presentation of the 125th IOC Session – 2020 Olympics Host City Announcement on September 7, 2013 in Buenos Aires, Argentina. (Photo by Ian Walton/Getty Images)

In commemoration of the 56th anniversary of the 1964 Tokyo Paralympics, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”

二〇二〇年に向かって

An Olympic legacy is commonly thought of as the tangible benefits of having hosted an Olympiad—the new sporting venues or transportation systems, the organizing know-how and the practical technology. But it is also the intangible benefits—the inspiration of an entire generation who see the very best athletes in the world strive to their utmost. And on occasion, citizens of the host nation get to see their own athletes and teams take their country on a thrilling ride to victory. These moments can jolt children and young adults, sparking them to dream, to believe that “anything is possible, even for me!”

 

This aspect of that first Tokyo Olympics carries great significance today as Japan gears up for its second hosting of the Games in 2020. Once again, the country is seeking to create a symbol of resilience, hope, and forward-looking energy as it faces a future encumbered by events of the recent past.

 

After the collapse of the financial bubble in the early nineties, the Japanese economy fell into protracted doldrums, a period which came to be known as the “Lost Decades.” Markets and corporate profits (with some notable exceptions) languished. Japan was superseded by China as the world’s second largest GDP. Overall, Japan’s presence on the world stage seemed to have dimmed.

 

In addition to economic and demographic issues (declining birthrate, rapid aging, the emptying out of rural areas), Japan has been beset by a series of natural disasters: torrential rains, floods, and mudslides that have claimed hundreds of lives and demolished whole communities in the western part of the country; the major earthquake in Kumamoto, Kyushu, in 2016; and most devastating of all, the earthquake and tsunami that struck northeastern Japan and triggered a nuclear disaster, on March 11, 2011. Recovery from that disaster, complicated by radioactive debris and contamination, is still far from complete.

 

Understanding the power of context, the Tokyo 2020 Bid Committee was wise to select a relatively unknown Paralympian named Mami Sato from the March 11 disaster area to kick off their presentation to the International Olympic Committee in Buenos Aires, Argentina, in 2013. Sato, a two-time Paralympian long jumper, thirty-one at the time, spent long hours of preparation on the speech she had to make in English, a task for which she had almost no background. But her honest and unaffected delivery of a very moving story created an emotional swell of support that helped propel Japan to the winning bid.

 

I was nineteen when my life changed. I was a runner. I was a swimmer. I was even a cheerleader. Then, just weeks after I first felt pains in my ankle, I lost my leg to cancer. Of course, it was hard. I was in despair. Until I returned to university and took up athletics.

For Sato, the simple idea in sports of having a goal and working to reach and surpass it became a passion, the loss of her leg serving as a catalyst to a sporting life as a long jumper. Sato competed at the Paralympics in Athens in 2004 and Beijing in 2008. “I felt privileged to have been touched by the power of sport,” she said. “And I was looking forward to London 2012.”

 

Then disaster struck.

 

The tsunami hit my hometown. For six days I did not know if my family were still alive. And, when I did find them, my personal happiness was nothing compared to the sadness of the nation.

 

Like so many other survivors of the earthquake and tsunami in Northern Japan, Mami Sato helped others—forwarding messages, talking to victims, delivering food, and even organizing sporting events to take children’s minds off the daily worries of the aftermath.

Only then did I see the true power of sport…to create new dreams and smiles. To give hope. To bring people together. 

 

(Go to the 5 minute 25 second mark of the video below to see Mami Sato’s moving speech.)

Mami Sato has spent her recent years passing on that power to others—among them a young woman named Saki Takakuwa from Saitama. When Saki was in sixth grade, she loved playing tennis and running in track. One day she felt pain in her left leg after practicing hurdles, a pain that would not go away. It turned out to be a tumor below her knee, and at first the doctor couldn’t tell if it was malignant or benign. But after enduring four surgeries, including amputation, chemotherapy, hair loss, and the constant reliance on others for assistance, Takakuwa was despondent, wondering if she would ever walk again.

 

Her mother, Yoko, was determined to help her daughter turn her mindset around. She received a book from a friend called Lucky Girl, by Mami Sato. The mother scanned the book, looking for similarities in experience and stories that might make her daughter feel hopeful for the future. Those stories worked.

 

It was inspiring to read such a positive story by someone who’d gone through something similar to me. Her book made me realize there were opportunities out there and that I didn’t necessarily have to give up on sport. At a real dark time in my life, it gave me encouragement, but that doesn’t mean I suddenly decided to become a Paralympian. At that point I wasn’t really thinking about my future at all. It was just about getting through each day.

 

Even better, a doctor gave mother and daughter a sense of hope they simply had not imagined.

 

Once [Saki] becomes accustomed to the prosthetic, she will be able to go to school again. She will be able to go to senior high school and university. She will also be able to find a job and get married.

 

Buoyed by Sato’s example and the doctor’s new prognosis, Saki discovered that with practice, she could get around on her prosthetic leg. She could indeed walk again. And then she learned something even more powerful. By focusing on her thigh muscles and using them to maintain balance, Saki found she could run again, run straight, run hard.

 

At that time, I did not know what my own limitations were. But I was just happy to be able to do the same thing as everyone else, so I tried various challenges. I gave it my all in everything I did. I want to continue running while never forgetting that feeling.

 

Inspired, Takakuwa went on to compete in both the 2012 London Paralympics and the 2016 Rio Paralympics. At the age of twenty-eight, 2020 in Tokyo should be in her sights, with hopes of inspiring others.

 

Speaking of her own devastated hometown area, Mami Sato told the IOC delegates in Buenos Aires that athletes and their expression of Olympic values, can inspire:

 

More than 200 athletes, Japanese and international, making almost 1,000 visits to the affected area are inspiring more than 50,000 children. What we have seen is the impact of the Olympic values as never before in Japan. And what the country has witnessed is that those precious values, excellence, friendship, and respect, can be so much more than just words.

 

The legacy of the Olympics is the children and young men and women bearing witness to feats of peak performance, honest humility, exhaustive effort, and a perseverance beyond belief. It is also the respect the athletes have for one another, an appreciation on the part of all concerned of cultural differences and strengths, and a chance for the host country to display resilience, competence, goodwill, and hospitality to the rest of the world. Tokyo took full advantage of this opportunity in 1964. By all indications, it appears determined to surpass that performance in 2020.

1964 Paralympics_US vs Japan basketball. from the book 1964 Tokyo Olympiad, Kyodo News Agency

In commemoration of the 56th anniversary of the 1964 Tokyo Paralympics, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”

気持ちは晴ればれ

Only two weeks after the exhilarating Tokyo Olympiad, the 1964 Tokyo Paralympics, which ran from November 8 to 12, created an entirely new set of images and impressions on the Japanese psyche regarding notions of what disabled people could do.

 

Hundreds of foreign Paralympians were in Japan, serving as role models in terms of performance and attitude. According to Kazuo Ogoura, in his paper, The Legacy of the 1964 Tokyo Paralympics, their presence and their bearing were a jolt to Japanese society, which had until then tended to shun people with disabilities. As an administrator of the Paralympic Village put it, according to Ogoura, he remembers his surprise at seeing foreigners with disabilities so happy and full of life.

 

We were stunned to see overseas athletes in wheelchairs, hanging onto the back of a slow-operating Athlete Village loop bus to hitch a ride. It was sheer astonishment to witness their energy, enjoying themselves at a dance party at the International Club, or catching a taxi at night and loading their wheelchairs as well to go to Shibuya’s entertainment precinct.

 

The Japanese athletes who were asked to participate in the 1964 Paralympics likely had very little time to prepare, as the institutionalization of sports for disabled people had only just begun in Japan in the early 1960s. But when placed in a situation that tested their skills on an international platform, Japanese participants felt a rush of elation at being asked to stretch and compete.

 

A Japanese fencer, Shigeo Aono, felt empowered by the Paralympics in Japan, in a life-changing way.

 

Some said we were out of our minds for trying to compete in fencing, a traditional western sport, after just eight months of practice. Yet, we rejected the naysayers, followed through with our intentions and managed to win the silver medal—which gave us a powerful realization that we could do anything if we tried. That sense of confidence gave me strong insight and courage, which has been a guiding force of my life ever since.

 

Japanese discus thrower, Masayoshi Koike, said it more succinctly, “I had so much fun, with my spirit lifted high into the sky.”

 

With confidence came the realization for Japanese athletes that they were not disabled, but enabled. They took heart in seeing how independent the foreign athletes in Tokyo were, refusing assistance from officials and getting around on their own far more than the average disabled Japanese. They also learned that part of being more independent was being more accountable to one’s own health and condition.

 

Another demonstration of overseas athletes’ independent mindset was the day-to-day effort that went into boosting their physical strength and athletic abilities. Japanese athletes were reminded of the importance of maintaining and increasing physical strength in daily life, when they witnessed the large number of injuries sustained by their teammates during the Paralympics. Two Japanese athletes suffered Achilles tendon injuries and fourteen others sustained a range of other injuries during their respective events.

 

The common attitude was to treat anyone with a disability with kid gloves, as people who needed constant care and careful handling. But at the 1964 Tokyo Paralympics, spectators and television viewers saw that the participants were athletes, not victims. Ogoura highlights this example of one of the swimmers:

 

One female athlete from overseas had to be carried by her husband to get into the swimming pool. When the race started, she was left behind the rest straight away. By the time the first swimmer finished the race, she had only just swum about five meters. She would start sinking, but get back afloat. Rescue staff was swimming about two meters  behind her just in case. When she began sinking after so many times, the rescue staff proceeded to help, but her husband on the poolside used a hand gesture to tell them to stop. Two more meters to go…one more meter…the progress was slow. Applause broke out in the spectators’ stand. After more than three minutes, she finally completed the 25-meter feat. Episodes like this prompted eminent persons and sporting officials to express the opinion that “Disabled sports must be fostered as regular athletic events.”

 

Thanks to these examples, the government also awakened to the possibilities. Seiichiro Ide of the Ministry of Health and Welfare, acknowledging that “Japan had the culture of shunning people with disabilities,” asserted that from then on, “making the disabled more visible in society” was a new goal for the new Japan.

 

Another significant effect of the 1964 Tokyo Paralympics was the shift in the medical world, where doctors and institutions began to realize the need to focus more on rehabilitation, not just cure or prevention of disease; that to ignore the state of the disabled, who may have the potential of athletes seen at the 1964 Paralympics, is to ignore the opportunity to bring confidence and joy to a significant part of the population. Ogoura quotes a healthcare worker:

 

Modern medicine focused too much on diseases and ignored people who suffer from them. It was the case of hunters being too busy looking for deer to look at the mountain itself, as they say in Japanese. Take spinal cord injuries for example. If medicine had focused more on achieving patients’ recovery than merely treating the condition, I have no doubt that those with spinal cord injuries today would have enjoyed a higher level of physical recovery, even joining in on the funfair of the Paralympics.

 

The exposure to foreign equipment used by the disabled was also hugely impactful. When the hundreds of foreign Paralympians, coaches, and administrators came to Tokyo in 1964, they brought things that Japanese people had never seen, and immediately set the standard for Japan. Ogoura cited wheelchairs:

 

The greatest technological impact the Paralympics had was on the development and proliferation of equipment and tools for the care of those with disabilities, which were still underdeveloped in Japan at the time. There was a clear performance gap between foreign-made and Japanese wheelchairs and urine collectors, etc. Commenting on this matter, Yutaka Nakamura said, “The difference of wheelchairs was as clear as day.” British sport-use wheelchairs weighed 13 kilograms, whereas Japanese wheelchairs were as heavy as 23 kilograms. Overseas players had wheelchairs made to suit their physique, while Japanese sport wheelchairs were the case of one-size-fits-all.

 

The Japanese could see the difference in performance based on the foreign athletes’ use of the wheelchairs compared to themselves. Said one athlete, “Overseas players are bigger, but very skilled at handling their wheelchairs. We looked more like the wheelchairs were handling us. Then again, the experience gave us confidence that practice would improve our skills.”

 

The 1964 Tokyo Paralympics caused a monumental mind shift in Japanese society. Dr. Yutaka Nakamura, one of the key players in making the Tokyo Paralympics happen, wrote in 1964 something that is the essential message of inclusion today:

 

Our society in general tends to underestimate the capability of people with disabilities. An event like this is significant in that it is a wonderful opportunity to demonstrate their capability to the rest of the society.

Superhero Movie

Superheroes often emerge from intense pain and suffering, according to their origin stories.

Jean-Baptiste Alaize was three years old when he witnessed the slaughter of his Tutsi mother at the hands of Hutus during the Burundi Civil War, and he himself fell to four machete blows that resulted in the loss of a leg.

Bebe Vio was eleven years old when she fell in a coma induced by a battle with meningitis, a condition akin to “imploding inside.” A budding fencing star and a ball of energy, the Italian pre-teen had to make the horrible decision to amputate both arms and legs to thwart the advance of the disease.

Tatyana McFadden was born in the Soviet Union with a congenital disorder which paralyzed her from the waist down at birth, in a country that did not officially recognize the existence of disabled people.

However, these three and many others profiled in a recently released Netflix documentary found redemption and achievement in sport. The film, Rising Phoenix, is an impassioned introduction to the Paralympic movement. Layering on top of the powerful theme of Channel 4’s marketing of the 2012 London and 2016 Rio Paralympics – We’re the Superhumans! – Rising Phoenix gives Para athletes the Hollywood superhero treatment.

The production values of Rising Phoenix can be described as lavish. Aussie swimmer Ellie Cole is shot dancing under water, rays of light piercing the dark waters. Alaize sits open and relaxed on a spacious couch in an ornate French Baroque setting. South African sprinter Ntandu Mahlangu is interviewed with an actual cheetah in repose at his own cheetah blades. And Vio is filmed lovingly in slow motion, strapped to a wheelchair, lunging and gyrating to angelic music.

And yet when it comes to recognizing the disabled, Rising Phoenix is the exception. Every superhero has a weakness. For Superman, it is kryptonite. For Para athletes, and people with disabilities, it is apathy.

Rising Phoenix is a tale of Two Paralympics, nearly the best of times and the worst of times for the paramount global event for athletes with disabilities. The 2012 London Paralympics were a triumph of the organizers, an event that packed the stadiums and arenas, energized a city, and inspired the world. The 2016 Rio Olympics, as we learn in the film, nearly ended the Paralympic movement.

Rising Rio

Seven weeks before the start of the 2016 Rio Paralympics, then president of the Brazilian Paralympic Committee. Andrew Parsons was given terrible news by the Rio 2016 Organizing Committee for the Olympic Games – they did not have enough money to run the Paralympic Games.

“Fµ©≤ing hell,” said Sir Philip Craven, then president of the International Paralympic Committee. “There was no money.”

“They are not telling you, we can do that, or we can do that,” said Xavier Gonzalez, CEO of the IPC at that time. “They are telling you we cannot organize the games. I couldn’t at that moment see how we could fix it. And that was scary.”

And as potential Rio Paralympians began to understand that the rumors were true, they had that sinking, familiar feeling from childhood, their teenage years, and still today: unfairness, humiliation, helplessness. Said two-time T-44 men’s 100-meter sprint champion, Jonnie Peacock of Team GB, “you just feel like these people don’t view the Paralympics as anything.”

Parsons explained in exasperation how he could not give clear answers to the national Paralympic committees who worried whether the Games would happen or not. But he and the filmmakers were explicit in explaining who was to blame. Speaking over images of the Rio Olympic Organizing Committee, including chairman Carlos Nuzman, who was subsequently arrested for corruption and bribery, Parsons said, “forget about these guys, the leadership, because they won’t help.”

Rising Phoenix goes on to tell the nail-biting story of how IPC leadership, Parsons, Craven and Gonzalez, convinced the Brazilian government and skeptical authorities to keep this dream alive not only for over 4,300 Para athletes, but also for 24 million persons of disability in Brazil.

The 2012 London Paralympics is held up as the gold standard for awakening the world to the incredible athletic abilities of Para athletes. But it is the 2016 Rio Paralympics that may have saved the movement. Said Craven, “We’d have really broken the cycle. Confidence wouldn’t have been there in the future. It would (have been) the extinguishing of that Paralympic flame.”

Changing the World

Instead, the flame burns brightly today. Rising Phoenix brings alive the power of the movement, and the dreams of these superheroes.

  • The incredible story of the movement’s founder, Ludwig Guttman
  • The reunification of mother and child as summer Paralympian, Tatyana McFadden wins cross-country silver in the Winter Paralympics in her country of birth, Russia.
  • The dramatic and stirring gold medal victory of ebullient Bebe Vio in wheelchair fencing, who carries you on her shoulders in waves of joy.

“No one stays the same after watching the movie,” said Parsons in a recent interview with 20 foreign chambers of commerce in Japan. “If ten people watch the movie, ten people will be changed. If ten million people watch the movie, ten million people will be changed. I want the entire world to watch this movie.”

So do I.

Note: All film poster images shared with permission of the IPC.

“I was supposed to be in Tokyo today, rehearsing my opening speech,” said Andrew Parsons wistfully.

It was a little after 8pm on Monday, August 24, 2020 Japan time. Parsons, the President of the International Paralympics Committee (IPC), was addressing members of 20 foreign chambers of commerce in Japan in a Zoom meeting. The event marked one year to go for the Tokyo2020 Paralympics.

The Paralympics would have kicked off in Japan on Tuesday, August 25, 2020 if not for the devastating and global impact of COVID-19 virus. It was March 24, 2020 when the fateful decision was made to postpone both the Tokyo2020 Olympics and Paralympics for a year. “That decision was not taken lightly, but it was the right one,” said Parsons. “Had the games been tomorrow, there’s no chance they would have happened.”

Putting the Puzzle Back Together

March 24 brought devastating news to the organizers in Japan. Yasushi Yamawaki, IPC Governing Board Member at Large and Tokyo 2020 Vice President said they were more than surprised.

“When the decision was made to postpone the games, most of the staff and partners, were very much shocked. They had spent seven years putting together the biggest and most complicated jigsaw puzzle. And with a few pieces to go, they were told to start over again.”

There are dozens of major sponsors, over 180 National Paralympic Committees, dozens of international sports federations, and thousands of athletes who had questions. But for the IPC, a huge question that had to be answered was how to ensure funding for Tokyo2020 in 2021. As Craig Spence, IPC Chief Brand & Communications Officer, explained, it was critical to re-do the contracts with the broadcasters first.

“From an IPC point of view, we had to review 300 contracts in the space of two weeks. We have TV contracts with 165 broadcasters. Each contract needed to be reviewed. And each contract impacted the cash flow of the IPC for 2020 because we were due money this year, but the TV contract was then moved to next year.”

And Parsons reminded everybody that this incredibly complex and urgent work had to be done in the challenging environment of a pandemic. “We had to manage our cash flow,” said Parsons. “But we also needed to work with our staff all over the world, many of whom were living away from their families during the most demanding period ever for the IPC.”

Parsons is hopeful, but he is realistic. He said that everything that can be done, that can be controlled, will be. Planning will continue through the end of September. The IPC will focus on countermeasures to COVID-19 in the last quarter of 2020, and then will enter operational readiness in the first quarter of 2021. After that, important decisions will have to be made.

“We still have one year to go. We will follow the development of the pandemic. Unfortunately, none of us have a crystal ball. We have to work as if the Games are going ahead. This is the tricky part – how to work towards something you don’t know 100% is going ahead or not. But at the moment we are working full speed ahead preparing for the Games as if they are happening.”

The postponement resulted in a re-planning process that prioritized two things: the safety and health of the athletes and an approach to budgeting only what is necessary, a sustainability mindset that can be applied to future Paralympics, something that Parsons calls the Principles. “In these principles, the safety of athletes Is the number 1 priority for us,” said Parsons. “Everything that is not fundamental for the Games will be downscaled or cut.”

No Question of the Tokyo2020 Legacy

The Paralympics were postponed for a year. But Tokyo2020 is already establishing a legacy in Japan. Yamawaki explained that Tokyo is one of the most accessible cities in the world for the disabled, and that the media showcases the capabilities and personalities of the Para athletes almost on a daily basis.

Spence shared comparative data showing the impact of the run-up to the Games.

“In the build up to London 2012 with 18 months to go, less than 1% of the British population could name a Paralympian, and everyone sees London as the benchmark. In Tokyo last year, 45% of the Japanese population could recognize Shingo Kunieda, the wheelchair tennis player. So that shows the real difference in interest. In terms of accessible transport, I think when Tokyo won the right to stage the Games, around 75% of the city’s metro stations were accessible. By the time the Games happen next year, that’s going to be at 99%. That would never have happened had it not been for the Paralympics coming to Tokyo. The legacies are going to be tremendous.” 

Yamawaki oversees the Nippon Foundation Paralympic Support Center, which is driving a groundbreaking education program in Japan’s school system. The IPC’s “I’mPossible” program – a toolkit of resources designed to engage 6-12 year old students about the Paralympic movement – is being pioneered in Japan with great success. Yamawaki said that this program has been delivered to 36,000 primary and secondary schools across Japan.

Children can learn from this unique learning opportunity,” said Yamawaki. “They will become future leaders in creating an inclusive society in this country after the Paralympics are over. It’s going to be one of the biggest legacies. Usually the parents teach the children, but in the I’mPossible program, kids teach the parents. This will increase parents’ awareness of the Paralympic Games and Paralympic sports. That’s the biggest impact we’re seeing.”

What You Can Do

Here are a few suggestions from IPC leaders on what we all can do to support the Paralympics broadly, and people with disabilities specifically.

Employ Persons with Disabilities: If your company does not employ persons with disabilities, it should. If your office is not set up to deal with people in wheelchairs, put in ramps. If you have a restaurant or a canteen, make your menus available in braille, or put your information on the internet so that people with disabilities can more easily access the information.

See the Opportunity: As Spence explained, before he joined the IPC, he didn’t realize people with disabilities are such great problem solvers.

“People with disabilities face challenges on a daily basis. They don’t tend to moan. They don’t just sit around thinking I can’t get around this. They always find innovative ways to get around and beat the challenge. They can bring a whole new creativity and new outlook to your business.”

Go See the Games: Seeing the Para athletes in action will change your attitude for life. Get as many people around you to see the Games.

“There’s very few people in the world who can run 100 meters in under 10.5 seconds,” said Spence. “Yet we have athletes with prosthetic legs and running blades who can do it in 10.4 seconds. It really does challenge perceptions towards disability.”

See my review for Rising Phoenix.
Rising Phoenix: The Stirring Netflix Documentary on the Paralympic Movement that Seeks to Change the World

one year to go pins

It’s One Year to Go!

On Friday, July 23, 2021 – 365 days from now –  the 2020 Tokyo Olympics will start!

I hope.

In this time of uncertainty, hope is all we have. No one can guarantee an Olympics in Tokyo. No one knows if the world will be healthy enough to come together in Tokyo a year from now.

With coronavirus infections on the rise in certain regions of the world, in particular the United States, doubt remains. Professional baseball has started in Korea and Japan. Football has commenced in Europe. Baseball, basketball and ice hockey are about to return to the United States. But no can say if they can finish what they start.

In Japan, as the number of infections climb, particularly in Tokyo, public sentiment towards the Olympics next year is running negative. Less than 40% of Japanese in a recent survey stated they would want to attend an Olympic or Paralympic event. This is only a year after over 7 million Japanese bought up nearly 8 million tickets in the opening stage of the ticket lottery, setting the tone for what was arguably to become the most popular Olympics ever.

Today, even if you have tickets, it’s unclear whether you’ll be allowed to go to the events. Right now, it doesn’t look good.

And yet, there’s still one year to go.

We face adversity all the time. Sometimes barriers or problems we face are out of our control, spiraling us into a vortex of hopelessness. But time and time again, we persevere, we see winds shift and fortunes change.

At times, film can powerfully convey our innate ability to overcome. I cite three scenes from movies you know.

First we do everything we can to put ourselves in a position to achieve our goal in the face of adversity. Al Pacino captured this mindset powerfully in his halftime speech to his football team, the film “Any Given Sunday.” He states the reality: “We are in hell right now, gentlemen.” But then tells them that “life is just a game of inches….” and that “the inches we need are everywhere around us,” and that “on this team, we fight for that inch.”

I believe there are many people around the world fighting for those inches, to cure the virus, as well as make sports in general, and Tokyo2020 in particular, safe.

In the final film of the Lord of the Rings trilogy, Frodo is ready to give up in his quest to save Middle Earth. But his friend, Sam, is not ready to give up on Frodo, literally lifting and carrying him forward.

I believe there are many people around the world willing to carry us when we are down, remind us of better times, and tell us those times will return.

And in the movie, Henry V, Kenneth Branagh brings incredible joy and energy to young King Harry as he wills his ragtag troops to take on the bigger, fresher French army at the Battle of Agincourt. Outnumbered, in the face of what they believe to be certain death, the men of England are inspired by King Henry to imagine a world when they have survived this battle and lived to a ripe age, telling their children of the scars they got and the feats they achieved that miraculous day in France.

I believe there are many people who see in their mind’s eye a packed stadium, a field filled with the best athletes in the world, and a brilliant blue sky, telling us all that anything is possible, including a Summer Games in 2021.

If there are people who fight for that inch,

If there are people who carry us when we need them,

If there are people who paint us a picture of a glorious future,

then there is hope.

See you in Tokyo, in a year.

IMG_3798

Japan is an orderly place, run by officials and managers who tend to be risk averse. That’s why things work so efficiently and effectively here.

Thus, when Tokyo2020 organizers created an Artist Selection Committee to create official posters for the lead up to the 2020 Tokyo Summer Olympics, I would have expected them to be traditional in their outlook.

After all, the posters that have been in the public eye for the past few years have been those of the Olympic and Paralympic logos – as conservative as you can be.

But Tokyo2020 is not your grandparent’s Tokyo1964. The committee commissioned19 artists to create posters, and I imagine that the brief they were given was very liberal. Of the 20 official posters that were officially revealed in early January, only 4 at most would be identified as representing the Olympics and Paralympics, either because the official logos are referenced, or Tokyo 2020 is explicitly displayed. The other 16 could be posters for anything.

But that’s OK. They are a wide variety of styles and interpretations of what the Olympics and Paralympics represent, which is in line with the hopes of Masayoshi Aoyagi, the chairman of the artist selection committee, who said in this article that the committee looked for a diversity of values and aesthetic sense to reflect this era of diversity, and so they selected photographers, manga artists, graphic designers. He said that you can see the very rich diversity of the art scene, as well as the incredible individuality and creativity of these artists.

If you are in Tokyo, you can see all 20 posters on display at the Museum of Contemporary Art Tokyo until February 16, 2020. There is no charge for viewing this exhibit.

 

HARMONIZED CHEQUERED EMBLEM STUDY FOR TOKYO 2020 OLYMPIC/PARALYMPIC GAMES, by Asao Tokolo

IMG_3786

Tokolo was selected to design the logos for Tokyo 2020 in April, 2016, and it is his design that has been the object of the posters promoting the Olympics. For this larger poster project, Tokolo reimagined his design for two separate Olympic and Paralympic posters, creating patterns that to me, reflect celestial bodies or traditional Japanese fabrics. Tokolo said that “…these designs, ‘individual’ rectangles form ‘groups’ under ‘rules.’ The designs were created partly on the computer, partly by hand. My aim was to create a ‘relay baton’ to be passed on from 2020 to future generations. I created the designs as a tribute to the Tokyo 1964 designers, who relied on compasses and rulers for their creations, and by imagining what mediums would be employed by designers of the future.”

 

Now it’s your turn! by Naoki Urasawa and The Sky above the Great Wave off the Coast of Kanagawa by Hirohiko Araki

Urasawa and Araki

Both Urasawa and Araki are acclaimed artists of manga, the Japanese style of comic book drawing. Urasawa of Tokyo, whose manga works include best-selling titles as “Yawara!” and “MONSTER,” created a comic page that shows an athlete getting ready, with the anticipatory words “tsuzuku,” at the bottom, which means “to be continued.” Araki, a Miyagi artist who is known for his comic series, “Jojo’s Bizarre Adventure,” riffed on a very popular Japanese image – Hokusai’s “Great Wave off the Coast of Kanagawa. “I imagined the gods of sports descending on Japan from a sky filled with clouds resembling turbulent waves.

 

FLY HIGH by Shoko Kanazawa and Open by Koji Kakinuma

Kanazawa and Kakinuma

Two calligraphers were invited to create posters for Tokyo2020.  Kanazawa selected the first character in her first name “sho,” to boldly represent her wish that “everybody supporting the Olympic Games, will soar high above Tokyo to reach people the world over.” The character “sho” means “to fly high.” Kakinuma selected the characther “開,” which means “open.” He said “I imagined Olympic and Paralympic athletes working toward new height every day, and told myself, ‘Open, open, open!’ as I applied brush to paper until I felt myself to be completely ‘open.'”

 

Flow line, by Daijiro Ohara

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Ohara is an artist from Kanagawa, Japan who imagined the route of the Olympic flame from Athens to Tokyo as a jumbled set of intersecting lines and loops, which reflects the complexity of connectivity. “What could possibly link an individual with an event in which world-class athletes compete?” asked Ohara. “It is not easy to grasp what does connect a huge-scale event with an individual –  such connections can be erratic, or elusive.”

 

Higher than the Rainbow by Mika Ninagawa, and Ludus, by Viviane Sassen

Ninagawa and Sassen

Ninagawa is a photographer and filmmaker who is reflecting the limitless potential of para-athletes. Of this image of Renshi Chokai, she said “para-athletes are cool. This simple message is what this picture is about.”  Sassen, a photographer, from Amsterdam, said she wanted to “depict the JOY of PLAY,” as well as cultural diversity and the variety of nationalities who all come together to participate in the Olympic Games.”

 

Wild Things – Hachilympic, by Tomoko Konoike

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The most arresting poster to me was this “wild thing,” chasing a bee (“hachi” in Japanese). Perhaps Konoike, an artist from Akita, was channeling Maurice Sendak’s Wild Things. She said that “as animals, each human being grasps the world with totally different perceptions. We see the world through our own unwelts. None are the same. No words are identical. No light is identical. If the Olympic Games prepare themselves for that and address it honestly, then in time, a new ecosystem, filled with the senses, for a small organism, will begin to function.”

All photographs above were taken by the author.

You can see all of the posters at this link.

Paralympics ticket lottery email
The happy email I received from the Tokyo Organizing Committee

The Tokyo Organizing Committee sent emails today (October 2, 2019) to people who signed up for the Tokyo2020 Paralympic ticket lottery found out whether they were lucky or not. I had already struck out twice in the ticket lottery for Olympic events, so I was not optimistic.

As it turned out, my email went straight to the junk folder so I didn’t notice it until the evening. And the contents weren’t junk!

“We are happy to inform you…..”

That’s all I needed to know. When I went to the website, signed in, and saw what I won, it was kind of depressing at first. All the events I wanted started with the word “Sorry”. Tickets for the first six events I applied for were not available.

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But as I scrolled all the way to the bottom, I saw that I had attained tickets for great events: the opening and closing ceremonies.

Yeah!

Paralympic ticke tlottery

The 2020 Tokyo Paralympics are exactly a year away, and the ticket lottery for Japanese citizens and residents of Japan has begun. Go to this site for information in English.

In contrast to the madness for the 2020 Tokyo Olympics, the process to apply for paralympic tickets  was a piece of cake.

Three days after the start of the lottery registration (August 22), I logged in to the tickets.tokyo2020.org site, selected events I was interested in, pushed a few more buttons and was done. There was no phone verification required as was the case in the 2020 Olympic ticket lottery.

No fuss, no muss.

If you’re Japanese or living in Japan, and want to experience part two of the greatest sporting event in the world in 2020, then go to this link, and start putting events in your cart. The lottery application process continues until September 9, 2019. Go to this link for ticket pricing. The prices are considerably lower than the 2020 Olympic tickets.

If you’re in Japan in 2020, this is perhaps, a once in a lifetime chance. Don’t miss it!

Reiwa characters
Japan’s Chief Cabinet Secretary Yoshihide Suga unveils the new era name “Reiwa” at a press conference_Reuters

Tomorrow, May 1, 2019, begins the era of Reiwa in Japan.

Today, April 30, 2019, Emperor Akihito, the son of Emperor Hirohito, will abdicate the throne and be succeeded by his son, the Crown Prince Naruhito.

In Japan, every period of an Emperor’s rule is given a name, and the Japanese commonly used the era name to mark time. Hirohito’s was Showa, and I was born in the year of Showa 38 (or 1963). Akihito’s was Heisei, and I was married in the year of Heisei 2 (or 1990).

Akihito (age 85) is the first emperor in 200 years to step down from the throne, and he does so in order for he and his wife, Empress Michiko (age 84), to live out the remainder of their lives in a more leisurely fashion, without the daily duties of the royal house. After all, Akihito and Michiko, showed Japan throughout their courtship and marriage that they too had to grow and change with the times.

Akihito and Michiko playing tennis in their early years_Getty
Akihito and Michiko playing tennis after announcing their engagement in 1958.

They first met on a tennis court in Karuizawa one day in August 1957. According to The Daily News, Michiko was partnered with an American named Bobby Doyle, and the Japan-US duo defeated Akihito in his partner over a two-hour two setter. It is said Akihito took a picture of Michiko and quietly had a friend deliver it to her. He also invited Michiko to join another tennis match, with the Shah of Iran.

Thus began the famous tennis romance, that blossomed not only for the couple, but for the entire nation. Not only did the royal couple spark a tennis boom in Japan, there was a boom in interest in the royal family. For Michiko was not of royal blood – a commoner who won the heart of the future Emperor, and “Mit-chi” as Michiko was affectionately called, was highly popular. Their eventual marriage on April 10, 1959, complete with a 8.8 kilometer procession through Tokyo in horse-drawn carriage, was viewed by half-a-million people who lined the course, and tens or million more on newly purchased televisions.

In another break from tradition, Akihito and Michiko decided that they would raise their own children instead of the practice of leaving the rearing of the children to tutors.

Thanks to the newly-founded powers of television to bring images instantly and up close to the average person, the crown prince and princess became celebrities of sorts. People were happy to catch a glimpse of them on a tennis court in Karuizawa or at a pizza restaurant in Roppongi. The members of a preparatory committee who hoped to bring the Stoke Mandeville Games to Tokyo also hoped to leverage the star power of the royal couple.

As related in a previous post, Yoshiyuki Kasai, who led the preparatory committee to bring what would become the 1964 Tokyo Paralympics, arranged for Akihito and Michiko to meet the first Japanese to compete in the Stoke Mandeville Games in London, and tell the couple of their experience competing in a foreign land. Photos of the popular prince and princess with the disabled athletes ignited the preparatory committee’s ability to gain support more broadly within public and private circles.

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The Crown Prince Akihito and Empress Michiko meet representatives of the Australian Paralympic Team and other teams at the Opening Ceremony of the 1964 Tokyo Paralympic Games.

As a result, not only did Akihito and Michiko help make the 1964 Tokyo Paralympics a reality, they were present during much of the 5-day Tokyo Paralympics, not just sitting in the audience, but interacting with the athletes on camera. They single-handedly brought significant national attention to the disabled, and raised the profile of this new international event despite the fact that Japan had just experienced it’s greatest international event, the 1964 Tokyo Olympics, only weeks before.

The reign of Heisei is ending. But the legacies of Akihito and Michiko, including those in the world of sports, will last forever.

Elderly Akihito and Michiko playing tennis