Musashino Forest Sports Plaza 5

It’s a bright airy arena – the Musashino Forest Sports Plaza in Chofu, Tokyo.  I attended the NHK Cup on Sunday, May 19, a national championships for artistic gymnastics in Japan, and it was exciting to watch the very best male gymnasts in Japan, and in the world.

Now, if only I could understand what Was going on.

I’m not a deep fan of gymnastics. I knew that Kohei Uchimura, the winner of the previous 9 NHK Cups, was unable to qualify this time around. I knew that one of the most promising young gymnasts, Kenzo Shirai, did poorly to qualify for the NHK Cup, so was not in good shape to win. But I had my guide book and was ready to watch a great competition.

The problem is, the arena – this new arena that opened up in November of 2017 – was so poorly outfitted electronically that it was impossible to know what was going on…unless you were really familiar with gymnastics and could recognize faces and names from a far.

As you can see in the photo at the top of this post, there was only a single large screen to my left. That screen basically provided an NHK feed of the tournament, except without any critical information, like the name of the gymnast being displayed.

In fact, spectators at this new 10,000-seat facility, which will house Olympic badminton, pentathlon fencing and Paralympic wheelchair basketball, were bereft of any basic information about what was happening before them, except for small digital signs at each event site on the floor.

It’s true, that artistic gymnastics, where six different  disciplines are happening at the same time, can be hard for the casual fan to follow. But if the idea is to attract as many fans as possible, particularly casual fans, then providing basic information to the spectator is critical. At the most average arena in the United States, one would expect to see a jumbotron hanging from the ceiling over center court, where the most basic information about scores, player information and video replays can be provided.

But the experience at Musashino Forest Sports Plaza was frustrating at best for the casual observer. You give up to the fact that you have no idea which person is doing what, where and when.

From the sponsors’ perspective, one would hope that their company name and logo is highly visible. But the main arena in Musashino Forest Sports Plaza has no such electronic signage. Instead, small placards hung awkwardly off the edge of the first and second level stands.

If you believe that stadium and arenas should be designed for the spectator (as well as sponsors), then you will have issues with many sports venues in Japan.  Most of the stadium and arena in Japan are owned by government authorities, and that they view these venues as cost centers, not profit centers. In other words, if there is a soccer stadium in some town somewhere in Japan, it will be very hard for a person with an idea to do anything other than soccer in that stadium, this despite the fact that concerts, obstacle sports racing, eSports and other such activities could attract many more and different people.

To change the conservative nature of stadium and arena administrators in Japan, the Japanese government through the Sports Agency have been pushing a plan to triple sports business revenue in Japan from JPY5.5 trillion yen in 2015 to JPY15 trillion yen in 2025. The Sports Agency want stadium and arenas to transform so that they can help contribute to those greater revenues.

In recognition of this need, the Sports Agency published in June, 2017 a report in Japanese called Stadium and Arena Revolution Guidebook. In this report, they highlighted 14 recommendations to drive this revolution.

You can find a fuller translation of that part of the report in this pdf.

Fourteen Requirements for sustainable management that attracts spectators and supports community development:

  • Requirement 1. Improvement to Customer Experience
  • Requirement 2. Realization of various usage scenarios
  • Requirement 3. Establishment of profit model and transformation to profit center
  • Requirement 4. Stadium/arena as the core of community development
  • Requirement 5. Identification of stakeholders and improvement in consensus building
  • Requirement 6. Attracting new customers and providing information
  • Requirement 7. Designing for profitability
  • Requirement 8. Management (operation, maintenance, repair, etc.) critical to sustainability
  • Requirement 9. Compliance and risk management for stadium and arena maintenance
  • Requirement 10. Leveraging the vitality of the private sector
  • Requirement 11. Various financing schemes
  • Requirement 12. Goal setting, evaluation, feedback
  • Requirement 13. IT and data utilization in stadium and arena management
  • Requirement 14: Stadium and Arena management personnel
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TOPSHOT-FSKATE-JPN-HANYU

On October 31, Evgeni Plushenko stated that Yuzuru Hanyu of Japan would likely win gold in the men’s individual figure skating competition at the 2018 PyeongChang Olympics.

On November 9, Hanyu fell awkwardly after attempting a four-revolution jump during a training session, and announced the next day that ligament damage to his ankle would prevent him from participating in the NHK Trophy competition that weekend, a tournament Hanyu had won the previous two years, as well as the Grand Prix Final, which Hanyu has won the past four years.

You can see the painful fall below at about the 30 second mark of the video below.

 

The question is, more significantly, will the reigning Olympic champion be able to defend his championship at the 2018 Pyeongchang Olympics? According to this analysis from The Sports Examiner, men’s figure skating has seen a revolution in the quadruple jump that will continue to put pressure on Hanyu.

Yuzuru Hanyu has prided himself on trying to keep up with the recent quadruple jump outburst in men’s figure skating, an explosion in numbers and types of quads since 2015 for which the Japanese star credits China’s Jin Boyang as having been the spark.

When Hanyu won a second world title last year, he alluded to the quad exploits of Jin, Nathan Chen of the United States and Shoma Uno of Japan – all of whom have pushed the jump revolution – when he said, “I am trying to keep up with many of the strengths of the other skaters.”

In this article of Globetrotting, Philip Hersh explains that it may not be necessary for Hanyu to keep pace with the other quadruple jumpers as his overall game has made him a champion in the past, and in fact, his desire to try new things may get in the way of an Olympic championship defense.

The trick will be convincing Hanyu to rein himself in. His desire to meet the quad standards set by rivals speaks to a fierce and admirable competitive spirit.

“Yuzu told me that what motivates and inspires him is trying new things and challenging himself,” Tracy Wilson, who helps Brian Orser in coaching Hanyu at the skater’s Toronto training base, said in a Tuesday text message. “He told me that he wants to push the sport and this approach keeps it interesting for him.

“This has been his stance since the beginning of last season when he decided to add the (quad) loop. He didn’t need the loop last year and did it on his way to record-setting performances.”

Hersh emphasized that if Hanyu is able to recover in time for the 2018 Winter Games, he may need to ignore his competition and their adoration for a particularly arduous technique called the “quad lutz.” If Hanyu recovers his time and finds the right balance of athleticism and form, he could be the first man to win consecutive gold medals in individual figure skating since Dick Button did so in 1952. If not….

Hanyu said at Autumn Classic he was bothered by knee problems that affected his quad loop.  He kept working on the lutz, and it was one of the two quads he landed cleanly last month in Russia (in what International Skating Union fact sheets said were five planned attempts; one became a triple, another a double.)

At this point, apparent risk for continuing with the quad lutz substantially outweighs the reward, which seems essentially to be personal satisfaction for Hanyu. Persisting may not only endanger him but the sport itself, for a 2018 Olympics with Hanyu in subpar condition – or without him entirely – would be diminished.