Hotel New Otani 1964
Hotel New Otani, 1964

 

The novel, Olympic Ransom, (Orinpikku no Minoshirokin) by Hideo Okuda, weaves a story about the imagining of an attempted terrorist attack during the Opening Ceremony of the 1964 Tokyo Olympics. (See previous two posts for details.)

Inspector Masao Ochiai is searching for clues regarding a series of small explosions in Tokyo. The start of the 1964 Tokyo Olympics is only weeks away, and the explosions are concerning to the authorities overseeing security of Tokyo and the Olympics, wondering if this is the start of something more sinister.

Tadashi Suga is the son of the head of security for the Tokyo Olympics, and since his red sports car was seen near one of the explosions, he was targeted as a potential witness. Ochiai tracks Suga down at the poolside of the Hotel New Otani, one of the most remarkable new structures on the flat landscape of Tokyo. In fact, in 1964, the Hotel New Otani was the tallest and flashiest building in Japan.

As Bruce Suttmeier wrote in his essay, Held Hostage to History: Okuda Hideo’s Olympic Ransom:

The Hotel New Otani was built in the run-up to the Tokyo Olympics, requested by the government in response to the perceived shortage of hotel space for visitors. As James Kirkup wrote after his visit to Japan in 1965, “From the monorail or the expressway, one’s first overall view of Tokyo is of a sprawling, squat city. There were no skyscrapers until the Hotel New Otani, with its revolving circular restaurant sixteen floors up, was opened just in time for the Olympics in September, 1964. Kirkup’s comments highlight that, until building height codes were lifted in 1963, all buildings in Tokyo were restricted to under thirty-one meters. The first major structure to exceed that limit was the Hotel New Otani at five times this limit – one hundred fifty-six meters (seventeen stories, the top floor housing the revolving restaurant.

The New Otani broke the mould, setting the precedence for taller buildings across Tokyo, as well as quickly becoming a photogenic symbol of Tokyo’s transformation to a city of the future. Watch the 1967 James Bond film, You Only Live Twice, and you’ll learn that SPECTRE’s headquarters in Japan was actually the New Otani.

Okuda wrote about the shiniest objects in the Tokyo landscape to create sharp contrast with the poorest parts of Japan. But he did so also to bring to life that feeling of optimism people in Tokyo felt at the time. He expresses this sense of marvel through the eyes of Suga and his girlfriend Midori, who wend their way through Tokyo in a red Honda S600, approaching the newly constructed elevated expressway that passes by the New Otani, as well as the Akasaka Prince Hotel.

Miyake Slope (Miyake-zaka) was up ahead, along with the newly finished elevated interchange. And perched high above was Metropolitan Expressway 4, like the Milky Way itself, sublimely stretching out across the sky. How beautiful were all these roads, winding in all directions. This is a city of the future, he thought.

The Akasaka Prince Hotel is no longer there – it has been replaced by a mixed-use office-hotel complex called Tokyo Garden Terrace Kioicho, where I work today. But the New Otani still stands, accompanied by taller companions developed over the decades, a legacy of the 1964 Tokyo Olympics.

Hotel New Otani from old to new

 

Shimazaki on Yumenoshima
Shimazaki hiding from the police on Dream Island, in the Asahi Television produced film, Olympic Ransom

The phone rings. It’s Kunio Shimazaki, and he’s asking for police inspector Masao Ochiai, to inform him where to deliver the ransom money. If the police do not comply with his demand for 80 million yen, then he will set off another bomb in Tokyo, one that will certainly derail the good-feel bandwagon of the 1964 Tokyo Olympics. (See part 1.)

Shimazaki hangs up, but the police notice in the recording of the call that seagulls could be heard in the background. The Tokyo University student, Shinozaki, as created by Hideo Okuda, in his 1984 novel “Olympic Ransom” (Orinpikku no Minoshirokin), is keeping out of sight.

IMG_0686
Yumenoshima today. The area behind the white fence will be the archery venue for Tokyo 2020. You can see the chimney for the incinerator that get rids of waste and provides heat for the greenhouse.

The police, of the possible hundreds of seaside spots along Tokyo Bay, wonder where Shinozaki, and his partner in crime, Tomekichi Murata, could be.

As it turns out, they are hiding on Dream Island, a landfill in Tokyo Bay off of the mouth of the Arakawa River. First planned in the 1930s as the possible site to replace Haneda Airport, it was opened to the public as a beach called Yumenoshima, the island of dreams. Alas, dreams don’t last forever. The beach was closed, re-opening as a garbage dump in 1957, an out-of-the way destination for the increasing amount of waste generated by a fast-growing economy.

IMG_0689
The map of Yumenoshima, the white box in the middle is where the archery venue will be.

Unfortunately, the ten million tons of garbage accumulated over a ten-year period, was left to fester. And only 8 months after the end of the 1964 Tokyo Olympics, it was reported that massive number of flies, that literally blackened the sky, made their way from Yumenoshima across the Sumida River into the heart of Tokyo. As famed translator, Edward Seidensticker wrote in his book, Tokyo Rising, the Japan Self-Defense forces were brought into the fight off the plague of flies.

Initial efforts of the Self-Defense Force (the Japanese army by another name) to exterminate the flies seem initially to have had only the effect of spreading them. Finally a scorched-earth policy worked. Dream Island was for a time a cinder on which not even flies could live.

Today, Yumenoshima is a nice weekend outing, where you can hold a barbecue, sail away from the Marina, walk through a tropical greenhouse, visit the museum of the famed Daigo Fukuryu Maru, a symbol of the horrors of the nuclear age in the 1950s, or play baseball by the seaside on one of 12 fields.

Tokyo 2020 archery field yumenoshima
An illustration of the planned archery venue for Tokyo 2020.

It will also be the site for the archery competition during the 2020 Tokyo Olympics. A grassy field across the street from the greenhouse, the area is fenced off as construction continues.

From an idea to a dream to a nightmare, Yumenoshima has settled into middle age as a family outing. And in 2020, the world of archery will descend on the man-made island, dreaming of gold.

IMG_0700
If you look closely, you can see Tokyo Skytree in the distance.

 

Orinpikku_no_Minoshirokin_Ochiai and Shimazaki
Inspector Ochiai faces off with Shimazaki in the film, Olympic Ransom.

It’s October 10, 1964, past 2pm and 70,000 people who filled the National Stadium for the Opening Ceremony of the XVIII Olympiad in Tokyo are buzzing with excitement. Kunio Shimazaki, a student of the prestigious Tokyo University, has entered the stands, making his way towards the top of the east facing part of the stadium and the Olympic cauldron.

As Emperor Hirohito’s high-pitched voice declares the Olympic Games open, Shimazaki holds explosives in one hand and a lighter in the other, approaching the yet-to-be lit cauldron with deadly intent. The police surround Shimazaki, and up steps Inspector Masao Ochiai, his grip on his gun tightening.

olympic ransom book coverThis is a scene from the novel, Olympic Ransom (Orinppiku Minoshirokin) by Hideo Okuda, highlighting the national urgency of the time, to ensure that the 1964 Tokyo Olympics begin and end successfully, thus re-establishing Japan’s re-integration to the world community. A terrorist attack like the one Shimazaki hoped to carry out did not come to pass in the novel, but he, through the writing of Okuda, brought attention to the challenges of the Japanese economic miracle and the sacrifices made at the time.

While the Japanese economy was steaming ahead on the eve of the 1964 Tokyo Olympics, GDP growing from 8.8% in1963 to an incredible 11.2% in 1964, there were sacrifices, and omissions of prosperity. In the novel, Shimazaki is from an impoverished town in the Northern part of Japan, Akita. Although he was able to break the cycle of poverty by gaining admission to the best university in the country, his older brother had to work long days on punishing schedules in Tokyo to help the city complete all of its infrastructure projects in time for the Olympic Games. And one day, his brother was dead, a result of an exhausting workload and a dependency on drugs.

Days before Inspector Ochiai stops would-be terrorist Shimazaki at the National Stadium, they meet at Tokyo University. In the film produced by Asahi Television in 2013 based on Okuda’s book, Shimazaki explains to the inspector why he is looking to make the authorities in Japan pay.

Ochiai-san, do you know there is an underground passageway into the National Stadium? An underpass to all for the movement of players from underground into the world’s best stadium? The country has spared no expense in the making of it. Due to various pretexts though, the use of it was stopped. My older brother for the sake of constructing that unused underpass was forced into working shifts of sixteen continuous hours. In order to get through those shifts he turned to taking bad Philopon….and died. For the national honor, the country wasted huge amounts of money all while treating migrant workers like trash until they die, paying them only tens of thousands of yen. If we don’t change something here, the unfair gap between rich and poor will go on widening forever. And endlessly the same tragedy will repeat.

As Bruce Suttmeier in his essay, “Held Hostage to History – Okuda Hideo’s Olympic Ransom” writes that Okuda’s re-imagining of history is “a thought experiment in narrative form”…with an intent to “expose political and social certainties to speculative inquiry.”

For example, Shimazaki explained in the encounter with Ochiai that his brother was sacrificed to help build an underpass under the National Stadium, and that it was not used despite the pain and labor that went into its construction. While such a tunnel was indeed constructed, the reality is the tunnel was actually used by athletes and officials alike during the 1964 Tokyo Olympics, as noted in this previous post.

Regardless, the point being made in the novel is that economic progress made in the lead up to the 1964 Olympics, while impressive, was not necessarily true for all of Japan. The widening gap between haves and have nots was an uncomfortable social reality, and the 1963 Akira Kurosawa film, High and Low, projects the anxiety many felt at the time.

But it’s the head of security for the Tokyo Olympics, Shuichiro Suga, who explains to Ochiai that Shimazaki is not a hero of the people, but a terrorist.

Suga: The permission to shoot to kill Shimazaki Kunio has been issued. If you find Shimazaki this time around, shoot him without hesitation. Are you okay with the Olympics ending in failure due to your sentimentality? From the ashes of defeat , are you okay with wasting what the Japanese people have gritted their teeth over and rebuilt with great effort?

Ochiai: However, for those people struggling in poverty in rural regions, They have been rewarded with nothing.

Suga: Is there something wrong with Tokyo becoming enriched? First off, Tokyo, the center of the country, should prosper, and then the other regions will gradually become richer. Don’t forget. Shimazaki is a brutal criminal, and the lives of hundreds of thousands of people are still exposed by this crisis. In order to protect their lives you’ll have to pull the trigger too.

Shimazaki in the stadium
Shimazaki in the Olympic crowd on opening day.

In the end, Ochia does indeed pull the trigger, bringing Shimazaki down, with nary a soul outside the police knowing that a deadly threat was thwarted. And so, the novel ends as the actual 1964 Tokyo Olympic opening ceremony ends – without incident.

In the essay, Held Hostage to History: Okuda Hideo’s Olympic Ransom, the author, Bruce Suttmeier, explains that while Okuda’s book is a novel, the author may be suggesting that so many things of significance may have happened, but that in the end, historians, authorities and society may have selective memories.

After the unnoticed shooting in the stadium and the brisk removal of Shimazaki’s injured body, the story quickly returns in its final pages to a sanctioned historical narrative, free from the destabilizing presence of a past encumbered by contingency and potential and by the weight of epistemic uncertainty.

As Suttmeier writes, when the head of security, Suga, is asked by his son whether the threat is over, Suga replies “what bomber?” In other words, why worry the public, the overjoyed and proud public with such distractions. Let the Games be the glowing symbol of Japan’s resurrection and triumphant return to the international community.

Perhaps what Okuda is saying in a way – no great triumph comes without sacrifice, and that we should peer a bit deeper into our own understandings of the past.

 

no tattoo sign

Some of the famous people in the world have tattoos. The US tattoo industry alone is a $1.5 billion business. And many of the 20 million plus foreigners visiting Japan every year are sporting tattoos. But as some visitors are surprised to learn, their tattoos are sometimes frowned upon, and result in being turned away from the hot springs and beaches of Japan.

Rugby World Cup Organizers are excited about the 2019 Rugby World Cup tournament coming to Japan, and have been eager to show respect to their hosts next year. At the one-year-to-go milestone, tournament director Alan Gilpin stated in a press conference that rugby players with tattoos need to cover up their body ink.

“We will make (Japanese) people aware around the facilities that players will use in the country that people with tattoos in a Rugby World Cup context are not part of the yakuza, the Japanese mafia,” added Gilpin.

It’s a socially sensitive statement as there is generally a negative attitude of Japanese towards tattoos – a common rationale being that Yakuza were commonly associated with tattoos. In fact, there is a law against tattoo artists without a medical license, which has been enforced. And signs at pools, hot springs and public beaches commonly explain in multiple languages that people with tattoos are prohibited from entry, or at least asked to cover them up.

The Japan Travel Association (JTA), eager to avoid private establishments from kicking surprised foreign guests out of their establishments, have encouraged hot spring proprietors to relax their rules against people with tattoos. But the reality is, with the Rugby World Cup in 2019 and the Olympics in 2020, Japanese will see a lot of foreign athletes with tattoos – on the beach, in the pools, all round town.

Here are a few of the Olympic hopefuls who sport tattoos.

Joseph Schooling tattoo
Joseph Schooling – swimmer, Singapore, gold medalist in 100 meter butterfly at the 2016 Rio Olympics
Shaun White tattoo
Shaun White – three-time gold medalist in showboarding halfpipe, American, and potential Olympian in skateboarding at Tokyo 2020 Olympics

 

Simon Biles tattoo
Simone Biles – gymnastics, American, four-time gold medalist

To think that Japan is anti-tattoo is taking a negative perception too far. The fact is the number of tattoo artists (despite the law) has increased significantly in the past 30 years. And foreigners with tattoos who come to Japan feel that attitudes are shifting. According to best-selling Australian author, Tara Moss, “there is a quiet rebellion against these prevailing rules and social norms in Japan.”

I received several compliments when mine were visible, and one of my favourite moments on our most recent trip was when I had a summer dress on in the subway and my forearm tattoos were showing. One particularly cool young man seemed quietly fascinated, and rolled up his shirt sleeves silently to reveal the very lower edges of his arm tattoos. We were part of some similar ‘tribe’. No words were exchanged, only a nod that my husband could take his picture as he posed nonchalantly against the train door.

If you have tattoos and plan a visit to Japan, Moss writes that you should take the following under advisement:

  1. Expect to completely cover tattoos at any pool, gym and most water parks and beaches.
  2. Tattoos are banned at onsens (bath houses).
  3. Many ryokans (Japanese inns) will not accept tattooed guests.
  4. You should consider covering your tattoos at any temple or sacred site.

And what does Moss suggest are the best ways to avoid Japanese seeing your tattoo?

  1. Use a rashie at the pool
  2. Book a private onsen instead of attending a public one.
  3. Use clothing/scarves.
  4. Try arm covers
  5. Use a bandaid or bandage.


Naomi Osaka

Naomi Osaka is the 2018 US Open champion, the first Japanese to win a grand slam tennis championship, let alone make it to the semi-finals of one.

And as most sports fans know today, her victory was most bittersweet. Osaka defeated her idol, Serena Williams, who had a monumental emotional meltdown in the second set of the Open finals. Engaging in a battle of wills, Williams and umpire, Carlos Ramos, turned the last 30 minutes of the match into an emotionally charged, penalty-filled drama which helped determine the final outcome.

What should have been the happiest moment in the 20-year-old’s career was instead rendered unexpectedly painful.

Naomi Osaka was crowned champion, after a display of dominant tennis, but thanks to the rain of boos from the New York crowd who sided with Williams, Osaka could only weep for playing a role in the humiliation of her hero. She initially believed the crowd was booing her, which is heartbreaking to think about.

In answer to the question about her dream to play in a finals match against Serena, she replied “I’m going to sort of differ from your question. I’m sorry. I know everyone was cheering for her. I’m sorry it had to end like this.” As soon as Osaka said that, you could hear the crowd groaning in regret for their boos. As the groans turned to cheers, she did something so very Japanese, simply thanking the audience for being there. “I just want to say thank you for watching the match. Thank you.”

With those last two words, she nodded her head in a bow, like so many Japanese do unconsciously every day.

Naomi Osaka, the daughter of a Japanese mother and a Haitian father, does not at first glance appear Japanese. And it is not uncommon for children of mixed race to stick out uncomfortably in Japanese society, sometimes bullied for appearing different.

But in that moment, I suspect many Japanese who watched Osaka’s body language closely, recognized her as their own. Yomiuri, which owns the largest newspaper in Japan, called Osaka a “new heroine that Japan is proud of.”

Terebi Asahi Live_Naomi Osaka
Terebi Asahi Live, September 13, 2018

In the days after Osaka’s US Open championship victory, the Japanese media was thoroughly won over. On the September 13 broadcast of Terebi Asahi Live, the commentators highlighted the reasons why the Japanese of all ages have fallen in love with Naomi Osaka. Among several reasons, they cited qualities that exemplify Japanese values:

  • The gap between her cool on the court and her awkwardness in front of the press
  • Her caring comments about other players
  • Her shy smile and even her broken Japanese.

Awkward Cool: In her appearance on the highly popular talk show Ellen, she answered the first question about becoming the US Open champion by saying, “I’m sorry but it’s so weird…like you’re a real person?” To which, Ellen Degeneres replied that she was indeed real. As many have noted, she puts on no airs in front of the cameras. What you see is what you get.

Caring Comments: In the awards ceremony of the US Open, Osaka was asked what it felt to be the first Japanese, male or female, to win a grand slam final. Again, deflecting the focus off her, she replied that was her dream to play Serena Williams in a US Open Finals. “I’m really glad I was able to do that,” she said looking at Williams. “I am really grateful I was able to play with you. Thank you.”

And again, the head bow to Serena, something so out of place in New York, and so overtly Japanese in its humility.

Naomi Osaka has charmed the world. And Japan has quite unexpectedly made her their own. Even the Japanese government, one run by the fairly conservative Liberal Democratic Party, has slowly eased into the idea that Japan needs to allow greater inflows of foreign immigrants. The Foreign Minister, Taro Kono, explained on September 13 to the World Economic Forum that Japan has to accept more foreigners due to its aging population and low birth rate, citing Naomi Osaka as a symbol for how Japan can benefit from increased immigration.

It’s good to have diversity,” Kono said. “It’s good to have an open policy.”

Before the US Open, there was some hope that a Japanese would win gold at the 2020 Olympics in front of the home crowd. As Naomi Osaka is the newly crowned Queen of tennis, that hope has blossomed into full-blown expectation.


Sae Miyakawa

The coach slapped the teenage gymnast’s face and pulled her hair while preparing her for the biggest competitions in her life. On August 15, 2018, gymnastics coach, Yuto Hayami, was banned indefinitely by the Japan Gymnastics Association (JGA) from coaching gymnasts.

And then the fireworks really began.

On August 29, 18-year-old gymnast, Sae Miyakawa, held a press conference emotionally protesting the banning of her coach, saying she was harassed by leaders of the JGA, and that she was threatened with being left off the Tokyo 2020 team. The vault specialist on the women’s gymnastics team at the 2016 Rio Olympics, Miyakawa also said that while her coach, Hayami, did sometimes hit her, she wanted him restored as her coach.

According to the Mainichi, she said at the press conference “I did not ask for such a punishment and I cannot agree with its severity.” The Mainichi also reported that “she may withdraw from consideration for a spot on the national team for the Doha competition as it is difficult to train without Hayami, who has taught her since she was in the fifth grade.”

Not only did she protest the ban, she shot back at the powers that be, stating that on the contrary the head of the women’s national gymnastics team, Chieko Tsukahara, is guilty of power harassment. According to Asahi, the Japan Gymnastics Association established a new system after the Rio Games of identifying the top gymnastics prospects and sending them on special training sessions in Japan and overseas, but that Miyakawa did not take part in the early stages. Miyakawa claims she was pressured to take part in that special training.

At the news conference, she quoted Chieko Tsukahara as telling her, “If you do not take part, the association will not be able to provide cooperation and you will not be able to participate in the Tokyo Olympics.” Miyakawa said she wanted that action to be recognized as power harassment because she “felt it was a form of violence using authority” on the part of Chieko Tsukahara.

Chieko Tsukahara is part of a power couple in the Japan Gymnastics Association. While she heads the women’s gymnastics team, her husband, Mitsuo Tsukahara is a Vice-Chair of the association. He was part of Japan’s legendary run of team gold medals in four straight Olympics from 1964 to 1976, himself a 9-time Olympic medalist. She was a member of the women’s gymnastics team at the 1968 Mexico City Games when Japan came in a strong fourth.

According to NHK, Mitsuo Tsukahara denies the allegation.

The gymnast said that she was questioned by the association’s deputy chief Mitsuo Tsukahara, and his wife Chieko, about her coach’s violence. Miyakawa stated that Chieko Tsukahara, who is in charge of training the women’s national team, told her that she had not grown as a gymnast because her coach was not good enough. Miyakawa said Tsukahara had annoyed and harassed her. Mitsuo Tsukahara has denied the allegations. He said that he and his wife have done nothing wrong, and that they have always tried to put the athletes first.

While the Tsukahara’s say they are providing guidance to gymnasts, panelists of the Sunday morning television program, Terebi Asahi Live on September 2 stated that the Tsukahara’s bear responsibility. They are not only senior people on the National Gymnastics Association, but also the head of one the most prominent gymnastics clubs, The Asahi Mutual Life Insurance Club, one considered a great stepping stone for promising gymnasts. And so with so much influence at the national level and as the head of the most influential clubs, can the Tsukahara’s be exerting undue influence, was the question.

Power Harassment Womens Gymnastics_5
From the television program, Terebi Asahi Live, broadcasted on Sunday, September 2.

Miyakawa asserts that the Tsukahara’s “were trying to separate me from the coach, using the issue of his violence as a pretext, because they wanted to put me in the Asahi Mutual Life Insurance team.” The Tsukahara’s assert they were simply removing a coach who used violence as a coaching tactic, which they said was unacceptable.

For now, it’s he said, she said. But JGA will appoint a three-person panel to investigate the allegations in depth, and then release a report in two weeks.

In the wake of fairly prominent power harassment cases in sports, including one involving four-time gold medal Olympic champion, Kaori Icho, it’s now gymnastics turn to deal with the uncomfortable need to examine its development processes and possibly engage in some soul searching.

kokeshi 3

I bought mine on eBay. But if you were an athlete or official at the 1964 Tokyo Olympics, you should have received this as a gift.

They are called kokeshi, traditional wooden dolls, developed in the northern part of Japan as toys for children. The more artistically expressive they became, the more popular they became for wealthier adults who saw them as ways to show their status, according to this article.

In 1964, a volunteer organization of students called the Japan Junior Sports Club Association, set off on a mission to carve 12,000 kokeshi for distribution to participants of the 1964 Tokyo Olympics. One fifth-generation kokeshi artisan, Akihiro Sakurai, was recruited as a student to manufacture these dolls, and he spent a good part of ’64 breathing kokeshi life into wood.

“I’ve been making kokeshi since middle school,” said Sakurai, who is from the Naruko Onsen area of Miyagi Prefecture, a part of Japan where kokeshi craftsmen have plied their trade for centuries. “At the time, there was a kokeshi-making club in school. The club was the centre of my life and the kokeshi makers from our local area came and taught us, and we practiced like mad to make those kokeshi.”

When the athletes received their kokeshi gift, they looked at the base of the doll, and found a rolled up piece of paper inside a cylindrical hole drilled to store the note. This was the message:

October, 1964

To the participants who have come over to this country for the Tokyo Olympic Games.

We, Japan Junior Sports Club Association, give a hearty welcome to you all. Now at this unforgettable time of the Tokyo Olympic Games, we’ve decided to give you a “Kokeshi Doll”, one of our old folk dolls in this country.

This is one of Kokeshi Dolls which were made by the members of Junior Sports Club at Naruko, a branch of J.J.S.A., in Miyagi Prefecture. Naruko is famous for its producing center of Kokeshi Dolls. Well, during this summer vacation, they’ve made these dolls one by one, through the process of cutting woods and pointing them, giving their whole mind to the work.

“Kokeshi Dolls” are wooden ones which have been handed downs since several hundreds years ago in Tohoku district in Japan. They say that these dolls were popular with warriors as ‘mascot’ in expectation of their victory.

This is “Naruko Kokeshi”, which is a well-known toy, enjoyed by the boys and girls all over this country. If we turn its head slowly, it makes a charming sound to hear.

We wish you would accept such a tiny present as a token of a real friendship between you and J.J.S.A.

At this memorable international sports meeting of the Tokyo Olympic Games, we hope you’ll have a good time.

Japan Junior Sports Club Association

(J. J. S. A.)

kokeshi 1

Please note that the 64th All-Japan Naruko Kokeshi Matsuri (Festival) will be held from August 31 to September 2, 2018. Go to this link for details.

To see a video of a kokeshi doll being created, click here.