Zion Williamson and Rui Hachimura Gonzaga’s Rui Hachimura (right) defends against Duke’s Zion Williamson in the final of the Maui Invitational on Wednesday. | KYODO

It was November 22, 2018 and Gonzaga was challenging #1 Duke for the Maui Invitational Title Game early in the 2018-2019 NCAA men’s basketball season.

Arguably the best young talent in basketball were Duke Blue Devils, the perennial powerhouse in the NCAA. In fact, two of the top three lottery draft picks in the upcoming NBA draft will likely be from Duke – freshmen Zion Williamson and R J Barrett.

The Gonzaga Bulldogs, which was number 3 in the nation at the time, stormed out to a 14-point lead at halftime. But Duke fought back coming to within 1 with 3 and a half minutes left. That’s when Japanese forward, Rui Hachimura, made big plays on both the offensive and defensive ends to hold the fort – driving and dishing. When Duke tied the game, Hachimura barreled his way to the basket past Barrett for his 20th point to reclaim the lead 89-87 with only 1 minute and 13 seconds left in the game.

Duke desperately tried to tie the game, driving the lane. But the Bulldog defense was stalwart, with Hachimura adding a lunging block of a Barrett jumper with the game clock ticking away. Despite four missed free throws, Gonzaga’s defense held stiff. When Hachimura grabbed the final rebound, Gonzaga had topped the mighty Duke.

In the sixth game of his junior year, Rui Hachimura, the native of Toyama, Japan, showed that he could put his team on his shoulders. Hachimura went on to average 20 points and 7 rebounds per game in leading Gonzaga to an undefeated conference season and to the Elite Eight in the 2019 NCAA Tournament, losing to a very strong Texas Tech.

A week after the tournament, Hachimura made a historic decision – to skip his senior year at Gonzaga and enter the NBA draft, with the very high possibility of a vaunted first round pick when the NBA holds the draft on June 20, 2019.

Prognosticators have the 2.05 meter tall forward going as high as number 4, behind Duke’s Williamson (#1) and Barrett (#3), to somewhere in the mid teens. Either way, Hachimura will be the first Japanese to be drafted in the first round. Hachimura is an athletic, physical player who scouts say will create challenging match ups for opponents as he can play either small or power forward, as explained on NBA.com.

Play him at small forward and he can take his man to the block and spin-off him with masterful footwork for a layup. Play him at power forward and let him work on slower players in space where he can either blow by with a lightning-quick first step or create room with a side step to showcase his silky mid-range jump shot. Utilize him off the ball and he can punish sleeping help defender with intelligent cuts resulting in uncontested dunks.

NCAA Ohio St Gonzaga Basketball Gonzaga forward Rui Hachimura dunks during the second half of last weekend’s NCAA Tournament second-round game against Ohio State in Boise, Idaho. The Bulldogs are in the Sweet 16 for the fourth consecutive season – the only program in the nation that has done that. (AP Photo/Otto Kitsinger)

Hachimura has shown great growth, particularly in his outside shooting. While he consistently hit over 50% of his field goals, he more than doubled his accuracy in 3-point shooting, improving from 19.2% to 41.7% from his sophomore to his junior year. Still critics find the sample size small and wonder if he can continue to get open and convert in the pros where the 3-point shot is about half a meter further out, and the defense on the perimeter is more aggressive.

Hachimura has won fans with his transition games, his rugged protection of the rim and his bursts to the basket with authoritative dunks, as well as his bright smile and humble demeanor. On June 20, he will be crowned as Japan’s greatest basketball player with selection into the NBA as a first-round pick.

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Final Book Cover-LOCK

They were called the Innocent Olympics, and the Happy Games.

But the 1964 Tokyo Olympics, a true turning point in Japan’s history, was not taking place in a vacuum. The world did not stop. In fact, the 1964 Tokyo Olympics was held in the midst of global turmoil so significant you may not believe what was happening as summer turned to autumn that year, particularly during those Olympic Games.

Read about those amazing events in the introductory chapter of my book – 1964: The Greatest Year in the History of Japan – which I am offering at this link.

After four-and-a-half years of research and writing, my book on the 1964 Tokyo Olympics will finally be published. The target date is July 8, 2019.

My publisher, Lioncrest Publishing, has designed a wonderful cover, which I have debuted here. I hope it conveys to you the excitement of those times, a moment when all of Japan hit the pause button for two weeks on their relentless drive to improve their nation and their lives, so they could reflect how far they had come, and still how far they hoped to go.

1964 was in fact only 19 years after Japan lay devastated and demoralized after losing the Pacific War. The 1964 Tokyo Olympics symbolized redemption, confidence regained, and a profound gratefulness that the world would come to them with open arms. And the world were pleasantly surprised to be welcomed too with a hearty embrace.

If you want to know what some 1964 Olympians, academics and writers thought of my book, here are some advanced referrals.

Thank you for joining me on this journey.

Construction of Olympic Village July 2018
Construction on the Olympic Village, seen on Tuesday, continues in Chuo Ward ahead of the 2020 Tokyo Games – July 2018 | YOSHIAKI MIURA

In 2008, the novel, “Olympic Ransom, (Orinpikku no Minoshirokin), the author, Hideo Okuda, reimagined the history of the 1964 Tokyo Olympics, telling the story of a radicalized Tokyo University student who seeks to set off a bomb in the National Olympic Stadium during the opening ceremonies of those Games.

Ever since learning that his brother had died in an accident at a construction site related to the Tokyo Olympics, Kunio Shimazaki led the police on a wild goose chase, setting off low-level explosions across Tokyo in a run-up to the Games. When the novel’s hero, Inspector Masao Ochiai, confronts Shimazaki at a hiding place in Tokyo University, Shimazaki delivers his monologue:

Ochiai-san, do you know there is an underground passageway into the National Stadium? An underpass to all for the movement of players from underground into the world’s best stadium? The country has spared no expense in the making of it. Due to various pretexts though, the use of it was stopped. My older brother for the sake of constructing that unused underpass was forced into working shifts of sixteen continuous hours. In order to get through those shifts he turned to taking bad Philopon….and died. For the national honor, the country wasted huge amounts of money all while treating migrant workers like trash until they die, paying them only tens of thousands of yen. If we don’t change something here, the unfair gap between rich and poor will go on widening forever. And endlessly the same tragedy will repeat.

Those were lines from Asahi Television’s dramatized version of Okuda’s novel, about an event that never happened. And yet, this dialogue is being echoed today, about the working conditions of the construction sites for the 2020 Tokyo Olympics.

On May 15, 2019, the Building and Wood Workers’ International (BWI) along with the Japanese Federation of Construction Workers’ Union, Zenken Soren, released a highly publicized report entitled, “The Dark Side of the Tokyo 2020 Summer Olympics.” The report cites great concern regarding overworked and underpaid workers on the Olympic construction sites. In this Kyodo News report,  BWI General Secretary Ambet Yuson summarized his concern:

The Tokyo 2020 Summer Olympics was Japan’s opportunity to address some of the long-running gaps within the construction industry in Japan, however, these problems have just got worse.  Wages remain low, dangerous overwork is common, and workers have limited access to recourse to address their issues.

Mary Harvey, the CEO of the Geneva-based Centre for Sport and Human Rights, and goalkeeper on the 1996 US women’s Olympic soccer squad, told AP that we needed to pay attention to these labor issues.

To think this is going away is burying your head in the sand, and I’m concerned it’s going to get worse. The heat of the summer months is upon us while construction deadlines are trying to be met. Someone dying or committing suicide shouldn’t be acceptable to anyone. Everyone should be taking a serious look at the risks identified in BWI’s report and, by everyone, I mean everyone who is a stakeholder, including the IOC, the Japanese government and construction companies.

The report offers facts and assumptions, which I have organized in the following categories:

Labor Shortage and Overwork

  • “Japan is currently suffering from an acute labour shortage and this is particularly apparent in the construction sector, where, today there are 4.3 jobs available for every construction worker.”
  • “Workers on the New National Stadium reported working 26 days in a single month, and workers on the Olympic Village reported working 28 days in a single month.”
  • “Today one in four Japanese construction workers – approximately 800,000 – are over the age of 60, and the Infrastructure Ministry predicts that by 2025 the industry will face a shortage of 470,000 to 930,000 workers.”

 

Consequences

  • “According to Labour Ministry figures there were 21 deaths from karoshi in 2017 in the construction sector, the second highest of all sectors.”
  • “…overwork itself creates severe safety risks, as fatigued workers are more likely to cut corners or make mistakes, putting themselves and their fellow workers in danger. One worker commented that he felt he is ‘always being pushed to meet the deadline,” while another said, “It’s not worth your life for this’.”
  • “Delays (In a variety of construction projects)… in a tight labour market will all translate into additional pressure on workers to meet deadlines, and a higher likelihood of unsafe working practices.”

 

Lack of Worker Rights

  • “Some workers were made to purchase their own personal protective equipment.”
  • “Workers also noted that they have become reluctant to raise their voice because managers do little to respond. ‘You point the issues out and request improvements, but this falls on deaf ears’. According to the workers, part of this problem is likely connected to the fact that the site foremen being dispatched neither have nor has sufficient training to do the work.”
  • “Two union leaders of Doken General Labour Union reported during the September 2018 International Forum that union organisers were harassed and intimidated by authorities when they attempted to reach out to workers in Tokyo National Stadium.”

 

Foreign Migrant Workers in Particular at a Disadvantage

  • “The number of migrant workers in the construction sector almost tripled between 2014-2017, with numbers now reaching around 55,000.”
  • “In the construction sector most of migrant workers are engaged through the Technical Intern Training Program (TITP). The TITP programme is supposed to provide training for migrant workers in key sectors with labour shortages; however, there has been widespread criticism of it as an exploitative scheme intended to render cheap labour.”
  • “TITP interns must be paid the legal minimum wage but it is rare that they are paid more, and this is currently set at less than half the average annual wage for construction (~US$40,000).”
  • “…it was reported that they (migrant workers) spoke no Japanese and communication was a challenge, particularly on OHS matters. Under Japanese law, employers must set up necessary procedures to ensure that health and safety procedures are established in a way that foreigners can understand.

In response to these reports, the Malaysian news portal, Malasiakini, called out to the Malaysian action to protect migrant workers in Japan.

We call for a guarantee from our Government that Malaysian workers’ rights and safety will be protected if they travel to Japan to work. This should include pre-departure orientation seminars on Japanese labour and safety law, and facilitating direct access to trade unions in Japan to ensure they can safeguard their rights on the job. The Malaysian Government must make sure that Malaysian workers are not trapped in a rights vacuum.

This report is likely a concern to the IOC and the Tokyo Olympic Organizing Committee. The IOC released a statement, saying “We take these issues very seriously and are committed to working with the relevant stakeholders to address them and find the appropriate solutions.”

But with the incredibly tight labor market in Japan, the IOC’s drive to decrease the Tokyo2020 budget, the increasingly tight deadlines for completion of Olympic venues, as well as competition for construction resources from all over the country, including reconstruction efforts in Tohoku in the aftermath of the 3.11 disaster, it is going to be hard to alleviate the pressure on the construction industry.

Musashino Forest Sports Plaza 5

It’s a bright airy arena – the Musashino Forest Sports Plaza in Chofu, Tokyo.  I attended the NHK Cup on Sunday, May 19, a national championships for artistic gymnastics in Japan, and it was exciting to watch the very best male gymnasts in Japan, and in the world.

Now, if only I could understand what Was going on.

I’m not a deep fan of gymnastics. I knew that Kohei Uchimura, the winner of the previous 9 NHK Cups, was unable to qualify this time around. I knew that one of the most promising young gymnasts, Kenzo Shirai, did poorly to qualify for the NHK Cup, so was not in good shape to win. But I had my guide book and was ready to watch a great competition.

The problem is, the arena – this new arena that opened up in November of 2017 – was so poorly outfitted electronically that it was impossible to know what was going on…unless you were really familiar with gymnastics and could recognize faces and names from a far.

As you can see in the photo at the top of this post, there was only a single large screen to my left. That screen basically provided an NHK feed of the tournament, except without any critical information, like the name of the gymnast being displayed.

In fact, spectators at this new 10,000-seat facility, which will house Olympic badminton, pentathlon fencing and Paralympic wheelchair basketball, were bereft of any basic information about what was happening before them, except for small digital signs at each event site on the floor.

It’s true, that artistic gymnastics, where six different  disciplines are happening at the same time, can be hard for the casual fan to follow. But if the idea is to attract as many fans as possible, particularly casual fans, then providing basic information to the spectator is critical. At the most average arena in the United States, one would expect to see a jumbotron hanging from the ceiling over center court, where the most basic information about scores, player information and video replays can be provided.

But the experience at Musashino Forest Sports Plaza was frustrating at best for the casual observer. You give up to the fact that you have no idea which person is doing what, where and when.

From the sponsors’ perspective, one would hope that their company name and logo is highly visible. But the main arena in Musashino Forest Sports Plaza has no such electronic signage. Instead, small placards hung awkwardly off the edge of the first and second level stands.

If you believe that stadium and arenas should be designed for the spectator (as well as sponsors), then you will have issues with many sports venues in Japan.  Most of the stadium and arena in Japan are owned by government authorities, and that they view these venues as cost centers, not profit centers. In other words, if there is a soccer stadium in some town somewhere in Japan, it will be very hard for a person with an idea to do anything other than soccer in that stadium, this despite the fact that concerts, obstacle sports racing, eSports and other such activities could attract many more and different people.

To change the conservative nature of stadium and arena administrators in Japan, the Japanese government through the Sports Agency have been pushing a plan to triple sports business revenue in Japan from JPY5.5 trillion yen in 2015 to JPY15 trillion yen in 2025. The Sports Agency want stadium and arenas to transform so that they can help contribute to those greater revenues.

In recognition of this need, the Sports Agency published in June, 2017 a report in Japanese called Stadium and Arena Revolution Guidebook. In this report, they highlighted 14 recommendations to drive this revolution.

You can find a fuller translation of that part of the report in this pdf.

Fourteen Requirements for sustainable management that attracts spectators and supports community development:

  • Requirement 1. Improvement to Customer Experience
  • Requirement 2. Realization of various usage scenarios
  • Requirement 3. Establishment of profit model and transformation to profit center
  • Requirement 4. Stadium/arena as the core of community development
  • Requirement 5. Identification of stakeholders and improvement in consensus building
  • Requirement 6. Attracting new customers and providing information
  • Requirement 7. Designing for profitability
  • Requirement 8. Management (operation, maintenance, repair, etc.) critical to sustainability
  • Requirement 9. Compliance and risk management for stadium and arena maintenance
  • Requirement 10. Leveraging the vitality of the private sector
  • Requirement 11. Various financing schemes
  • Requirement 12. Goal setting, evaluation, feedback
  • Requirement 13. IT and data utilization in stadium and arena management
  • Requirement 14: Stadium and Arena management personnel
Marathon turning point
A turn at the halfway point int he marathon shows Ethiopia’s Demissie Wolde leading Japan’s Kokichi Tsuburaya, the eventual third-place finisher. Wolde would fade to 10th. From the book, The Olympic Century – XVIII Olympiad, p48

It’s nestled in a nook in the sidewalk in Tobitakyu, Chofu, a town in Western Tokyo – a dove with massive wings perched on a pillar.

The dove generally signifies the peaceful intentions of the Olympic Games, but this dove in particular signifies the turning point of the 1964 Tokyo Olympic Marathon competition. Today, the statue is hidden and nondescript, a footnote for a busy suburban area where there’s  a busy road, a major stadium (Ajinomoto Stadium, home of J League’s FC Tokyo soccer team) as well as a major arena (Musashino Forest Sports Plaza where Olympic and Paralympic events will be held) nearby.

Marathon turning point 4

But on October 21, 1964, it was a quiet residential area that drew the attention of the world. Nearly 55 years before, Abebe Bikila, the barefoot champion from Ethiopia arrived at the point near that dove statue, made the turn around a very large cone that read “ori-kaeshi-ten,” (or turning point) and headed back into central Tokyo continuing to build a lead so insurmountable that he ended up breaking the world record and winning gold handily for the second Olympics in a row.

Unlike the legendary marathon of the ancient Olympic Games, as well as at the 2004 Athens Games, when the marathon was a point-to-point race from a town called Marathon to Athens, most other Summer Olympics have designed marathon routes where the start and finish are the same point – at the main stadium. This was the case in 1964, and the organizers chose a route of straightforward simplicity – out of the National Stadium in Yoyogi  and then due West, through Shinjuku 3-chome and onto the Koshu-kaido (Koshu Highway).

1964 marathon route_google maps
The route from the National Olympic Stadium to Tobitakyu in Chofu.

The marathon was very popular. NHK rolled out the latest technology with a mobile relay van complete with vibration-proof cameras, helicopters with cameras, as well as UHF antennas sprinkled throughout the course which enabled for the first time in history the live broadcast of the entire marathon race, in color, to millions, according to the final report issued by the Tokyo Olympic Organizing Committee. For approximately 1,200,000 people who lined the route, twice the size of any previous marathon in Japan, watching the athletes run by you trumped the latest in broadcast technology.

Marathon turning point 3
The road sign indicating that this point on the Koshu Highway is where the marathoners turned around and headed back into town.

The marathon was an event for the people, who did not need a ticket to line the road from early in the morning to settle in to catch a glimpse of their heroes, Kokichi Tsuburaya, Kenji Kimihara and Toru Terasawa, as well as one of the most famous athletes of that time – Abebe Bikila. The turning point at Tobitakyu is celebrated as the turning point of the marathon, in an Olympics that was a turning point for Japan.

Marathon turning point_Abebe
Abebe Bekila at the halfway point of the 1964 Tokyo Olympic marathon.

Tokyo2020 tickets lottery application completed

The lottery has begun.

On May 9, 2019, Tokyo2020 began a registration process that allows people living in Japan to select tickets to events with an intent to purchase. This registration ends on May 28.

If you are a resident of Japan – meaning you have an address and telephone number in Japan – you can participate in a lottery for tickets to the 2020 Tokyo Olympics. However, it is likely  you will have to wait. Last night on the first day of registration, wait times were an hour or so. More frustratingly for some was navigating the closing process.

I waited for about 60 minutes, started the process, and somehow lost the connection. When I tried to re-establish the process, I ended up re-starting the count. Another 60 minutes to kill. According to this article, “180,000 applicants were simultaneously in a waiting line.”

Waiting for Registration_Tokyo2020 tickets

The second time around, I selected tickets for opening and closing ceremonies, men’s basketball finals and a day of a bunch of track finals, which took me about 30 minutes to do. After pushing the complete button, I had to give final verification by calling a number, and I had about 2 minutes to do so, according to the site. Unfortunately, I got about 3 minutes worth of busy tone after dialing the number over ten times.

Somehow, I was able to figure out how to re-start the phone verification process, and in the end, persistence prevailed. At 11pm that night, I secured my place in the lottery. And so too, can you, if you live in Japan. According to the above-cited article, residents in Japan not only get first dibs, they get tickets that will be less expensive than those sold outside Japan, as ticket re-sellers tack on a handling charge of 20%. For a JPY300,000 ticket to the Opening Ceremony, that’s a hefty charge increase.

You have until May 28. Officials have emphasized and re-emphasized that the time you register and select events for the lottery is irrelevant. You have an equal chance of tickets whether you were the first or last person to register. First, get your ID, and then find a quiet time of the day (pre-dawn) to go to the site, and start picking events!

Ticket Price List

IMG_1645
Lead Climbing Wall in MoriPark Outdoor Village in Akishima, Tokyo, Japan

The climbing wall looms high over the green at MoriPark Outdoor Village in Akishima, Japan, a yoga class finding serenity in the quiet strength of the monolith.

It’s a sunny Sunday morning on April 21, 2019, and the USA Climbing Team has just arrived and huddled on the grass to confirm their routine for the day. After training intensively most of the week indoors, it was time to get some work done outdoors.

MoriPark Outdoor Village, which is on the western edge of Tokyo, is a compact shopping center, with tenants which sell only outdoor gear and wear, or provide health and sporting services. For Team USA, the village’s climbing walls served as the venue for their day’s training.

Drew Ruana and Nathaniel Coleman 2
Drew Ruana and Nathaniel Coleman on the speed climbing wall.

Across the street from the rope-climbing wall was the speed climbing wall, used for one of the three climbing disciplines that will determine a medal for climbers at the 2020 Tokyo Olympics. At the base of the 15-meter wall, the young men and women of Team USA (the oldest member was 22) began their stretching and prepping routine.

Five days later, the team would be competing for glory at the International Federation of Sports Climbing (IFSC) Worldcup in Chongqing, China. For now, it was a day for low intensity training.

DSC_0491
Ashima Shiraishia and coach Josh Larson

Members of the team, including USA Climbing coach, Josh Larson, first got their senses sharpened with a round of hacky sack. Others stretched in their own AirPod-induced sensory isolation. And a couple pulled out their favorite distraction – the kendama.

A simply constructed wooden plaything out of Japan’s traditional past, the kendama is a wooden ball connected by string to a hammer-like handle that allows the player to catch the ball on a spike or on one of two cups. According to climber, Nathaniel Coleman of Salt Lake City, kendama became an addiction among slacklining athletes, which spread to the climbing world.

Eventually, the climbers had their opportunities scrambling up the wall like frantic Spider-men, hitting the metal plate at the top of the wall stopping the clock in 7 to 8 seconds. A medal for sport climbing will be up for grabs for those athletes who can compile the best combined scores for three types of climbing: lead climbing, bouldering, and speed climbing.

Claire Buhrfeind and Kyra Condie 2
Claire Buhrfeind and Kyra Condie

Lead climbing is about creativity and endurance. Bouldering is about puzzle solving, getting introduced to a new pattern of hand and footholds, and figuring out the best path. Speed climbing is about practicing the same exact pattern of hand and footholds on a wall that has existed for 10 years, a pattern which is solidly entrenched in the muscle memory of the fastest climbers.

Many climbers love the chess match of the other disciplines – lead and bouldering – but broadcasters love the clear-cut simplicity of speed climbing. In fact, the fastest event in the Olympics will be speed climbing, where the world record is an incredible 5.48 seconds.

Zach Galla 3
Zach Galla

And like any young sport, there are those who wonder if sports climbing is being sold out to the broadcasters who cater to the lowest common denominator. Kyra Condie of Minnesota is ranked 8th in the world in bouldering, and she learned her skills in the climbing gyms that nurtured climbers, and encouraged support and fun. “I worry,” she said “that climbing will become too competitive,” and lose the fun part of the climbing culture.

But the competitive nature of  climbers are also stoked by sport climbing’s debut at the 2020 Tokyo Games. John Brosler of Dallas, Texas started climbing when he was 10, when his parents sent him to summer camp where he got hooked on the wall. John loves the competition of climbing and is “really psyched” to see the best.

John Brosler 1

“I got to see this sport grow from a niche when climbing gyms were few and far between,” said the 22-year old. “It’s really cool to see it gain traction and become an Olympic sport.”

But sports climbing is a global sport, and Team USA has some catching up to do.

In the three climbing disciplines of lead, bouldering and speed, Team USA is ranked 8th, 8th and 12th respectively. European nations like Slovenia, France, the Czech Republic and Russia, as well as Japan are proven teams that look to medal in 2020.

Ce Ce Kopf 1

While climbing teams in Europe and other parts of the world have been better funded, and training together more formally for a longer time, Team USA has just been unifying its resources in the past year, according to Larson. The Boston native was hired as the team’s first coach in 2018. He was hired by the new CEO of USA Climbing, Marc Norman, who asked his team’s officials to move to Salt Lake City in order to make it easier to coordinate Team USA’s activities.

USA Climbing Team

“It was only a few years ago when I’d go to a tournament in Europe, on my own, without a coach, and find out who else was on the team when I’d see them arrive,” Larson said.

In Tokyo, Team USA is together, benefiting from the camaraderie that comes from  training together, and the aggregate knowledge that comes from their shared experience. Team USA’s time together has been short, but sport climbing rise to Olympic levels has also been quick. Not everything about the strategy and tactics of how to win a combined climbing event is known.

In other words,  gold, silver and bronze in climbing is for the taking.

Reiwa characters
Japan’s Chief Cabinet Secretary Yoshihide Suga unveils the new era name “Reiwa” at a press conference_Reuters

Tomorrow, May 1, 2019, begins the era of Reiwa in Japan.

Today, April 30, 2019, Emperor Akihito, the son of Emperor Hirohito, will abdicate the throne and be succeeded by his son, the Crown Prince Naruhito.

In Japan, every period of an Emperor’s rule is given a name, and the Japanese commonly used the era name to mark time. Hirohito’s was Showa, and I was born in the year of Showa 38 (or 1963). Akihito’s was Heisei, and I was married in the year of Heisei 2 (or 1990).

Akihito (age 85) is the first emperor in 200 years to step down from the throne, and he does so in order for he and his wife, Empress Michiko (age 84), to live out the remainder of their lives in a more leisurely fashion, without the daily duties of the royal house. After all, Akihito and Michiko, showed Japan throughout their courtship and marriage that they too had to grow and change with the times.

Akihito and Michiko playing tennis in their early years_Getty
Akihito and Michiko playing tennis after announcing their engagement in 1958.

They first met on a tennis court in Karuizawa one day in August 1957. According to The Daily News, Michiko was partnered with an American named Bobby Doyle, and the Japan-US duo defeated Akihito in his partner over a two-hour two setter. It is said Akihito took a picture of Michiko and quietly had a friend deliver it to her. He also invited Michiko to join another tennis match, with the Shah of Iran.

Thus began the famous tennis romance, that blossomed not only for the couple, but for the entire nation. Not only did the royal couple spark a tennis boom in Japan, there was a boom in interest in the royal family. For Michiko was not of royal blood – a commoner who won the heart of the future Emperor, and “Mit-chi” as Michiko was affectionately called, was highly popular. Their eventual marriage on April 10, 1959, complete with a 8.8 kilometer procession through Tokyo in horse-drawn carriage, was viewed by half-a-million people who lined the course, and tens or million more on newly purchased televisions.

In another break from tradition, Akihito and Michiko decided that they would raise their own children instead of the practice of leaving the rearing of the children to tutors.

Thanks to the newly-founded powers of television to bring images instantly and up close to the average person, the crown prince and princess became celebrities of sorts. People were happy to catch a glimpse of them on a tennis court in Karuizawa or at a pizza restaurant in Roppongi. The members of a preparatory committee who hoped to bring the Stoke Mandeville Games to Tokyo also hoped to leverage the star power of the royal couple.

As related in a previous post, Yoshiyuki Kasai, who led the preparatory committee to bring what would become the 1964 Tokyo Paralympics, arranged for Akihito and Michiko to meet the first Japanese to compete in the Stoke Mandeville Games in London, and tell the couple of their experience competing in a foreign land. Photos of the popular prince and princess with the disabled athletes ignited the preparatory committee’s ability to gain support more broadly within public and private circles.

031164 - Crown Prince Akihito meets teams Tokyo Games - 3b - Sca
The Crown Prince Akihito and Empress Michiko meet representatives of the Australian Paralympic Team and other teams at the Opening Ceremony of the 1964 Tokyo Paralympic Games.

As a result, not only did Akihito and Michiko help make the 1964 Tokyo Paralympics a reality, they were present during much of the 5-day Tokyo Paralympics, not just sitting in the audience, but interacting with the athletes on camera. They single-handedly brought significant national attention to the disabled, and raised the profile of this new international event despite the fact that Japan had just experienced it’s greatest international event, the 1964 Tokyo Olympics, only weeks before.

The reign of Heisei is ending. But the legacies of Akihito and Michiko, including those in the world of sports, will last forever.

Elderly Akihito and Michiko playing tennis

Ichiro Uchimura Hanyu Icho
Clockwise from upper left: Ichiro Suzuki, Kohei Uchimura, Kaori Icho, Yuzuru Hanyu

The 24-year old figure skater walked into a private room in Saitama Super Arena, the television to his left showing clips of the World Finals Figure Skating Championship that had just ended on the evening of March 23, 2019.

“I lost! I can’t believe it (“Maketa yo, kuyashii!),” said Yuzuru Hanyu. He glanced at the television set which showed his rival and winner of the world championship, American Nathan Chen. “How do I beat that?”

Despite Hanyu’s incredible free program and brief hold of first place, Chen’s was better.

“I really wanted to win when I was skating,” Hanyu stated. “I think I did my best, but the problem is that a figure skating competition consists of two days, and I lost both. It means that I simply do not have enough strength to win.”

Chen is a brilliant young skater, who has proven his metal by defending his world championship. But Hanyu will not go down without a fight.

Those who have followed Hanyu even a little know that he is not losing confidence. He may in fact be steeling himself for the greatest competition he has faced. Battling and overcoming an ongoing ligament injury to his right ankle, Hanyu won gold in PyeongChang last February, and the Cup of Russia in November. The flames of his competitive spirit have been fanned by Chen, and he’s out to take figure skating to the next level, which should surprise no one.

Hanyu is a living legend.

What’s incredible is that he is not alone here. We in Japan have been blessed, recent witnesses to once-in-a-century global talents in a wide variety of sports – four of them to be exact:

  • Yuzuru Hanyu (figure skating)
  • Ichiro Suzuki (baseball)
  • Kohei Uchimura (gymnastics)
  • Kaori Icho (wrestling)

Yuzuru Hanyu (figure skating): The Sendai native is a two-time world champion, has broken the world record in figure skating scores eighteen times, and is the first person since Dick Button did so in 1948 to win individual gold in two consecutive Olympiads. Can he do the unthinkable at the 2022 Beijing Winter Olympics, and win an unprecedented third Olympic championship? I wouldn’t bet against him yet.

Ichiro Suzuki (baseball): After 28 years of professional baseball, the athlete known as Ichiro retired last week amidst adoring fans at the opening season matches between his Seattle Mariners and the Oakland A’s. No one has had more hits in professional baseball than Ichiro (4,367), and in the Major Leagues in America, he set the season hit record in 2004 with 262 hits, surpassing George Sisler’s record that stood for 84 years. His speed and defense made him a threat to steal a base as well as hits and runs in the field. There’s an overwhelming consensus that Ichiro will be the first player enshrined in the baseball hall of fames of both Japan and America. His love of the game, his training regimen and his flare for the dramatic will live on forever.

Kohei Uchimura (gymnastics): He is called King Kohei. The native of Nagasaki is the only gymnast to win all-around gold in every major title in a four-year Olympic cycle….twice. In other words, Uchimura won the world championship and Olympic gold from 2009 to 2016. You may as well tack on his silver medal in the all-arounds at the 2008 Beijing Olympics, and call it a decade of dominance. Calling him the Greatest of All Time (GOAT), as many do, is not hyperbole. As Uchimura is 30, it is unlikely that his dominance will continue at Tokyo 2020.  But he might be there, giving us all still a chance to glimpse greatness.

Kaori Icho (wrestling): There is another Japanese GOAT – a woman from Japan named Kaori Icho. The freestyle wrestler from Aomori, Icho has won an unprecedented and incredible four straight Olympic championships since women’s wrestling became an Olympic sport at the 2004 Athens Summer Games. In fact, she’s the first female in any sport to win an individual gold in four straight Olympiads. Through that period, Icho had won 189 straight matches, a 13-year streak that ended in January, 2016 to a wrestler ten years her junior, only to re-start the streak and take her fourth gold medal at the 2016 Rio Olympics. She is indeed the best female wrestler ever.

We in Japan have been most fortunate in recent years to live among living legends.

Yoshioka Nomura and sakura gold torch
Tokujin Yoshioka and judoka Tadahiro Nomura

The 1964 Olympic torch was utilitarian.

The 2020 Olympic torch will be exquisite.

On March 20, 2019, just as cherry blossom buds were  beginning to reveal their delicate pink petals in Tokyo, the organizers of Tokyo2020 revealed their own beautiful blossom – the Olympic torch.

On March 20, 2020, torch bearers will commence the torch relay and carry this 71-centimeter, 1.2 kilogram aluminum torch from Miyagi in Northern Japan, to Okinawa at the archipelago’s western-most tip, and then back to Tokyo in time for the opening ceremonies on July 24, 2020.

As cherry blossoms bloom and fall in March next year, torch bearers will hold aloft a torch gleaming in gold with a hint of pink – a color dubbed “sakura gold” – fashioned in the shape of the iconic Japanese cherry blossom. Fire will arise from the cylinders of the five petals to form a single flame.

Tokuijin Yoshioka, the torch’s designer, was not only inspired by the Olympic rings, but also by schoolchildren at an elementary school in Fukushima he visited, whom he said drew beautiful renditions of cherry blossoms. “I was very impressed with the powerful expression in the cherry blossoms drawn by kids in this area,” Yoshioka said in the Asahi Shimbun. “They are trying to overcome challenges and trying to move forward. I wanted to share that with the world.”

Three-time gold medalist judoka, Tadahiro Nomura, stood on stage with Yoshioka at the unveiling, and was breathless. “To actually be holding this superb work, is frankly giving me shivers,” he said in this Kyodo article. “I can only imagine the joy on the faces of people lining the route of the relay when they see it.”

Tadahiro Nomura and sakura gold torch

Each of the torches to be produced will be made primarily of aluminum, 30% of which has been recycled from the temporary housing provided to those left homeless in Iwate, Miyagi and Fukushima, in the wake of the earthquake, tsunami and nuclear plant meltdowns that stunned Japan on March 11, 2011.

After the flame is ignited in Greece on March 12, 2020, the flame will be transferred to the sakura torch eight days later when the torch relay will begin in northern Japan, making its way through 47 prefectures.

Ten thousand torches will be made, which is probably close to how many people will be needed to cross the nation in the four months prior to the opening ceremonies.

I want to be one of that ten thousand.

Sakura torch side and top views