Ajinomoto Ad_Tokyo Olympics Official Souvenir
Ad from the book Tokyo Olympics Official Souvenir 

 

It’s 1964 and Ajinomoto is at the top of the world.

Housewives in the growing post-war economies were benefiting from advances in food sciences. In America, it was easy to bake a Betty Crocker cake, or create a Jell-O dessert, or slap together a meal with a Swanson’s TV dinner.

For those who actually had to cook, particularly in Asia, mother’s little helper came in a little glass bottle with white crystals. This chemical substance, when added to food, instantly transformed bland vegetables, soups of meats into something savory and tasty. Created in 1908 by a chemist named Kikunae Ikeda, who extracted an element of sea kelp, Ajinomoto (or “the essence of taste”) became a global phenomenon in the first half of the 20th century.

It started with post-Meiji Era housewives of the upper classes, who believed that to be Western and cultured, they had to cook meals themselves. When they learned how easy it was to enhance the flavor of their prepared meals by adding Ajinomoto, sales took off.

Because this was the era of Imperialism, and Japan had colonies in East Asia, Ajinomoto made its ways to the kitchens of Taiwan and China. Restaurants in Taiwan quickly became addicted to the use of Ajinomoto, and this particular flavor and brand became associated with quality. According to this fascinating history of Ajinomoto called A Short History of MSG – Good Science, Bad Science and Taste Cultures, by Jordan Sand, display of the container that Ajinomoto was shipped in became proof of the quality of that establishment.

Some Taiwanese restaurants and noodle shops helped market the product unsolicited. If the tabletop glass shaker symbolized Ajinomoto’s mature position in the metropolitan Japanese food system, in Taiwan it was the square, gold colored, one-kilogram can, which was first imported in 1928. Food vendors and noodle shops displayed these cans toshow customers they used Ajinomoto. Presumably they did so in part to announce they were not using an imitationbrand, several of which had appeared in the 1920s. The large gold cans had particular significance for individual consumers, too, since Taiwanese merchants began opening them in the shops and selling small quantities by weight.

Ajinomoto ad_Jordan Sand
Ajinomoto advertised in a Chinese magazine from the 1920s. From Ajinomoto kabushiki gaisha shashi [Company History of Ajinomoto Incorporated] (Ajinomoto kabushiki gaisha, 1971), volume 1.
To succeed in China, Ajinomoto was marketed as the Buddha’s hand, again, according to Sand, and was particularly useful in making vegetarian food in China more palatable. And once something in China becomes popular or commonplace, it was only a matter of time before it made its way further abroad. The Chinese diaspora is one of the biggest, and when Chinese immigrants poured into America to help build the railroads, Chinese food became a staple of not only the migrants, but also the locals.

Fast forward to the 1960s, and this miracle food enhancer was at its peak, and beginning its descent. Rachel Carson’s Silent Spring educated the world on the unintended but dangerous consequences of pesticides in our ecosystem and our food supply, and more generally on man’s impact on nature. Eventually, people began to suspect that Ajinomoto, otherwise known as monosodium glutamate (MSG), was making people nervous because of its linkage to headaches, sweating, rapid heartbeats, sweating and even chest pain and nausea. In America, this particular ailment was informally called Chinese Restaurant Syndrome”, thanks to migrant cooks inordinate dependence on Ajinomoto.

Eventually, negative reactions to Ajinomoto in the United States spread to Japan. When the 1970s rolled around, Ajinomoto’s sales fell. Ajinomoto diversified and recovered, and today, Ajinomoto is certainly a giant among food manufacturers in Japan. But at the early parts of its existence, Ajinomoto was a company, by virtue of a single product, that had a significant global impact.

And in 1964, during the Tokyo Olympics, Ajinomoto was held up as one of Japan’s great success stories.

Billy Mills training
Billy Mills at the University of Kansas, from the collection of Billy Mills

It was a very hot day, and I was running in the back of the pack. As I came by Easton he said, “Billy, get up where you belong; get up in front.” Another lap went by, and I heard him say, or I thought I heard him say, “Get up where you belong or get off the track.” And I thought, You know, there’s a third way to do this, and it’s my way. I’m a senior in college. I can do it my way, which is to run in the back and come up slowly.

When Easton said that again, I walked off the track. He sent for me and said, “Why did you quit?” I answered, “Coach, I didn’t quit. You said to get up in front or get off the track. I got off the track.” “You quit,” he said. All the pressures I was feeling I took out on this man who was really trying to help me. By walking off the track I may have appeared to be protesting against my coach, but in reality was protesting against society. I don’t think he ever understood that.

Billy Mills, who would later take the world by surprise at the 1964 Tokyo Olympics, was an angry young man, as you can tell from his own words, published in the book, Tales of Gold. A Native American of the Lakota tribe, he developed into such a strong distance runner that he earned a scholarship to the University of Kansas. As described in a previous post, Mills struggled with the transition to life outside the reservation.

Bill Easton
Coach Bill Easton

Bill Easton was the coach of the track team at the University of Kansas. During Coach Easton’s tenure at KU, from 1947 to 1965, his track teams won 39 conference championships, including eight years in a row from 1952-1959. By the time Billy Mills met the KU coach, Easton had the supreme confidence that comes from consistently winning. And yet, Mills and Easton were like oil and water. Mills felt that Easton was a symbol of all the barriers society threw in his face, and after the altercation described at the top of this post, Mills quit the track team.

I had a love-hate relationship with Easton. I wanted to please him, but I wanted to do things my way, the way I knew was best for me. And the hostility that grew out of all the blatant and subtle rejections that society was throwing at me I took out on him, and he really had no idea I was doing that. I was trying to find answers to questions I couldn’t even express, and my coach was not a sociologist or a psychologist. He couldn’t determine where I was coming from. So during my years at Kansas my track career languished.

After getting his degree in education, Mills joined the United States Marine Corps, and moved to the Marine Corp Base in Virginia, called Quantico, where he was immediately asked to join the track team. It was there he met former Annapolis track coach, Earl “Tommy” Thomson. Thomson was a gold medalist in the 110-meter hurdles, representing Canada at the 1920 Antwerp Olympics. But more importantly, as Mills told me, Thomson was a mentor.

Coach Easton, he broke me. Tommy Thomson, he was my mentor. He was totally deaf. He would read lips. He was the first white man I ever trusted. He helped me. He came up to me and said, ‘I don’t want to coach you. I’d like to be your mentor. But you have to let me inside,’ he said, holding his hand near my chest. I learned that word, ‘mentor,’ from my dad. He’s saying this in a gentle way. I believe the creator sent him to me because he’s talking like my dad.

In the exchange below, Mills is explaining to me that Thomson had a way of dealing with Mills’ sensitivities, and asking the right questions to get to the truth.

Thomson asked me, ‘what you do you want to do?’ I said ‘I want to go to the Olympics.’ He said, ‘Why the Olympics?’ I said, ‘Don’t you think I can?’ I’m defensive. He asked, ‘What do you want to do at the Olympics?’ I said, ‘Win a medal.’ He asked, ‘Why a medal?’ I replied, ‘Don’t you think I can?’ He said, ‘Which medal?’ I said to him, ‘I want to win the gold medal.’ He said, ‘Now we know.’

In the summer of 1964, Mills is running well approaching the Olympic trials. But in a race prior to the trials, Coach Easton is in the stadium. And for Mills, all he has to do is see Mills and he turns into a confused cacophony of emotions. He said that he confronted Easton and made it clear he did not want to see or hear him. “I cannot run in your presence. I could do well in Tokyo, but if I hear your voice, I will drop out.”

Billy Mills Crossing the finish line_Tokyo Olympiad 1964_Kyodo News Agency
Billy Mills Crossing the finish line, from the book Tokyo Olympiad 1964_Kyodo News Agency

Easton stayed away. Mills went to Tokyo, and seemingly out of the blue, went on to become the first and only American to win the 10,000 meter race at the Olympics.

A day after the winning the gold medal, a Japanese woman came up to Mills with a letter, and asks him to open it. The letter was from Coach Easton.

Dear Billy, I saw the greatest race of my life. You are the greatest Jayhawker of all. It was an honor to coach you.

The woman then pointed out Easton, who had made the trip to Tokyo. “When I saw him, we grabbed each other and cried.”

 

Billy Mills winning
Billy MIlls winning the 10,000 meter competition at the Tokyo Olympics, from the personal collection of Billy Mills

Billy Mills was 8 when his mother died – bewildered, scared, and angry. His father told little Billy that he had to look beyond his fear and his anger, because those emotions could destroy him. Instead, his father said, “you have broken wings. You need a dream to fix broken wings. Find your dreams son. It is the pursuit of your dreams that will heal you. If you do this you may have wings of an eagle.”

Shortly after that, his father told his son about a book about the Olympics, and told him that “Olympians are chosen by the Gods.” And Mills told me that little Billy liked that thought because if he became an Olympian, if he was chosen by the Gods, “maybe I’d be able to see my mom again.”

Billy Mills is clearly a spiritual person. He knows his parents, both of whom passed away when he was young, are looking over him. He believes in his darkest times, they are there to guide him. When he was attending the University of Kansas, his first attempt to live outside the reservation, he struggled to fit in. Mills told me that at one point in his time at KU he was feeling desperate, in fact, feeling as if the best solution was to take his own life.

Billy Mills on the Podium_Tokyo Olympiad 1964_Kyodo News Agency
Mohammed Gammoudi, Billy Mills and Ron Clarke on the Podium_Tokyo Olympiad 1964, from the book Tokyo Olympiad 1964_Kyodo News Agency

“I was a junior in college, and on the verge of suicide,” he said. “I was about to jump. But I started hearing energy. Underneath my skin, I felt energy that sounded like a word. ‘Don’t.’ It sounded like my dad’s voice.” Mills was shaken out of his desperation by this surprise message from his father. He stepped down and decided that suicide was not the answer. He recalled what his father told him when his mother died – that the pursuit of a dream heals broken souls. And that’s when Mills wrote down his dream. “Gold medal. Olympic 10,000-meter run.”

Mills is running in the 10,000 meter race at the 1964 Tokyo Olympics. He is in the top three, but he is low in energy, at this stage – a product of his low blood sugar condition. With 275 yards to go, he sees his chief competitors, the Australian Ron Clarke and the Tunisian Mohammed Gammoudi, about 10 yards ahead. Mills is in lane 4, and he’s passing stragglers in lane 1, but there’s another straggler in lane 5 – someone he remembers to this day.

Now I have to get by him. A thousands thoughts going through my head. Lift my knees. Lengthen my strides. Pump my arms. I’m doing that but I feel like I’m in slow motion. I move by the guy in lane 5. I glance at him and he glances at me. I see an eagle.

As he describes in this video interview, he believes the straggler could have been a German competitor. While there were two German competitors in the 10k race, their uniforms did not have an eagle insignia. Perhaps it was the lightheadedness that comes from expending every ounce of energy. Perhaps it was the low blood sugar. It does not matter. Mills saw an eagle, and that’s all he needed.

I make one final try coming out of the final curve. 85,000 people cheering, screaming, hearing nothing but my heart. I look as I go by the German and in the center of his singlet is an eagle. “Wings of an eagle!” back to my dad, when I’m small, 9, 10, 11 years of age. “Son you do these things, some day you’ll have wings of an eagle.” I may never be this close again. I’ve got to do it now. Wings of an eagle. And I felt the tape break across my chest.

Mills is the first and only American to win the 10K competition in the Olympics. His victory was a surprise to all, and was an inspiration to people around the world.

Billy Mills at Haskell Institute
Billy Mills at Haskell Institute, from the collection of Billy Mills.

He was one of the biggest stars of the 1964 Tokyo Olympics. He was the first American to win the 10,000 meters race in the Olympics. And the world press, particularly the American press, celebrated this surprise victory by a Marine lieutenant of Native American Indian stock (Lakota) with blaring headlines of glory.

And yet, when it was time for Billy Mills and his wife Pat to return home to the United States, he couldn’t get transportation to the airport. The Mills were leaving Tokyo a day before the end of the Games so would not be joining the USOC-arranged transport to the airport. When gold medalist Mills asked the USOC to help him get to the airport, they said they wouldn’t do so.

These were the days when only amateurs could participate in the Olympics, and many American athletes had to be very careful financially. Mills had maybe $1.50 in his pocket at the time, he said, so when turned down by his own country, he had no choice but to turn to the Japanese organizers. Mills told me the Japanese were surprised the Americans would not take care of one of their biggest stars. They picked up his bags, put them in “the largest, widest limousine I had ever seen, with Japanese and Olympic flags up front with an American flag on the back. We take off with two motorcycles escorting us to the airport. We left Japan in style,” said Mills to me, with a smile formed of true fondness.

Prior to departing for the 1964 Olympics, Mills said he was looking forward to seeing Japan, how people outside America act and think. In America, he told me he never felt like he fit in, which started when he was growing up, as revealed in the book, Tales of Gold.

There were quite a few white people living on the reservation; probably 1,000 of the 8,000 people there were white. At that time not many Indians were going off to college, so most of the educators were white people. And the whites controlled the economic base of the reservation. They operated the stores and, of course, ran the Bureau of Indian Affairs. Also, there was always the anthropologist who was working on his or her doctorate degree. They would come and study us for a summer and then go back and have a book published. We always resented being studied like some kind of insect.

Mills was advised by his father to compete in sports because “if I competed with the white man – with the dominant society – in sports, I could have fun at the same time.” So Mills tried basketball, tried boxing, before finding joy in running. And yet he could not find joy integrating into white society, feeling pressured into believing there was a zero sum game between the dominant Christian church on the reservation and his Lakota beliefs, which he could never separate himself from.

 

Patricia and Billy Mills 2
Patricia and Billy Mills in Tokyo, from the collection of Billy MIlls

 

When Mills arrived in Japan for the 1964 Summer Games, Mills felt an affinity for the Japanese. He told me that he understood the Japanese to be a proud people forced out of seclusion by foreign powers in the 19th century, and had only recently come out of a post-war occupation by the Allied powers, primarily General Douglas MacArthur and the United States.

In Japan, I saw people who were so courteous and polite. I knew underneath there had to be this anger. I could relate to the pain. Almost a sacredness of the way they contained the pain, and the respect they showed. They were like the elders I knew, who controlled their pain, and still showed respect to others.

In the 1983 film, Running Brave, the actor Robbie Benson portrays Billy Mills as an intense and tightly wound young man, who hides his emotions behind ambiguous smiles and blank expressions, only to let them out in raw displays of frustration and anger, usually in private.

When, in this film, the track coach of Kansas University comes out to Mills’ high school to see him run, and learns that Mills is native American Indian, the university coach says to the high school coach, within earshot of Mills, “You know as well as I do what happens to these Indian boys. They are gifted runners but they can’t take orders. They have no discipline. They’re quitters! Sooner or later, they all end up back at the reservation pumping gas or dead drunk or on skid row. You know that.”

When Mills’ Kansas University track team is invited to go to a fraternity party, he goes to the party with the joy of a first-time experience, only to be told that Indians aren’t allowed in the fraternity. When he begins dating a Caucasian co-ed at Kansas, he eventually grows frustrated that the parents of his girlfriend, later his wife Pat, did not openly accept Mills initially.

“In retrospect, I can understand now that some of that might have been not because I was an Indian, but because here I was, an orphan, raised in poverty, and the prospect that their daughter might have some security with me was very slim,” he wrote in Tales of Gold, which profiled him. “But at the time, I understood that they didn’t want their daughter to have anything to do with an Indian, even a part Indian.”

The gold medal at the 1964 Tokyo Olympics was an affirmation for Mills, that he was indeed worthy of his biggest dreams. His success at the Olympics provided Mills with a platform to help young Native Americans. In 1986, he and the founder of the Christian Relief Services Charities, Gene Krizek, formed a non-profit organization called Running Strong for American Indian Youth.

Running Strong helps to ensure that the survival needs of American Indians – food, water and shelter – are met. This NPO also develops and implements programs that perhaps Mills himself would have benefited from when he was a youth – development opportunities to help build self-esteem and purpose.

Mills often talks about how important it is for people to “look behind the hurt, the hate, the jealousy, the self-pity, all of those emotions that destroy you.” And in 1964, he told a New York Daily News reporter that his biggest memory from the Tokyo Olympics was the young man, Yoshinori Sakai, who carried the Olympic flame to the top of the National Stadium steps, to light the Olympic cauldron. Sakai was born on August 6, 1945 in Hiroshima, the day that an atomic bomb was dropped on his city. Sakai survived. He did not let hate or self-pity keep him down. Instead, at those 1964 Tokyo Olympics, Sakai elevated himself.

So too did Billy Mills.

Billy Mills and Ron Clarke in 10000 meter run_The Olympic Century - XVIII Olympiad - Volume 16
Billy Mills (center) and Ron Clarke (right) in 10000 meter run, from the book The Olympic Century – XVIII Olympiad – Volume 16

They met in London at the 2012 Olympics – old friends, old rivals. Mohammed Gammoudi from Tunisia and Billy Mills of the United States had raced against each other in an epic 10,000-meter race at the 1964 Tokyo Olympics, in which Mills came from behind to win in stirring fashion. American Olympians in particular remember that moment, whether they watched it live or on television, as if it were yesterday.

Gammoudi asked Mills if he remembered what he told him in Belgium. The two faced off in a 10,000 meter race in Belgium in which Gammoudi won. Gammoudi gave his old friend advice after the race – “more speed”. In other words, Mills told me he needed to “maintain a very fast pace, being right on the edge, just before tightening up. Maintaining a maximum pace, but still being able to sprint. I would practice running as fast as I could go without losing composure.”

Mohammed  Ghamouddy Ron Clarke and Billy MIlls in 10000 meters_Bi to Chikara
Mohammed Gammoudi Ron Clarke and Billy MIlls in 10000 meters_Bi to Chikara

When Mills and Gammoudi met in Tokyo in October, 1964, they embraced as old friends even though they had met only three times. Mills said they respected each other, and hoped that both of them would ultimately celebrate on the victory stand. But so too thought Ron Clarke, their biggest rival in this competition, and the 10,000 meter world record holder.

At that time, Clarke is world famous, and expected to win. Nobody knows Billy Mills.

But with only two laps to go, Mills is still on Ron Clarke’s shoulder. Hypoglycemic, blood sugar nearly depleted, Mills feels he’s tiring. Then, Clarke looks back, and Mills takes that as a sign – “My God, he’s worried! If I could just stay with him, I have a chance. I have a chance.”

In the final lap, somehow, the Australian Clarke is boxed in front by a runner who’s been lapped, and Mills to his right. “I have Ron boxed in perfectly,” Mills explained of one of the most dramatic moments of the XVIII Olympiad. “He nudged me a little. I nudged him back. He then put his hand under my elbow and pushed me out. I thought I was going to fall. I went out and stumbled. I closed back on his shoulder. Gammoudi from Tunisia then broke between us.”

Gammoudi told Mills in London that he thought Mills was done – “my friend is off balance, and out of the race, but I must focus on Ron, the world record holder.” Gammoudi told Mills he believed it was the Tunisian’s moment to strike, when he elbowed his way through Clarke and Mills.

Mills said that coming around the final bend, in his low blood-sugar state, he could hear nothing but the throbbing of his heart, and feel nothing but a tingling sensation along his forearm, his vision coming and going, but someone pushing himself to give it “one more try.”

A couple of months before the Olympics, Mills is training in the United States, and he notes in his diary sometime in August that “I’m in great shape, must believe, believe I can run with the best in the world now, and I can beat them at Tokyo.” Mills believed that he could win it if he could imagine it. “The subconscious mind cannot tell the difference between reality or imagination,” Mills has said. “You focus for four years, dozens of times a day, visualizing, re-living the moment the way you want it to be. And then you win. And for one fleeting moment, you know you’re the best in the world.”

So there is Mills, in third, with thirty yards to go, thinking, “One more try, one more try.” And then “I can win, I can win, I can win.” And finally, “I won, I won, I won, I won.” And yet Mills is still in third place with 80 yards to go. Sprinting outside in the middle lanes, using precious energy to swing outside but also taking advantage of firmer ground on the rain-soaked cinder tracks, Mills lifts his legs and pumps his arms in an amazing sprint, the incredible finish described in gleeful shrieks by the American announcers: “Look at Mills! Look at Mills! Coming on! Mills is coming on! Oooh hoo hoo! What a tremendous accomplishment! Bill Mills wins the 10,000 meters in a tremendous upset!”

Mills crosses the finish line as the first and only American to win the 10,000 meter race at the Olympics. A Japanese official comes up to him and says, “Who are you?” Mills is struck with fear, thinking he had not run enough laps to complete the race. Reassured that he had indeed won, his friend from Tunisia came up to congratulate Mills.

Gammoudi smiled, and said to his friend, “too much speed.”

Monster Strike Kaekura memem
The Monster Strike mobile game ad in the Yamanote train in June, 2017.

I was on the Yamanote Line train when I looked up to see all in-car advertisements devoted to Japan’s #1 best-selling mobile game from 2016 – Monster Strike. I usually don’t care about mobile games, but the ad immediately caught my attention – animals in mid-stride racing together, on a dark black background.

It is exactly the same concept as the second of designer Yusaku Kamekura‘s poster in 1962, marketing the 1964 Tokyo Olympics to come.

Kamekura emblem design_2

That same evening, I see a television commercial for a logistics company called Kuroneko Yamato, with nearly the exact same design concept. Kuroneko means “black cat”, so with a black cat leading five Kuroneko transportation men in a sprint, they put the bodies in action on a yellow background instead. And yet the nod to Kamekura’s poster design is unmistakable.

Kuro Neko Shinka
Kuroneko Takkyubin Ad

After Kamekura settled on a design for their second Tokyo Olympics poster (click here to see the first design that won Kamekura the Olympic account), he assigned Osamu Hayasaki as the photographer, and Jo Murakoshi as the director of the project. The idea was to employ photography for the second photo, instead of the mainstream use of illustrations.

Their idea must have been to capture the idea of speed and power, so they arranged to have men from the US Military (from the airbase in Tachikawa as I believe someone once told me) dress in track gear, and move as if exploding from starting blocks. As this site explains, they employed four photographers to snap a shot of the runners in motion, in the dark, pressing the shutter button just as they flashed strobe lights.

It is said that it took over 80 takes to get just the right balance for that poster.

And over 50 years later, this meme lives on.

Rio Closing Ceremony_3
From the 2016 Rio Olympics closing ceremony video tribute to Tokyo 2020

This is Part 2 of a breakdown of the amateur film by George and Lilian Merz.

The Merz’s, who won an award for their summary of the XVIII Olympiad in Tokyo, stayed primarily around the National Stadium, so their view of the Olympics was primarily track and field. But on occasion, they trained their cameras at events outside the National Stadium, as well as on non-sporting events. Their footage of the ceremonies have been more effectively captured elsewhere, but their human interest forays are interesting at times.

US Team Opening Ceremony_Merz Film
US Team Opening Ceremony
  • Opening Ceremony: 1:25 – It’s the Opening Ceremony at the National Stadium on October 10, 1963. At the 3:12 mark, the US team enters the stadium. The men on the US team are wearing cowboy hats, and it appears that is all you see in their sea of members. The women however aren’t wearing any hats. President Johnson, who is believed to have had the hats sent to the Olympians, probably didn’t think it was appropriate for women to wear these cowboy hats. What struck me was how small the female crowd was. When I looked it up, of the 346 people on the US Olympic squad, only 79 were women. And many of them were likely swimmers who had to compete in the next few days, so were likely not allowed to march in the opening ceremony. Interestingly, the men who dominated the US sailing team brought up the rear, not in cowboy hats, but in sailor caps. Also great footage of the balloon released, the Olympic flag raised and the cauldron lit, in a jam-packed stadium. At the 8:36, Merz has footage of the Emperor and Empress of Japan in the stands!
  • Huckster Girls: 12:25 and 13:56 – That’s what Merz calls the women selling food and drink in the National Stadium. I can’t tell what snacks they were selling, but they were selling a bottle of Coca Cola for 50 yen. At 360 yen to the dollar, that’s about 13 cents!
  • Nature Boy: At the 14:32 mark, Merz films an unusual looking Japanese man outside the National Stadium, whom he dubs “nature boy”. He’s bald headed and bare chested, except for a sash, and holding a banner. The sash says “Make Your Body as Naked as Your Face!”. His banner basically says the same thing, further emphasizing that nudity is healthy, and that he belongs to some sort of nudist association. In modest Japan, this is the last thing I would have expected to see in this documentary.

Nature Boy_Merz Film

  • Rain Rain Rain: You can see at the 17:16 mark a sea of umbrellas. On certain days, it simply rained through the day.
  • Press Seats and TV Monitors: As you can see at the 16:44 mark, the press section in the National Stadium had little TV monitors so that the press could watch the action up close.
  • Eating Bento: I don’t know what the guy is eating, but I’m sure it was good! At the 23:16 mark you can see the spectators sitting on wood-slat benches, and this particular man enjoying a bento. He appears to be sitting in a covered section of the stadium too.

eating bento in the stands_Merz Film

  • 4×100 Swimming Relay Men’s: 5:26 – The Merz’s visit the National Gymnasium and fil the second heat of the men’s 4×100 swimming relay, which the Americans win handily.
  • Field Hockey Men’s: 25:24 – The Merz’s take a break from the National Stadium and head to the Komazawa Stadium to watch a field hockey match between Germany and Kenya.
  • Basketball: 25:48 – The Merz’s then head to the National Gymnasium Annex to see men’s basketball. Unfortunately, the footage is too dark to tell which players are from which countries.
  • Closing Ceremony: 27:38 – And finally, here was footage of the closing ceremony. The film is dark, but you can see the Olympic flame extinguished – a blurry light extinguished, the Olympic Flag lowered, to be send to Mexico City, and an fireworks display to cap off an incredible two weeks.

Rain Rain Go Away_Merz Film

It is so hard to find footage of the 1964 Tokyo Olympics, beyond a few newsreel samples and clippings from Kon Ichikawa’s documentary of the 1964 Olympiad. One of the few, great samplings of footage from the 1964 Olympics is a film produced by George and Lilian Merz, amateur filmmakers.

Not only do you get to see a few great events and athletes, you get a feel for the atmosphere in Tokyo and in the stadiums.

Part 1 of this breakdown of the Merz’s documentary focuses on the athletes and the competitions. Part 2 focuses on the opening and closing ceremonies, as well as things happening beyond the cut-throat world of high performance competition. The numbers below are the minute marks of the video where you can find what I am describing.

Track

  • 100-Meters Men’s: 8:51 – Watch Bob Hayes in the first semi-final heat of the 100-meter spring in lane 6. You can see Bob Hayes again at the 24:33 mark in this exciting 4X100 meter finals, with Hayes coming from behind to win gold for the US handily.
  • 100-Meters Women’s: 14:17 – Wyomia Tyus wins 2nd heat of 100-meter sprint in a spirited race.
  • 200-Meters Men’s: 15:50 –   Here’s great film of the finals of 200 meter dash, American Henry Carr, pouring it on at the finish
  • 400-Meters Women’s: 16:14 – At this mark, you can see Australian Betty Cuthbert beat Brit Ann Packer in the women’s 400 meters final
  • 80-Meter Hurdles Women’s: 17:56 – Men and women run hurdles on a slick track. The Merz’s show footage of a Canadian woman being carried off the track. They call her “Miss Wengerson”, but I suspect it is someone named Marion Snider of Toronto, whom I wrote about here. The film returns to the women’s hurdles at the 20:44 mark.
women hurdles carried off_Merz Film
Female hurdler carried off the track after the 80-meter competition
  • Women’s Pentathlon: 12:08 – Here is the 80-meter hurdles part of the pentathlon
  • 400-meter Hurdles Men’s: 13:59 – Watch American Rex Cawley win in the 400-meter hurdle finals
  • 800-Meter Women’s: 21:45 – Great footage again of the women’s 800 meters final, with Ann Packer taking gold, coming from behind to win.
  • 1500-Meter Men’s: 23:27 – Here we can see double-gold-medalist, New Zealand’s Peter Snell, winning the men’s 1500, going from last to first. The race started in misty, low visibility conditions, but by the end of the race you can see Snell victorious by 10 meters.
  • 3,000-Meter Steeplechase Men’s: 10:38 – Great footage of a 3k steeple chase heat
  • 5,000-Meters Men’s: 18:31 – Great film of the rain and slick track that Bob Schul and other 5000 meter runners had to deal with, as well as Schul’s great streak at the end to win gold.
  • 10,000-Meters Men’s: 6:30 – The Merz’s spend their greatest length of footage on the incredible 10,000 meter race, which Billy Mills won in a surprise finish. The film goes on to show IOC president, Avery Brundage, awarding Mills with his gold medal, kimono-clad medal bearers behind Brundage.
  • 20K Walk Men’s: 10:14 Here is the start of the 20K walk, with the finish at the 11:37 mark, Brit Ken Matthews emerging victorious, whose victory hug of his wife captured the hearts of the Japanese.
Merz filming Ira Davis slo mo_Merz Film
Merz filming Ira Davis slo mo_Merz Film

Field

  • Pole Vault Men’s: 9:13 The Merz’s spend time watching pole vaulters warming up and practicing, with a bit of slo mo.
  • Discus Throw Men’s: 11:18 – Here’s footage of the men’s discus competition, including US Olympic legend, Al Oerter.
  • Triple Jump Men’s: 12:40 – Watch triple jumpers Labh Singh of India, and slo mo of Ira Davis of US
  • Javelin Women’s: 13:30 – See a few throws in the women’s javelin
  • Shot Put Men’s and Women’s: 15:11 – Footage of the men’s shot put finals, including gold medalist Dallas Long; with the women’s shot put at 21:19
  • Shot Put Women’s: 19:48 – Day Five brought great weather, and the Merz starts with women’s discus throw. You can see the only American women’s shot putter, Olga Connolly, at the 20:19. For some reason, Merz calls Connolly Polish born, when actually she was born in Czechoslovakia.
  • High Jump Men’s: 25:03 – Here’s footage of the men’s high jump competition, featuring Valery Brumel and John Thomas.
  • Hammer Throw Men’s: 17:28 – Rain dominated Day Five, with rain hammering the fans as the hammer throwers slipped around their ring as they tossed their hammers
  • Equestrian Jumping: 26:18 – Here’s something I hadn’t realized. One of the equestrian events were at the National Stadium, not at the venue in Karuizawa. The infield were set up for the complex set of jumps for the Grand Prix Jumping competition.

Equestrian Jumping Competition_Merz Film

My Onitsuka Tiger Mexico City sneakers

I love my Onitsuka Tiger sneakers. I bought white high tops last year, but this year, I bought Made-in-Japan Mexico 66, red leather with golden Onitsuka stripes – they fit like a glove and look great!

When a young accountant and middle-distance runner named Phil Knight put on a pair of Onitsuka Tigers, so many years ago, he must have loved them too. In those early years of the Sneaker Wars, that primarily pit German brands Puma and Adidas against each other, this recent Stanford grad still had his MBA thesis paper in his head – “Can Japanese Sports Shoes Do to German Sports Shoes What Japanese Cameras Did to German Cameras?”

On a trip to Japan in 1962, Knight made it a point to meet Kihachiro Onitsuka, whose company made the Tigers. As Barbara Smit wrote in her landmark book, Sneaker Wars, Knight fast talked his way into a distributorship.

Although he didn’t have any business to his name, Knight cheekily introduced himself as an American distributor, instantly making up Blue Ribbon Sports as a company name. He bluffed so convincingly that Onitsuka gave him an exclusive deal to sell Tiger in the United States.

Onitsuka and Bikila
Kihachiro Onitsuka with Abebe Bikila at that fateful meeting.

So in January, 1964, Knight and his friend, the famed track coach of the University of Oregon, Bill Bowerman, officially formed the company, Blue Ribbon Sports (BRS), and became the exclusive distributor for Onitsuka Tiger athletic shoes. For close to a decade, BRS made Onitsuka Tiger sneakers available to American consumers, as well as Bowerman’s own track team members, including Kenny Moore who wrote the book, Bowerman and the Men of Oregon. One day Moore was in the middle of a casual 20-mile run when he felt pain in his right foot. When Bowerman told Moore to show him his shoe, it was a Tiger model TG-22. After ripping the shoe apart with his hands, he said “If you set out to engineer a shjoe to bend metatarsals until they snap you couldn’t do much better than this,” he said. “Not only that, the outer sole rubber wears away like cornbread. This is not a shit shoe, it’s a double-shit shoe.”

As it turns out, BRS unwittingly marketed the TG-22 as a running shoe, when actually it was a high-jump shoe. Regardless, this shoe autopsy led to a spark of ingenuity in Bowerman – a prototype of a new running shoe: “The outer sole was industrial belting. A cushiony innersole ran the entire length of the shoe, under a shock-absorbing arch support.” Moore explained that he ran thousands of miles in these prototypes, which continuously got tweaked, until finally BRS and Ontisuka decided to mass produce in 1966.

They wanted to call the new shoe, The Aztec, in honor of the coming 1968 Mexico City. Unfortunately, Adidas had already began selling the Azteca Gold. Then Knight had an epiphany – to use the name of the conqueror of the Aztecs. And thus was born the iconic running shoe, The Tiger Cortez.

Blue Ribbon Store Front_onitsuka

The Cortez made BRS a viable company. John Jaquar, who would join the board of directors, would recall the many times Nike tried to discontinue the Cortez. “But people kept wanting them, so they making them,” he would say. “It was the first stable, cushioned shoe for the roads, a comfortable shoe, and so many people liked it that it was the first shoe that made running shoes acceptable in fashion.”

The Cortez helped drive growth for BRS and Onitsuka Tiger in the mid-1960s, proving that the relatively quick decision for Kihachiro Onitsuka to sign Phil Knight up as US distributor was indeed a good one. And yet that decision, eventually led to conflict, and the birth of the world’s dominant sneaker brand – Nike.

Olympic National Stadium design_Kengo Kuma
Images of Kengo Kuma’s National Stadium

When you walk through Meiji Shrine, a peaceful oasis of green in the middle of Tokyo, your pulse rate drops and you forget the hustle bustle of one of Asia’s most dynamic mega-cities. Its location next to the National Stadium for the 1964 Tokyo Olympics and the Olympic Village made the wooded park of Meiji Shrine a wonderful place for runners to train, a la middle distance double gold medalist, Peter Snell.

When images of the planned National Stadium for the 2020 Olympics were released, there was a mixture of groans and puzzlement. Globally renown architect, Zaha Hadid, presented a design of sleek modernity. Frankly, I thought it looked like a bicycle helmet, somewhat out of place in its surroundings.

National Stadium and Meiji Shrine_google maps
National Stadium and Meiji Shrine on Google Maps

Then suddenly, in July, 2015, Prime Minister Shinzo Abe scratched plans for the design of the new National Stadium planned for the 2020 Tokyo Olympics. It was revealed that the estimated cost of the stadium ballooned from JPY252 billion, from the original proposal of JPY130 billion, an approximate difference of USD1 billion. Scrapping Hadid’s design meant a massive delay, resulting in a particularly embarrassing broken promise. Plans to have the new national stadium host the 2019 Rugby World Cup also had to be scrapped, resulting in a move of the tournament to Yokohama.

TOCOG quickly put together another search for a stadium designer. And suddenly, Kuma Kengo, whose design was selected, was in the spotlight. Not only will the cost of the Kengo stadium be closer to the originally proposed estimate (JPY150 billion), the design of the stadium will more seamlessly blend into the environment.

Kuma has built a reputation for his use of wood, and plans to employ wood, particularly wood grown in all prefectures of Japan, to fashion a stadium that folds into the relatively green surroundings, as he explains in this Nippon.com interview:

Instead of the old-fashioned idea of putting up a huge monument, my idea is to create a stadium that people will remember as part of the Meiji Shrine outer gardens, the wooded area in which it’s located. And we’re planning to uncover the Shibuya River, which was put underground during the rapid-growth years, and have it flow at surface level through the stadium grounds. I believe that creating something sustainable for future generations, with the surrounding nature open to the public, is a more important considerations than the physical shape of the edifice, and so that’s what I’ve been focusing my efforts on.

Kuma was 10 years old when the 1964 Olympics came to Tokyo. He remembers witnessing the rapid growth of the post-war years, and being amazed in particular by the two complementary buildings of the Yoyogi National Gymnasium, built for the aquatic and basketball events. According to the Nippon.com article, he remembers often visiting the First Gymnasium designed by legendary architect, Tange Kenzo. “The light shining down from the windows in the high ceiling made the water of the pool sparkle. I was captivated by this sublime sight, and that was what made me decide that I wanted to become an architect.”

 

Yusuhara Town Hall_Kengo Kuma
Yusuhara Town Hall

 

Over the years, Kengo has become known for his use of wood in his designs, in ways that recall times when wood was the primary construction material, layered, and exposed to the elements. Design website, Icon, describes Kengo’s work in detail:

Kuma’s approach is perhaps best illustrated by a series of buildings he has built in and around a small town called Yusuhara on Japan’s southern Shikoku island. The Yusuhara Town Hall (2006) sits under a roof and frame of Japanese cedar in a traditional structural arrangement, but one that gives off more than a hint of high-brutalism in the strong articulation of its thick beams and columns. The outside features a series of timber panels of various dimensions, alternating with glazed panels – a genuinely interesting take on the “barcode” facade.

Yuuhara hotel and market_Kengo Kuma
Yusuhara hotel and shops

A small hotel and market (2010) that Kuma built nearby is just as unconventional, with a curtain wall on the main facade made of straw bales and bamboo that can actually be opened out to allow light and ventilation through – a very odd combination of rustic material and hi-tech detailing. But the wooden bridge building (ICON 101) that Kuma built over a road to link a spa and hotel on the outskirts of the town is stranger still. Here is a version of traditional Japanese roof construction blown up to super-large scale, a series of single wooden elements all overlapping and stepping up towards the bridge itself. It is this radical re-imagining of a historic building material or method of construction that one sees time and time again in Kuma’s work.

I’m truly excited for the debut of Kengo Kuma’s national stadium. I feel it will not only be appreciated for its uniquely Japanese sensibilities, but will be a lasting legacy of the 2020 Games, a fitting complement to its green surroundings, particularly the peaceful Meiji Shrine.

“I want to go beyond the era of concrete,” Kuma, 62, said in this Japan Times interview. “What people want is soft, warm and humane architecture. We will show the model of a mature society in the stadium. That’s the way to live a happy life relying on limited natural resources from a small land.”

Kengo Kuma profile
Kengo Kuma