Oriental Witches_9_ XVIII Olympiad Tokyo 1964-Asahi Shimbun
Celebrating their gold medal victory, from the book XVIII Olympiad Tokyo 1964 Asahi Shimbun

The best novelists see the world more through their characters’ eyes and hearts. Japanese publisher, Kodansha, assembled a collection of essays of the 1964 Tokyo Olympics by some of Japan’s most prominent writers in the book, A Literary Writers’ Record of the Tokyo Olympics.

Their particular reflections on the triumphant women’s volleyball team are fascinating – not so much about the competitions, the strategies, the changes in momentum as a sports writer would note, but more about their impressions of the players’ appearances, and their own feelings toward the players and their accomplishment. I believe their views might be speaking to the state of mind of the rest of the Japanese population.

Calm and Collected

Novelist Tsutomu Minakami, whose works have been turned into many movies, observed an unexpected calm during the women’s team’s finals match against the mighty Soviet team.

At first, Soviets took the lead by four points. However before the game started I felt something strange, seeing the expressions of the Japanese team. There was no tension to be seen on those faces, giving no indication that they were entering a decisive battle. Before the game, the faces of (captain Masae) Kasai and her teammates were pale, with little smiles on their faces. There was no indication of tension. Coach Daimatsu was sitting on the bench looking like he was taking a short break. He sometimes raised his head, but kept still, expressionless – a swarthy look. He looked like he was interested only in the weather.

Novelist Hiroyuki Agawa, renowned for his post-war novels on Hiroshima, watched the Japanese women’s team in their penultimate match against Poland. And even though Poland was the only team to take a set from Japan, both sides, according to Agawa, understood that Japan was on a mission and that Poland was merely in their way.

At the beginning of fourth set, the ball rolled over the net without me understanding where it would fall, and when it finally fell on the Poland side, it was good that the Polish girl with the golden hair of a lioness, had the wherewithal to laugh. However, the Polish team looked exhausted. They couldn’t jump so well as they had used up all their energy in the third set, falling behind 9 to 1, then 14 to 2. The match finished with a Japanese victory – 15 to 2. Both teams shook hands, but the Poles were all smiling. For the Japanese team, there was no excitement of victory. The win appeared to be a customary outcome, quite natural to them, so they simply walked off the court.

Oriental Witches_10_ XVIII Olympiad Tokyo 1964-Asahi Shimbun.jpg
The medal ceremony, from the book XVIII Olympiad Tokyo 1964 Asahi Shimbun

Proud of our Feminine Warriors

1964 was the first time in the Olympics that featured female team competitions. And it just happened to be a sport where Japanese women were favorites. The entire country rallied around this powerful women’s team, amazed that this relatively shorter, less muscular collection of women could take on the Amazonian women from the West. The novelists who observed these matches likely reflected the views of the masses – not only were Japanese women to be praised for their impressive athletic accomplishment on the volleyball court, they were able to triumph while retaining the ideal characteristics of Japanese femininity – sweetness, restraint, and quiet fortitude.

Here again is Agawa, comparing the sweetness of the Japanese women versus the coarseness of the Polish women.

Members of the Poland team were wearing red pants and white shirts and Japanese were in white shirts and green shorts. The Japanese girls would shout in curt strong voices, “Come on, let’s go,” and their teammates would answer with “hai, hai!” Those sweet “hai’s” were impressive. On the Polish side, voices called out what sounded like “yassera”, “buraa!”. All these voices sounded like big birds croaking in the woods. When our girls shouted, “hai”, their little faces in the court looked very beautiful. Besides that, even though these girls were playing sports, they didn’t look like boyish – they looked very feminine.

Macho-man and literary giant, Yukio Mishima, also framed the volleyball team in terms of gender, somewhat playfully referring to the Japanese captain as the hostess of a party.

Kasai is a wonderful hostess as she notices almost instantly if the glasses of the guests (he means her enemies) are getting empty or any guests have a stiff muscles and takes care of that with splendid service. The Soviets became tired of such painful attention. However, the Russian player Riskal was amazing. The blond girl with loose hair and big breasts flew like an arrow and strongly hit the ball.

Even novelist, Sawako Ariyoshi, a woman who championed women in such novel’s as The Doctor’s Wife, The Twilight Years, and The River Ki, found herself praising the Japanese players as domestically minded and potentially good future wives.

Japanese athletes have not forgotten the elegance of Japanese women. It was a hot battle and the sweat was falling to the floor. As soon as they noticed it, they would wipe the floor with a cloth. That was a pretty sight. I was applauding to them thinking that they would be wonderful wives when they get married. I think that their attitude towards the game also made a strong impression about our country. They behaved very well.

But at the end of her essay, Ariyoshi seemed to assert more feminist views, praising these symbols of Japanese women power, where marriage was merely an option, and that they could accomplish anything. Having said that, the only person she gives thanks to is the male coach, Hirobumi Daimatsu.

Please don’t say such gloomy words to girls as marriage and love. From now on, be confident because you can do anything. If you go back to work or start a life in marriage, you will be fine. Because you showed everybody in Japan how smart you are to master those sports techniques and skills. I am praying for your happiness in the future to have all three – pretty appearance, physical fitness and a strong spirit. But at the same time, I must thank a man who brought up these women. Thank you, coach Daimatsu.

 

Note: Special thanks to Marija Linartaite, for her help in the research for this article.

They say it is the highest rated television program in Japan’s history. It was 7pm on Friday, October 23, 1964, and it may not be an exaggeration to say that almost anyone near a television was watching the gold-medal match of the women’s volleyball championship at the Komazawa Indoor Sports Arena.

It was a day before the ending of the 1964 Tokyo Olympics, a fortnight during which all of Japan was collectively holding their breath, simultaneously hoping that their young men and women would exceed expectations, and that nothing horribly embarrassing would happen during Japan’s debut on the global stage.

In this particular case, the Japanese women’s team were expected to win. They had already steamrolled through the US, Romania, Korea and Poland, conceding only a single set during the entire two-weeks of round-robin play. Their opponents in the final round, the Soviet Union, had done the same, winning every set against the same teams.

Oriental Witches_8_ Bi to Chikara
Olympic champions at last, from the book Bi to Chikara

Despite the fact that volleyball was making its debut at the Olympics at the 1964 Tokyo Olympiad, Japan had a rivalry. In 1960, Japan lost its debut in international competition to the Soviet Union in the championship match in Brazil, thus igniting volleyball fever in Japan. Two years later in 1962, Japan again made it to the finals of the world championships against the Soviet Union, in Moscow. Somehow, the women from Japan won.

When it was also announced that volleyball would become an Olympic event at the ’64 Olympics, the Japanese public wildly agreed that their women’s team had the best chance at gold in the 1964 Games to be held in Tokyo.

The pressure on the team was immense. One of the players was quoted in the Sankei News a day before the finals as saying, “if we lose, we might have to leave the country.”

To say the weight of an entire nation was on the shoulders of these women would be an understatement. To make matters worse, the finals match didn’t start anywhere close to the scheduled time of 7pm, so the players had to wait around and stew in their tension for an extra 30 minutes. And yet, when the game finally began, the women of Japan simply went about their business, taking the first two sets 15-11 and 15-8.

As team captain, Masae Kasai, recalled in her autobiography, Okaasan no Kin Medaru, (Mom’s Gold Medal), she reminded herself to stay calm, but couldn’t help but wonder, “What the heck is wrong with the Soviets?”

Oriental Witches_9_ Bi to Chikara
The Soviet Team after their loss to the Japanese, from the book Bi to Chikara

In the third set, Japan raced to an 11-3 lead, and Kasai thought in that instant, “It’s possible, victory is possible.” But then in the next instant, Kasai got mixed up with a teammate when attempting to receive, and according to the team captain, the Soviets seemed to catch a second wind. Still Japan battled to a 13-6 lead, and got to match and championship point at 14-8. But then momentum switched suddenly to the Soviets, as they clawed their way back to within a point – 14-13.

The team’s coach, Hirobumi Daimatsu called time out. “What are you doing? Calm down. All you need is one point to win, right. Take it easy.”

It was Kasai’s turn to serve, and she hoped to decide the match then and there, but the Soviets got the serve back. (This was a time when you could only win points on your serve.) And back and forth it went, both teams failing to capitalize on their own serve five times in a row.

Oriental Witches_7_ Bi to Chikara
Coach Hirobumi Daimatsu lifted in the air in celebration, from the book, Bi to Chikara

Emiko Miyamoto, whipped her super slim left arm through the air, rocketing the ball across the net to the Soviet back court with such velocity that the Soviet receiver’s return, which should have been a pass to a teammate in the frontcourt, ended up flying across the net. The Soviet player in the front court saw it heading towards her and hoped to change the ball’s direction, but when she tapped it, the ball had already passed over the net. A Japanese player reacted and sent the ball back to the Soviets, but the referee ruled a stoppage of play.

And in that moment, 9:01 pm, the players realized that they had finally reached the peak of a very tall mountain, coming together with jubilant hugs and tears, as a nation erupted in celebration.

 

Note: Special thanks to Marija Linartaite, for her help in the research for this article.

This is part two of the photographs taken by Dick Lyon, member of the United States rowing team. After his four-man coxless team won the bronze medal at the Toda Rowing course, Lyon had the time to walk around Tokyo with his Bronica Camera. Here are a few of them:

Tokyo 1a

Outside a candy store – It’s a common story during the 1964 Olympics: the best athletes in the world visibly sticking out in homogenous Japan, particularly those who hovered around 200 cm tall. Lyon’s rowing teammates, who joined him in these perambulations around the Olympic Village in Yoyogi, were no exception. Here is Lyon’s rowing mate, Theo Mittet, with two giggling women from the candy shop. Note Mittet’s fancy footwear.

TOkyo 5 001

 

A pub in Tokyo that appears to be connected to a racetrack – The signs appear to list names of horses and jockies. These “taishyuu sakaba” were low-cost drinkeries for the everyday salaried worker, whom, I suppose, had a love for the horses. This one lists all items as selling for 100 yen, or some 28 cents at the time.

Tokyo 11 reading racing forms

 

 

 

A man studying the horse racing data of the day – This image of intent concentration belies the fact that the Japanese government ultimately decided that this form of gambling was a necessary form of recreation for the average citizen, as well as the well as the tax revenue it generated. The Japanese government thought briefly in the early 1960s about banning such forms of gambling, but thought better of it, according to this report.

Tokyo 1b

 

Shimbashi Station – In 1964 and today, this was the hangout for salarymen where they ate and drank in the many tiny eateries underneath and near the train tracks.

Tokyo 12a

 

Ginza and the San Ai Building – In 1964 and today, Ginza is the upscale shopping area of Tokyo, and has for a long time been considered the most expensive real estate in the world. A symbol of Ginza glitz and glamor has been the San Ai Building, a glass tower that has gleamed electric light since it opened in 1962, a couple of years before the Olympics.

Tokyo 13 001

 

A View from Tokyo Tower – In 1964, the Tokyo landscape around Tokyo Tower was flat. And yet, my guess is that 19 years before, at the end of the Second World War, after enduring considerable firebombing by allied planes, the landscape would have been considerably flatter. In less than two decades, Tokyo was re-built and transformed, a miraculous revival for the world to see.

Dicki + Camera
Dick Lyon and his Bronica.

Dick Lyon was in Japan for the 1964 Tokyo Olympics, and was a member of the bronze-medal winning team of the American coxless fours. And after a tense week of competition in the week of the Tokyo Olympiad, Lyon had a week to enjoy the Olympics as a spectator, and Japan as a tourist.

Lyon and his friends ventured into a public bath, bought sweets in a Ginza boutique, got around in subways and taxis, took the newly-launched Bullet Train to Kyoto, and climbed Mt Fuji.

Like so many athletes, Lyon bought a camera – a Bronica SLR, from a company called Zenza Bronica, founded by Zenzaburo Yoshino. Yoshino was fascinated by photography and cameras, and started a small camera store in Kanda, Tokyo, selling foreign cameras.

Eventually, Yoshino’s business became very popular among GI’s during the Allied post-war occupation of Japan. With profits from his store, Yoshino invested in a factory to manufacture luxury watch cases and lighters. Soon after he was also manufacturing cameras of his own design, the Bronica.

Lyon shared with me some of the pictures he took with his Bronica, a fascinating look into a time capsule from 1964.

Tokyo 4 (2)

Children on a street in Tokyo – It’s late October, and undoubtedly a tad chilly, but kids in Japan, then and now, are commonly seen wearing shorts in the Fall.

Tokyo 6

A little girl skipping rope – no social commentary here, just a wonderful shot of a girl having a fun time!

Tokyo 3 001

Two elderly gentlemen in Tokyo – this is likely in front of a small light manufacturing operation or repair shop, with two members of the commerce association of some town in Tokyo called Tagawa. I love the Olympic lantern – would love to find one that still exists!

Tokyo 8 001

A bricklayer at work – A wonderful shot of a day laborer, likely prepping the façade of a building for a set of steps, as an elderly lady looks on.

Tokyo 9 001

A day laborer taking a rest – This somewhat elderly man is wearing the shoes of the farmer or construction worker: the “tabi,” with its distinctive split-toe design. Since this is Tokyo, he was probably employed in construction. The hat, however, is a nice touch.

Tokyo 2

A man on his “Ri-ya-kaa”– Here’s a gentleman who owns his own business, or works for a business that needs to transport heavy items, like alcohol bottles, sacks of rice or bags of vegetables. This vehicle is called “ri-ya-kaa” based on an extrapolation of an English word: “side car”. The side car is the carriage that you sometimes see attached to a motorcycle. The Japanese figured if you can call that part a “side car”, then attaching something similar to the back could be called a “rear car”. (I didn’t know this!)

 

Ajinomoto Ad_Tokyo Olympics Official Souvenir
Ad from the book Tokyo Olympics Official Souvenir 

 

It’s 1964 and Ajinomoto is at the top of the world.

Housewives in the growing post-war economies were benefiting from advances in food sciences. In America, it was easy to bake a Betty Crocker cake, or create a Jell-O dessert, or slap together a meal with a Swanson’s TV dinner.

For those who actually had to cook, particularly in Asia, mother’s little helper came in a little glass bottle with white crystals. This chemical substance, when added to food, instantly transformed bland vegetables, soups of meats into something savory and tasty. Created in 1908 by a chemist named Kikunae Ikeda, who extracted an element of sea kelp, Ajinomoto (or “the essence of taste”) became a global phenomenon in the first half of the 20th century.

It started with post-Meiji Era housewives of the upper classes, who believed that to be Western and cultured, they had to cook meals themselves. When they learned how easy it was to enhance the flavor of their prepared meals by adding Ajinomoto, sales took off.

Because this was the era of Imperialism, and Japan had colonies in East Asia, Ajinomoto made its ways to the kitchens of Taiwan and China. Restaurants in Taiwan quickly became addicted to the use of Ajinomoto, and this particular flavor and brand became associated with quality. According to this fascinating history of Ajinomoto called A Short History of MSG – Good Science, Bad Science and Taste Cultures, by Jordan Sand, display of the container that Ajinomoto was shipped in became proof of the quality of that establishment.

Some Taiwanese restaurants and noodle shops helped market the product unsolicited. If the tabletop glass shaker symbolized Ajinomoto’s mature position in the metropolitan Japanese food system, in Taiwan it was the square, gold colored, one-kilogram can, which was first imported in 1928. Food vendors and noodle shops displayed these cans toshow customers they used Ajinomoto. Presumably they did so in part to announce they were not using an imitationbrand, several of which had appeared in the 1920s. The large gold cans had particular significance for individual consumers, too, since Taiwanese merchants began opening them in the shops and selling small quantities by weight.

Ajinomoto ad_Jordan Sand
Ajinomoto advertised in a Chinese magazine from the 1920s. From Ajinomoto kabushiki gaisha shashi [Company History of Ajinomoto Incorporated] (Ajinomoto kabushiki gaisha, 1971), volume 1.
To succeed in China, Ajinomoto was marketed as the Buddha’s hand, again, according to Sand, and was particularly useful in making vegetarian food in China more palatable. And once something in China becomes popular or commonplace, it was only a matter of time before it made its way further abroad. The Chinese diaspora is one of the biggest, and when Chinese immigrants poured into America to help build the railroads, Chinese food became a staple of not only the migrants, but also the locals.

Fast forward to the 1960s, and this miracle food enhancer was at its peak, and beginning its descent. Rachel Carson’s Silent Spring educated the world on the unintended but dangerous consequences of pesticides in our ecosystem and our food supply, and more generally on man’s impact on nature. Eventually, people began to suspect that Ajinomoto, otherwise known as monosodium glutamate (MSG), was making people nervous because of its linkage to headaches, sweating, rapid heartbeats, sweating and even chest pain and nausea. In America, this particular ailment was informally called Chinese Restaurant Syndrome”, thanks to migrant cooks inordinate dependence on Ajinomoto.

Eventually, negative reactions to Ajinomoto in the United States spread to Japan. When the 1970s rolled around, Ajinomoto’s sales fell. Ajinomoto diversified and recovered, and today, Ajinomoto is certainly a giant among food manufacturers in Japan. But at the early parts of its existence, Ajinomoto was a company, by virtue of a single product, that had a significant global impact.

And in 1964, during the Tokyo Olympics, Ajinomoto was held up as one of Japan’s great success stories.

phelps vs shark

Jesse Owens was without a doubt the star of the 1936 Berlin Olympics. A black man winning four gold medals in Arayan Germany was interpreted as a symbol of America’s strength in diversity. And yet, when Owens returned to America, he struggled to earn a consistent income, unthinkable if he were a star today.

One way Owens earned a living – he was an owner of a Negro baseball league team, The Portland Rosebuds. In order to bring fans in, I suppose, he footraced against horses between games at double headers.

Michael Phelps never had to do that to make a living.

And yet, the single most decorated Olympian ever, including a record 23 gold medals, Phelps is engaging an even more absurd race….against a shark.

In promotion of Discovery Channel’s annual “Shark Week”, Phelps will swim a race against a great white shark on July 23, 2017.

What can I say? This is the height of absurdity.

I can see in my head what a race with a horse looks like. I cannot imagine what a race between a man and shark is. How long would the race be? Since sharks are always in motion, does this particular great white shark getting a running start, as it were? Are man and shark racing together, in the same ocean lane? If yes, I imagine that would motivate Phelps in a uniquely visceral way.

But the simple reason why this whole exercise is clearly a gimmick, according to this article, great white sharks reach speeds of 25-35 mph, while a swimmer of Phelps’ caliber tops out at 6.

So silly. But, I’ll watch.

Billy Mills at Haskell Institute
Billy Mills at Haskell Institute, from the collection of Billy Mills.

He was one of the biggest stars of the 1964 Tokyo Olympics. He was the first American to win the 10,000 meters race in the Olympics. And the world press, particularly the American press, celebrated this surprise victory by a Marine lieutenant of Native American Indian stock (Lakota) with blaring headlines of glory.

And yet, when it was time for Billy Mills and his wife Pat to return home to the United States, he couldn’t get transportation to the airport. The Mills were leaving Tokyo a day before the end of the Games so would not be joining the USOC-arranged transport to the airport. When gold medalist Mills asked the USOC to help him get to the airport, they said they wouldn’t do so.

These were the days when only amateurs could participate in the Olympics, and many American athletes had to be very careful financially. Mills had maybe $1.50 in his pocket at the time, he said, so when turned down by his own country, he had no choice but to turn to the Japanese organizers. Mills told me the Japanese were surprised the Americans would not take care of one of their biggest stars. They picked up his bags, put them in “the largest, widest limousine I had ever seen, with Japanese and Olympic flags up front with an American flag on the back. We take off with two motorcycles escorting us to the airport. We left Japan in style,” said Mills to me, with a smile formed of true fondness.

Prior to departing for the 1964 Olympics, Mills said he was looking forward to seeing Japan, how people outside America act and think. In America, he told me he never felt like he fit in, which started when he was growing up, as revealed in the book, Tales of Gold.

There were quite a few white people living on the reservation; probably 1,000 of the 8,000 people there were white. At that time not many Indians were going off to college, so most of the educators were white people. And the whites controlled the economic base of the reservation. They operated the stores and, of course, ran the Bureau of Indian Affairs. Also, there was always the anthropologist who was working on his or her doctorate degree. They would come and study us for a summer and then go back and have a book published. We always resented being studied like some kind of insect.

Mills was advised by his father to compete in sports because “if I competed with the white man – with the dominant society – in sports, I could have fun at the same time.” So Mills tried basketball, tried boxing, before finding joy in running. And yet he could not find joy integrating into white society, feeling pressured into believing there was a zero sum game between the dominant Christian church on the reservation and his Lakota beliefs, which he could never separate himself from.

 

Patricia and Billy Mills 2
Patricia and Billy Mills in Tokyo, from the collection of Billy MIlls

 

When Mills arrived in Japan for the 1964 Summer Games, Mills felt an affinity for the Japanese. He told me that he understood the Japanese to be a proud people forced out of seclusion by foreign powers in the 19th century, and had only recently come out of a post-war occupation by the Allied powers, primarily General Douglas MacArthur and the United States.

In Japan, I saw people who were so courteous and polite. I knew underneath there had to be this anger. I could relate to the pain. Almost a sacredness of the way they contained the pain, and the respect they showed. They were like the elders I knew, who controlled their pain, and still showed respect to others.

In the 1983 film, Running Brave, the actor Robbie Benson portrays Billy Mills as an intense and tightly wound young man, who hides his emotions behind ambiguous smiles and blank expressions, only to let them out in raw displays of frustration and anger, usually in private.

When, in this film, the track coach of Kansas University comes out to Mills’ high school to see him run, and learns that Mills is native American Indian, the university coach says to the high school coach, within earshot of Mills, “You know as well as I do what happens to these Indian boys. They are gifted runners but they can’t take orders. They have no discipline. They’re quitters! Sooner or later, they all end up back at the reservation pumping gas or dead drunk or on skid row. You know that.”

When Mills’ Kansas University track team is invited to go to a fraternity party, he goes to the party with the joy of a first-time experience, only to be told that Indians aren’t allowed in the fraternity. When he begins dating a Caucasian co-ed at Kansas, he eventually grows frustrated that the parents of his girlfriend, later his wife Pat, did not openly accept Mills initially.

“In retrospect, I can understand now that some of that might have been not because I was an Indian, but because here I was, an orphan, raised in poverty, and the prospect that their daughter might have some security with me was very slim,” he wrote in Tales of Gold, which profiled him. “But at the time, I understood that they didn’t want their daughter to have anything to do with an Indian, even a part Indian.”

The gold medal at the 1964 Tokyo Olympics was an affirmation for Mills, that he was indeed worthy of his biggest dreams. His success at the Olympics provided Mills with a platform to help young Native Americans. In 1986, he and the founder of the Christian Relief Services Charities, Gene Krizek, formed a non-profit organization called Running Strong for American Indian Youth.

Running Strong helps to ensure that the survival needs of American Indians – food, water and shelter – are met. This NPO also develops and implements programs that perhaps Mills himself would have benefited from when he was a youth – development opportunities to help build self-esteem and purpose.

Mills often talks about how important it is for people to “look behind the hurt, the hate, the jealousy, the self-pity, all of those emotions that destroy you.” And in 1964, he told a New York Daily News reporter that his biggest memory from the Tokyo Olympics was the young man, Yoshinori Sakai, who carried the Olympic flame to the top of the National Stadium steps, to light the Olympic cauldron. Sakai was born on August 6, 1945 in Hiroshima, the day that an atomic bomb was dropped on his city. Sakai survived. He did not let hate or self-pity keep him down. Instead, at those 1964 Tokyo Olympics, Sakai elevated himself.

So too did Billy Mills.

Menu
White House Menu 1964_from the collection of Dick Lyon

You’re at the White House, enjoying Breast of Chicken Georgina, Rice Pilaf and Eggplant Provençale. You’re seated at the table with Lynda Johnson, the daughter of the most powerful man in America at the time. But you’re also chatting at your table with some of the greatest athletes of 1964.

This is where Dick Lyon, bronze medalist in the coxless fours, found himself on Tuesday, December 1, 1964, at a fete for the US Olympic Team medalists who competed at the Tokyo Olympiad several weeks earlier, hosted by President Lyndon B. Johnson.

“We didn’t shake hands with President Johnson,” Lyon, a rower from California, told me. “He was probably meeting with General Westmoreland, or someone. It was a busy time for them. But we got to shake hands with the vice president, Hubert Humphrey.”

06d2 Dick 1964 001
Dick Lyon with his bronze medal_from the collection of Dick Lyon

In addition to the president’s daughter and a staff member of the White House, those seated at Lyon’s table were some of the most celebrated athletes of the Olympics: 10,000 meters gold medalist Billy Mills, fastest man-in-the-world gold medalist Bob Hayes, 110-meter hurdles champion Hayes Jones, double-gold medalist swimmer Donna deVarona, as well silver and bronze medalists in the modern pentathlon, yachting, and shooting.

Lyon shared with me a picture of the actual menu, which he passed around the table for their signatures. Here are the names of those at Lyon’s table, just in case you aren’t experts in graphology.

Monster Strike Kaekura memem
The Monster Strike mobile game ad in the Yamanote train in June, 2017.

I was on the Yamanote Line train when I looked up to see all in-car advertisements devoted to Japan’s #1 best-selling mobile game from 2016 – Monster Strike. I usually don’t care about mobile games, but the ad immediately caught my attention – animals in mid-stride racing together, on a dark black background.

It is exactly the same concept as the second of designer Yusaku Kamekura‘s poster in 1962, marketing the 1964 Tokyo Olympics to come.

Kamekura emblem design_2

That same evening, I see a television commercial for a logistics company called Kuroneko Yamato, with nearly the exact same design concept. Kuroneko means “black cat”, so with a black cat leading five Kuroneko transportation men in a sprint, they put the bodies in action on a yellow background instead. And yet the nod to Kamekura’s poster design is unmistakable.

Kuro Neko Shinka
Kuroneko Takkyubin Ad

After Kamekura settled on a design for their second Tokyo Olympics poster (click here to see the first design that won Kamekura the Olympic account), he assigned Osamu Hayasaki as the photographer, and Jo Murakoshi as the director of the project. The idea was to employ photography for the second photo, instead of the mainstream use of illustrations.

Their idea must have been to capture the idea of speed and power, so they arranged to have men from the US Military (from the airbase in Tachikawa as I believe someone once told me) dress in track gear, and move as if exploding from starting blocks. As this site explains, they employed four photographers to snap a shot of the runners in motion, in the dark, pressing the shutter button just as they flashed strobe lights.

It is said that it took over 80 takes to get just the right balance for that poster.

And over 50 years later, this meme lives on.

Rio Closing Ceremony_3
From the 2016 Rio Olympics closing ceremony video tribute to Tokyo 2020

This is Part 2 of a breakdown of the amateur film by George and Lilian Merz.

The Merz’s, who won an award for their summary of the XVIII Olympiad in Tokyo, stayed primarily around the National Stadium, so their view of the Olympics was primarily track and field. But on occasion, they trained their cameras at events outside the National Stadium, as well as on non-sporting events. Their footage of the ceremonies have been more effectively captured elsewhere, but their human interest forays are interesting at times.

US Team Opening Ceremony_Merz Film
US Team Opening Ceremony
  • Opening Ceremony: 1:25 – It’s the Opening Ceremony at the National Stadium on October 10, 1963. At the 3:12 mark, the US team enters the stadium. The men on the US team are wearing cowboy hats, and it appears that is all you see in their sea of members. The women however aren’t wearing any hats. President Johnson, who is believed to have had the hats sent to the Olympians, probably didn’t think it was appropriate for women to wear these cowboy hats. What struck me was how small the female crowd was. When I looked it up, of the 346 people on the US Olympic squad, only 79 were women. And many of them were likely swimmers who had to compete in the next few days, so were likely not allowed to march in the opening ceremony. Interestingly, the men who dominated the US sailing team brought up the rear, not in cowboy hats, but in sailor caps. Also great footage of the balloon released, the Olympic flag raised and the cauldron lit, in a jam-packed stadium. At the 8:36, Merz has footage of the Emperor and Empress of Japan in the stands!
  • Huckster Girls: 12:25 and 13:56 – That’s what Merz calls the women selling food and drink in the National Stadium. I can’t tell what snacks they were selling, but they were selling a bottle of Coca Cola for 50 yen. At 360 yen to the dollar, that’s about 13 cents!
  • Nature Boy: At the 14:32 mark, Merz films an unusual looking Japanese man outside the National Stadium, whom he dubs “nature boy”. He’s bald headed and bare chested, except for a sash, and holding a banner. The sash says “Make Your Body as Naked as Your Face!”. His banner basically says the same thing, further emphasizing that nudity is healthy, and that he belongs to some sort of nudist association. In modest Japan, this is the last thing I would have expected to see in this documentary.

Nature Boy_Merz Film

  • Rain Rain Rain: You can see at the 17:16 mark a sea of umbrellas. On certain days, it simply rained through the day.
  • Press Seats and TV Monitors: As you can see at the 16:44 mark, the press section in the National Stadium had little TV monitors so that the press could watch the action up close.
  • Eating Bento: I don’t know what the guy is eating, but I’m sure it was good! At the 23:16 mark you can see the spectators sitting on wood-slat benches, and this particular man enjoying a bento. He appears to be sitting in a covered section of the stadium too.

eating bento in the stands_Merz Film

  • 4×100 Swimming Relay Men’s: 5:26 – The Merz’s visit the National Gymnasium and fil the second heat of the men’s 4×100 swimming relay, which the Americans win handily.
  • Field Hockey Men’s: 25:24 – The Merz’s take a break from the National Stadium and head to the Komazawa Stadium to watch a field hockey match between Germany and Kenya.
  • Basketball: 25:48 – The Merz’s then head to the National Gymnasium Annex to see men’s basketball. Unfortunately, the footage is too dark to tell which players are from which countries.
  • Closing Ceremony: 27:38 – And finally, here was footage of the closing ceremony. The film is dark, but you can see the Olympic flame extinguished – a blurry light extinguished, the Olympic Flag lowered, to be send to Mexico City, and an fireworks display to cap off an incredible two weeks.

Rain Rain Go Away_Merz Film