Category Archive: Tokyo 1964

Jerry Shipp: Fighting the Cold War and the Past on the Basketball Court

Jerry Shipp in 2019, courtesy of Shannon Shipp Cooper.
In commemoration of the 56th anniversary of the XVIII Olympiad, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”
日本語版：ジェリー シップ_アメリカ対ソ連

 

Jerry Shipp didn’t like to lose. He didn’t shake hands with opponents after games. He admitted that a basketball game to him was war, and in the heat of battle, he wasn’t a good sport. A shooting guard on the US men’s basketball team, Shipp had a chip on his shoulder, one that had grown since his days in an orphanage in Tipton, Oklahoma.

 

Jerry Shipp on Phillips 66ers_Amateur Athlete 1964

The two-meter tall shooting guard, whose unorthodox shooting form was often deadly from a distance, Shipp became the highest scorer ever for Southeastern State College (now known as Southeastern Oklahoma State University). Drafted by the New York Knicks in 1959, Shipp decided that he needed a steady job and higher pay than what he could get in the NBA. He opted for work at the oil company Phillips, which also had a team in the corporate league, the now-defunct National Industrial Basketball League (NIBL). He would go on to lead the Phillips 66ers to three consecutive championships in the NIBL, while also playing on the national men’s basketball squad.

 

In 1962, Shipp was on the US squad that played the Soviet national team in Lubbock, Texas, in an exhibition match. In contrast to the 1960 squad that featured future hall-of-famers Jerry West, Oscar Robertson, Walt Bellamy, and Jerry Lucas, the 1962 team prepping for the Tokyo Games was considered a team of no-names, “a second-rate representative for Uncle Sam,” not only losing to the Soviets 66-63, but ending the game in unsportsmanlike fashion.

 

Sam Blair, a sports columnist from the Dallas Morning News, wrote that in the last moments of the game, the Soviet center, Alexsandr Petrov, and Shipp were fighting over possession of the ball when Shipp swung arms and elbows clipping Petrov across the chin and sending him to the hard court.

 

“It was a pretty shameful moment for the US for Shipp swung in a fit of anger after retreating madly to tie up Petrov, who had slipped free down court in the last hectic seconds to take a high-lob pass and was preparing to sink a simple layup. Fortunately, the Russian had a cooler temper or more self-discipline than Shipp did.” As Shipp recalled, famed sports columnist Blackie Sherrod wrote that he was trying to start World War III.

Jerry Shipp with his father Ed Shipp at Southeastern Oklahoma State University, courtesy of Shannon Shipp Cooper.

No US team had ever lost a basketball game in the Olympics through 1960. And yet, just as the Tokyo Olympics were about to start, the US press was predicting that the streak would end. And if any team was going to do it, it would have to be the Soviet team, runners-up to the US in the previous three Olympics.

 

The coach of the US men’s basketball team was Hank Iba, a basketball legend. He coached teams to NCAA championships in 1945 and 1946, and to medals in the Olympics in 1964, 1968, and 1972. And yet, even legends get criticized. “The 12 men selected yesterday for the October duty in Tokyo have the best chance in history to lose one,” wrote columnist George Meyers.

 

Iba knew he didn’t have the firepower of the 1960 team. “Our big problem is that we have no one man who’ll get us twenty points every game,” he pointed out. “So it has to be a team effort. But when a team has played together as short a time as this one has, it’s bound to get sloppy at times.” Sloppy, yes, but it did not bode well that the team lost its last two exhibition games in the United States prior to shipping off to Hawaii for a training camp just before the Olympics.

 

Fortunately, Coach Iba was one of the toughest, most well-prepared coaches of his time. Center Luke Jackson said that the team was constantly practicing. “Coach Iba wouldn’t let up. When we first came in the locker room, he gave each of us a notepad and said, ‘I want you to learn these plays. Those who don’t learn, won’t play.’ And then he walked out of the room. We practiced those plays. And those who didn’t learn them, didn’t play.”

 

“Those five-hour practices a day—those were tough,” recalled forward Jeff Mullins. “He had his Iba-isms. If you had a turnover he would say in his raspy voice, ‘Can’t have that, boys. Can’t have that.'”

 

The US team crushed the team from South Korea 116-50 in one of the early contests of the Tokyo Olympics. Jackson said that after the game, “Iba took us to practice and worked us until our feet fell off. He said that we didn’t rebound well. He was just putting it on our mind that every game was important. You have to do things the same way every time. I’m sure we were hot-dogging against the Koreans. And we realized that this guy was serious.”

 

Prior to the finals, the American men’s team didn’t lose, despite what many had predicted. And so, the USSR and the USA teams both went into the gold medal round undefeated, playing for geopolitical bragging rights and Olympic glory at the beautiful Kenzo Tange-designed Gymnasium Annex in Yoyogi.

 

In the first eight minutes, the Americans played sluggishly as the Soviets jumped to a lead. Iba admitted jitters. “I’ve been in this business a long time,” he said to reporters after the game. “I know if you get so sure you’re going to win, you usually get knocked on your bottom. But we never talked about it.”

 

Toward the middle of the first half, Jackson woke up, grabbing rebounds and sinking baskets. And then, the rest of the team got going. Joe Caldwell started pouring in points. He was joined by Bill Bradley (he of Princeton, the Knicks, and the US Senate), Larry Brown (he of the countless university and pro coaching roles), Walt Hazzard, and Shipp, who led the US team in scoring average in the tournament and did not cause World War III.

 

In the end, the US men’s team continued its dominance, defeating the Soviet Union 73-59, and registering its forty-seventh straight victory since basketball became an Olympic sport at the 1936 Berlin Games. It was one of the last of the USA’s thirty-five total gold medals gathered at the Tokyo Olympics and marked the first time that the US won more gold medals than the Soviet Union since the powerful communist nation was allowed into the Olympics in 1952.

 

But the Cold War was not on Shipp’s mind when the gold medal was placed around his neck. Shipp had played countless times against the Soviets, knew them inside out, and would have run through a brick wall to defeat them. But it was not triumph over the Russians that caused his breath to shorten or his heart to tremor. It was the realization that the long climb out of his childhood, one filled with hurt, insecurity, and loneliness, was over.

 

Jerry Shipp receiving his gold medal, courtesy of Shannon Shipp Cooper

As he stood on the medal stand, waiting for his gold medal, memories of the orphanage where he grew up and the school he attended flooded his mind’s eye. He remembered his high school algebra teacher, Miss Maynard, who, instead of nurturing him, told him he was never going to learn anything. Out of frustration, Shipp once completed an algebra test by putting a zero on it, and submitting it as is. The teacher told him, “You will never amount to anything. You’ll be in jail one day.”

 

And so, at the moment the twenty-seven-year-old bent at the waist to receive his gold medal, the volcano at the pit of his stomach, roiling with the bilious lava of his youth, erupted.

 

I straightened up and I saw the camera pointing at me with the red light on, and I shouted, “Old Lady Maynard, I hope you’re watching, ‘cause I made something out of myself!” I never forgot it. I was still angry. My teammate, George Wilson, was standing next to me and asked me what that was all about. But I never told him.

 

I now realize that Lotus Maynard played such a big part in my life. I just got to thinking that my anger was hurting nobody but me. I realized, in fact, that she drove me to success. Now I go back and I say, “Mrs. Maynard, thank you.”

Jerry Shipp (14), Larry Brown (6), Jim Barnes (4), Luke Jackson (11) and Bill Bradley (5) of Team USA, in finals against the Soviet Union at the ’64 Summer Games.
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Ann Packer and the Japanese Surprising the World at the 1964 Tokyo Olympics

Ann Packer and Robbie Brightwell_PhotoKishimoto
In commemoration of the 56th anniversary of the XVIII Olympiad, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”
日本語版：世界を驚かせたアンパッカーと日本製品

Ann Packer was a 400-meter sprinter who was narrowly beaten by Australian Betty Cuthbert in the 400-meter finals. She was happy with her silver medal and ready to enjoy carefree moments shopping in the Ginza. As far as she was concerned, her Olympiad was over. Her fiancé and captain of the British athletics team, Robbie Brightwell, was astounded about how casual Ann was, and explained in his autobiography that she had a chance at history if she could hold off the urge to shop.

“Do you think I should run in the 800-meter heats tomorrow?” she asked. “Maybe I should call it a day and go shopping.” I gaped in astonishment. “Shopping? You must be mad! Shopping? This is the Olympic games, not the Moulsford Village sports!”

“I know, but I’m hardly likely to better a silver medal, am I? And I need to buy some presents for the folks back home.”

“Come off it!” I exploded. “Think about the British girls back home who would have given their eyeteeth to be here in your place!”

She smiled sheepishly. “OK I’ll run. Not that it’ll make much difference. I’m bound to get eliminated in the heats, and then I can go shopping.”

As it turns out, Packer and perhaps even her fiancé Brightwell were missing the telltale signs of potential success. While Packer hoped just to remain respectable, others saw a form and ease that would translate easily to victory. As Packer prepared for the finals, after essentially just making the cuts in the heats, two people of considerable experience and respect came up to Packer with powerfully motivating words. Again, here is how Brightwell explains it in his autobiography:

Milkha Singh jogged past with his 1,600-meter relay squad. Espying her, he dashed over, taking both hands and staring stern-faced into her eyes. “Ann Packer, listen to me. You will win!” She giggled self-conscientiously, flashing me an amused smile. Shaking her hands emphatically, he repeated his message.

You’re not listening, Ann Packer! Yesterday, I watched your semi-final. You were coasting! After the race, you come and show me your gold medal.

She nodded respectfully. No sooner he departed than Percy Cerutty, Betty Cuthbert’s coach, rushed up. Even though they had never been introduced, Percy wasn’t a man for social ceremonies. “This,” he said, wagging a finger in front of her face, “is the finger of experience. And it’s standing to attention. Listen! Betty and I’ve been talking. Stay with them until the end, and you will hammer them. Understand?”

Astonished, Ann nodded dumbly. Mission completed, Percy disappeared as quickly as he’d appeared.

When Packer won her race, right away she steered to the stands and into the arms of Brightwell. Milkha Singh was there as well, smiling with the satisfaction of clairvoyance proved correct. “Did I not say your woman would win? You didn’t believe me! I was right! Hee, hee, hee! Brightwell, you never listen to me!”

Packer had little experience in the 800 meters. But that was true for all the other competitors. For the first half of the twentieth century, the IOC believed they were protecting women from competing in what they believed to be overly strenuous competitions for the fair sex. Thus, after 1928, women didn’t run as far as 800 meters in the Olympics until 1960.

As a result, very few women were experienced at this distance. Packer had no preconceptions about how to run the race. But being naïve, and being a sprinter, was Packer’s advantage. Packer was at the back of the pack for most of the race. But in the final 200 meters, she climbed to third, and in a burst sprinted out a dominating finish. A world record finish, in fact. As she later said, “Ignorance proved to be bliss.”

Japan, as an emerging economy in 1964, was similar to Packer in the 800. Any new goal was a new challenge without any preconceptions about how to get things done. If they had a problem to solve, they tried anything and everything, leveraging what resources were available and learning from the world.

Toyota’s famed just-in-time (JIT) lean manufacturing methodology has been recognized the world over as a superior process to maximize both quality and efficiency, leading to the transformation of the auto industry by the Japanese. Instead of stocking large inventories of doors that sat in a warehouse unused for weeks and exposed to potential damage, as was the case with large American manufacturers in Detroit, the Japanese engineers improvised.

With little capital available during those lean postwar years, they could not “waste” money on one or two months of stock. So parts were built only when they were going to be used—just in time. Capital was used efficiently, parts were not damaged while sitting for weeks, and everyone on an assembly line was charged with the mandate to innovate in any way that eliminated waste and improved quality.

And so, even in 1964, to the surprise of visiting Olympians, Japanese products were not cheap and low quality. They were cutting edge.

Packer and Brightwell flew to Tokyo with their fellow Olympians on British Overseas Airways Comet, the world’s first commercial jet airliner. They had the opportunity to visit the cockpit and talk with the pilot. They asked about Japan, and Brightwell asked the well-travelled pilot whether he had any recommendations for things to buy there.

He said, “Yeah, Seiko watches. They make fantastic watches. Get a movie camera. Get a tape recorder. You got to get one of those transistor radios. And a camera. Oh, I see you’re wearing glasses. Go and get contact lenses.” So I did see the optician one day in Tokyo. And got them the next day! The Japanese were already making gas-permeable contact lenses. They were brilliant. For my first race, I could actually see the track.

We were very impressed. We knew about Japanese engineering in heavy industry, but we didn’t know anything about their use of American transistors and computers in Japan. We could see they were moving to higher-value, technologically intense products.

Brightwell was friendly with members of the British press, including BBC sports star commentator and presenter, David Coleman. Brightwell said that his conversations with Coleman in Tokyo were often about how many things he had learned about the innovative way Japan was televising the Games—that these Games would be the first to be globally broadcast by satellite; that there were dozens of movie cameras in the National Stadium, when the BBC might employ two; that the media in the Press section had events results provided to them by computers; that the Games were going to be seen in color in many homes in Japan, while most in England had to settle for black and white.

“Relatively speaking,” said Brightwell, “we were still on steam locomotives.”

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“Atomic Bomb Boy” and the Subtlest of Anti-American Protests in 1964

In commemoration of the 56th anniversary of the XVIII Olympiad, here is an excerpt from my book “1964: The Greatest Year in the History of Japan – How the Tokyo Olympics Symbolized Japan’s Miraculous Rise from the Ashes.”
日本語版：「原爆っ子」とアメリカへのささやかな抵抗

Seventeen-year-old Dick Roth, winner of the individual medley race at the 1964 Tokyo Olympics, was thirteen years old when he first travelled with the US swim team to Japan in 1960. He remembers being treated like a celebrity. Toward the end of his stay, the team went to Nikko, the beautiful resort town not far from Tokyo. And while walking about the woods with the team, he saw something he clearly remembers today.

I wandered off on my own, which was a habit I have when I travel, skipping the handlers. I was walking back to the lodge and I came face to face with a group of eight to ten horribly disfigured children of my age, probably older. They were from Nagasaki and Hiroshima. Later I talked with one of my handlers and asked about them. He said they were also on a tour. The organizers were trying to keep us apart. I was shocked and horrified. To think anyone could do anything so barbaric. I know we dropped the bomb to shorten the war. But it’s a visceral feeling I will never forget.

Back in Tokyo four years later, Roth also remembers the Opening Ceremonies when a sole torchbearer ran into the National Stadium. “The torchbearer came in and there was cheering and a kind of reverence. I don’t know what to call it. The attention was locked on this individual. I was stunned by the switch in the crowd. He got to the top and turned around. It was like another one of those moments that defies description. When he stood there and held the torch high, I was stunned.”

Roth was referring to Yoshinori Sakai, who was born in Hiroshima on August 6, 1945, the day an atomic bomb was dropped on his city. “When he reached the bottom of the stairs he didn’t stop, just ran up the stairs in stride. He only paused at the top, turning to face the full stadium and the world. He then turned and lit the flame, causing an entire nation a collective moment of pride and sadness.”

It was a bold move. For a country that was trying desperately to erase from its collective memory the horrors of World War II, the Olympic organizers risked offending the United States of America by reminding the world that Japan was the first and only country to be attacked by nuclear weapons.

In fact, prominent Japanophile and translator of such classics as The Tale of Genji, American Edwin Seidensticker, said that the selection of Sakai as the final torchbearer was not “incidental,” and was “unpleasant to Americans.”

When G. D. Sondhi of India, a member of the International Olympic Committee who had just witnessed Sakai’s torch lighting at the opening ceremonies, was asked to comment on Seidensticker’s reaction, he replied, “He (Sakai) is good and I’m happy to see him do it so nicely. We must bring young people in the Olympics and let those old men just sit and help them.” Sondhi went on to say that he did not think Sakai’s selection to be political, and rather thought that Sakai represented “a big hope” for Japan, and that his was “the most touching of all Olympic ceremonies I ever saw.”

Still, it’s amazing that the organizers, on Japan’s biggest day, consciously chose to highlight Hiroshima via Sakai—whom the press dubbed “Atomic Bomb Boy”—a poke in the ribs of the United States.

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My Olympic Torch: A Symbol that Launched a New Japan

Photograph by Kevin Ing

In Japan, you can emphasize ownership over something by placing the English phrase “my” in front of it. Thus when people dream of expensive purchases, they dream about buying “My car,” or “My home.” This summer, I dreamed about buying “My torch.”

And so I got one.

Photograph by Kevin Ing

“My torch” is from the 1964 Tokyo Olympics. Scars of spent fuel are wrapped in ribbons around the silver cylinder of “My torch,” which protrudes from a black aluminum holder, also sporting stains of fiery remains. “My torch” is a handsome reminder that someone in Japan proudly held the Olympic flame aloft with this torch, while running amidst spectators cheering along the sides of some small town road.

“My torch” was the amalgamation of two Japanese businesses: Showa Kaseihin and the acclaimed designer, Sori Yanagi.

The Cylinder: The gauntlet was thrown down the by the Tokyo Olympic organizing committee: create a torch that would “absolutely not go out, even in the rain.” The job to develop the cylinder and the fuel to sustain a fire was given to defense contractor, Showa Kaseihin in early 1964. The cylinder, from the tip of which flames would fly, is 55 centimeters long, 3 centimeters in diameter, and 54 grams in weight. Inside the stainless steel cylinder, Showa Kaseihin (which is now called Nippon Koki) packed a chemical amalgam into the cylinder of red phosphorus, manganese dioxide and magnesium. The flare-like flame that emerged when the amalgam was lit would last up to 14 minutes come rain or shine, while creating a billowy trail of smoke that can be seen from afar.

The Holder: Sori Yanagi is one of Japan’s most famous industrial designers of the 20th century, who helped put Japan on the map with his globally recognized furniture and kitchenware. (Maybe you’ve seen his famous butterfly or elephant stools in a MOMA exhibit.) His father, Soetsu Yanagi started the Japanese folk craft movement, passed the torch to his son, Sori. In a case of symbolic justice, Sori Yanagi was asked to create the receptacle for the cylinder of the Olympic torch. Crafted from a metal alloy composed primarily of aluminum, the holder is simple and elegant, with a clean black finish. The words “XVIII OLYMPIAD TOKYO 1964” are etched into the surface of the holder’s face, along with the Olympic rings.

The product of this collaboration is an Olympic torch which fits nicely in one’s palm, its heft equal to its gravitas,  its lines simple and striking. This is a torch that spread the word throughout Asia that the world was coming to Japan, and brought hundreds if not thousands running to see the flame, born of the sun in Greece, destined for Tokyo and the commencement of the Olympics, and a new chapter in Japanese history.

Photograph by Kevin Ing
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Two-Time American Olympic Rower Dick Lyon Remembered

Dicki + Camera
Dick Lyon and his Bronica.

The photographer’s eye was keen, often captured by the person at work.

  • The woman shining shoes in front of a bank.
  • The man patching up the entrance of an old lady’s abode.
  • A man on his bike after making deliveries.
  • The proprietors of a tea house.
  • Men and women of the office entering a busy train station after a day’s work.

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Dick Lyon was in Japan for the 1964 Tokyo Olympics, and bought a Bronica camera. In his quiet walks around the Olympic Village, he was drawn to the working person, which might not come as a surprise to those who knew him.

“For work ethic, no one topped Dick, ever,” said Kent Mitchell, two-time Olympian, who won gold with Ed Ferry and Conn Findlay in the coxed pair at the 1964 Tokyo Olympics. “Meticulous in everything was his mantra. For years I have kept a copy of Dick’s daily handwritten workout logs in my briefcase wherever I go. I don’t know why I carry it around. It exhausts me even to read it. I can’t imagine what Dick and Larry went through to do all those things day after day.”

Mitchell recalled that Lyon and his partner in the coxless pairs, Larry Hough, would get in shape for the 1972 Munich Olympics by running up and down stadium steps. “In 1972, he and his pair partner, Larry Hough, in their run up to the 1972 Munich Olympics in a two-man boat, both set records for running up and down ten sets of 88 stairs in Stanford’s Football Stadium. Their record still stands.”

“Pound for pound toughest oarsman I know,” said Ed Ferry, who won gold with Conn Findlay in the coxed pair at the 1964 Tokyo Olympics.

Lyon, a native of San Fernando, California, was a rower at the 1964 Tokyo Olympics. Along with his teammates  Ted Nash, Phil Durbrow, Geoff Picard and Theo Mittet, his boat won the bronze medal in the coxless fours competition, in dramatic fashion.

06c-1964 Tokyo medalists 001
Theo Mittet, Dick Lyon, Geoff Picard, Ted Nash at Toda Rowing Center; from the collection of Theo Mittet.

“I spent hundreds of hours looking at the back of Dick’s head,” said Mittet. “His perfect rowing form was like his life…always striving, always gentle, always on center and always reliable.”

Like Mitchell, Lyon was a graduate of Stanford, who double majored in electrical and mechanical engineering. At the US Olympic trials in 1964, he rigged a double-steering mechanism so that both the stroke and the bow could steer if necessary…because he could. In his life outside of rowing, Lyon worked in the burgeoning IT world of Silicon Valley, many years in Hewlett Packard.

“I have many very smart friends, but Dick’s mind was unique among them,” said Mittet.

Richard Avery “Dick” Lyon died on July 8, 2019. After decades winning boatloads of medals in Masters rowing competitions, he was taking it easy on a sailboat on Huntington Lake with his wife, Marilyn. The boat flipped, and in the course of pulling the boat back to shore, Lyon had a heart attack and passed away soon after.

Mittet was close to Lyon, and appreciated his intellect and his empathy. “He was always objectively focused, soft spoken and an engaged listener without the appearance of effort.”

You can see the desire to tell the story of the everyday person in his pictures. He wrote to me a few years ago about how he enjoyed watching the Olympics on television because he knew the effort and challenges Olympians –  famous or not –  had to overcome just to get to the Games. And he appreciated them all for that.

The truth, of course, reveals that every elite athlete has a story, full of obstacles they have found their way around or over on the way to their goal. When you train and compete as an athlete at the highest levels, even if you don’t come out the winner, you are forced to learn more about who you are deep down. I have often thought of this as I watch Olympic Games on TV.  The commentator goes into depth about a number of particular Olympians, but how much could so many untold stories reveal?

06d2 Dick 1964 001
Dick Lyon with his bronze medal
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The Olympians Anniversary V: Five Years Later, the Japanese Version at Last!

Book Cover Japanese version
The cover of the Japanese version of my book, from a flyer to booksellers.

I started this blog on May 1, 2015 with the hopes of publishing a book on the 1964 Tokyo Olympics before the start of the 2020 Tokyo Olympics. I achieved my goal, with time to spare.

1964

日本が最高に輝いた年

敗戦から奇跡の復興を遂げた日本を映し出す東京オリンピック

For more information in Japanese, click here.

It certainly was disappointing to see Tokyo2020 postponed to 2021. But my fingers are crossed that the world will still come to Japan in July 2021 for the Olympics, and August, 2021 for the Paralympics.

As I explained to Kyodo News, Tokyo2020 could be a great Games:

If the world is able to come to Tokyo next July without concern for their health, leaders will be able to speak out proudly about the resilience of the human spirit, and many will likely agree. On top of the natural celebration of sport and achievement, there will be stories of how individuals, teams and nations overcame the pandemic that will further inspire.

 

Best of The Olympians 2020 So Far

Tokyo2020

Learning from Olympians Online

CoronaVirus

1964 and 1980

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Actor David Shih: Why I Am So Happy About the Audio Version of My Book, 1964

tantor cover 1964

I didn’t realize I had so many foreign words in my book.

 

When David Shih, the reader for the audio version of my book, 1964: The Greatest Year in the History of Japan, contacted me to confirm pronunciations in my book, I thought it would be for a few dozen Japanese names and words.

David sent me a list of over 330 words, phrases and names to confirm. Suddenly, I realized that the world of reading was different from the world of listening.

 

When you read 10.54 seconds, do you say “ten point five four seconds,” or “ten and fifty four one hundredth seconds”? When you read the year 2020, do you say “twenty twenty, or ” “two thousand and twenty”?

 

The writer of a book leaves the pronunciation to you. The reader of an audio book does not have that luxury. When asked how to actually say names and words like Kurfürstendamm Strasse, Anton Geesink, Boris Shakhlin, or Ranatunge Koralage Jayasekara Karunananda, I must admit – I had to guess. I assumed I was worldly enough to get pronunciations right or close enough, particularly the Japanese ones.

 

David Shih_Henry VI
David Shih in Henry VI: Shakespeare’s Trilogy in Two Parts

Thankfully, David looked into the pronunciations as well, thanked me for providing my feedback, but also indicating very clearly that my pronunciation was incorrect on “a few”. It was more than a few, and David showed me his research on why a particular name or word was pronounced in a certain way. He even corrected my pronunciation on a Japanese word.

 

After receiving that feedback, my confidence level in David went through the roof! David is a professional in his craft, as an actor, a narrator of documentaries and as a reader of audio books. He has appeared in a wide variety of American television and film productions, as you can see below.

 

But when my audio publisher, Tantor Audio, asked me to consider David, I saw that he had read for a book I really like: Strangers from a Different Shore, by Ronald Takaki, which tells the stunning history and stories of Asians emigrating to America. David’s reading of Takaki’s book brought the experience of my grandfather alive for me, and so I very quickly said yes to Tantor’s recommendation of David.

                                                                                                                                  David, like me, is Asian American, but unlike me, he grew up in an area where there were not so many Asians. I was raised in New York City, the ultimate melting pot. We both grew up identifying more as Americans, than Asian Americans, but for different reasons.

 

David Shih_The Path
David Shih with Aaron Paul in The Path.

In a place like New York, you are surrounded by so many different ethnicities that you quickly realize you have more friends outside your own particular ethnic “brand” than inside. The way you affiliate with your friends are through your neighborhood, your school or your sports teams. It wasn’t until I left the US for Japan in 1986 that I began to identify with my Japanese side. I was 23 years old and I finally learned how to pronounce my own family name, the first of many revelations about my family culture.

 

As David explained to me via email, he grew up in “a small Midwestern town with little diversity and very few Asians. I found myself trying to blend in and felt very disconnected from that part of my identity.”

 

I used to think of myself as an American just like everyone else I grew up with. I considered myself an actor, not an Asian American actor. But at that time, the type of roles that were available to Asian actors were extremely limited and tended to be very stereotypical: restaurant delivery boy, deli owner, doctor, tourist, etc.

                                                                                                                                    There were virtually no Asians on TV or in movies, and the ones that you saw were frequently humiliating caricatures, like Long Duk Dong from “Sixteen Candles” not to mention all the Asian roles that were played by White actors. There wasn’t much to look up to. Suddenly, I was confronted with being an Asian American actor and what that meant. At first, it felt very limiting and was difficult to embrace. But things started changing over time, and slowly more and more roles became available to Asian actors that would not have been when I started.                                                                                                          

DAvid Shih_Billions
David Shih in Billions.

 

David is not a sports fan, but I’m glad he enjoyed reading my book. He cited the stories about the underdogs and overcoming adversity – the Sri Lankan runner who came in dead last in the 10,000 meter race, or the American swimmer Dick Roth who avoided the surgeon’s knife to win the individual medley, or the story Hungarian canoeist, Andras Toro, who had to make the life-changing decision to defect to America or not.

 

I think this plurality of stories is what I really loved about this book. For me, the Olympics aren’t simply about competitions between nations to see who’s the best. It’s a moment where a remarkably diverse group of people with vastly different backgrounds, experiences and circumstances come together to find the best in themselves. Sometimes it’s found on the field of competition and sometimes it’s found off the field. Even Japan itself, rose to the occasion and found just what it was capable of both as a nation and as a people. 

 

I am proud to have David read my book. His resonant actor’s voice gave me chills when I first heard him read my words.

I hope you agree.

 

David Shih is a New York based actor. His theater credits include The Great Wave (Berkeley Rep); Henry VI: Shakespeare’s Trilogy in Two Parts, Awake and Sing!, [veil widow conspiracy] (NAATCO); KPOP (Ars Nova); Somebody’s Daughter (Second Stage); Tiger Style! (La Jolla Playhouse); Bike America (Ma-Yi Theatre Co.); Crane Story (The Playwrights Realm).  His television credits include “Hunters,” “Billions,” “City on a Hill,” “Iron Fist,” “The Path,” “Blindspot,” “Elementary,” “Madam Secretary,” “The Blacklist,” “Blue Bloods,” “Mozart in the Jungle,” “Law & Order: Special Victims Unit.” And his film credits include All the Little Things We Kill, Mr. Sushi, Eighth Grade, Fan Girl, The Amazing Spider-Man 2, Saving Face. He narrated the History Channel documentary China’s First Emperor and the Discovery Networks series Royal Inquest, voiced the character of Eddie Toh in the hit video game Grand Theft Auto V (Rockstar Games), and is a critically acclaimed audiobook narrator. He also works with Only Make Believe performing for children in hospitals and care facilities.

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Will Tokyo 2020 be Scheduled for Spring, Summer or Autumn 2021? Well, They Call Them the Summer Olympics After All

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Japanese television speculating all weekend on when Tokyo2020 will be scheduled in 2021.

The 2020 Tokyo Olympics, scheduled for July 24 to August 9 of this year, were postponed to next year. The question that will be answered in the coming weeks, if not coming days by the IOC, will be when the Games will be held in 2021.

The 2020 Tokyo Olympics will likely be held in late July to early August – more specifically: Friday, July 23 to August 8, 2021. Here’s why, as we break down the pros and cons of Spring, Fall and Summer.

Spring: Imagine the Tokyo Olympics in April, after the Masters in Augusta takes place in April 8-11, Tiger Woods winning a Green Jacket and then playing for gold at the Kasumigaseki Golf Country Club with cherry blossoms scattering in the gentle spring breeze. Also imagine a marathon in Tokyo as the runners run in a most temperate clime, not the hot-and-humid they would experience in July and August.

But then there’s the uncertainty: will the coronavirus be rearing its ugly head again in the winter of 2021, and will a treatment or cure be available to ease our anxiety about the sneezing and coughing of those around us in the late winter, early spring? Additionally, there is the logistics of re-starting the operations of the Olympic Games. According to this article, Tokyo Olympics and Paralympics organizing committee President Yoshiro Mori said that there would not be enough time to secure volunteers and ensure execution of qualifying events.  “It’s better for preparation time to be kept as long as possible,” he said.

Additionally, in the US market, the Olympics would have significant competition with the NBA playoffs, which take place from the middle of April to the middle of June, as does the NHL playoffs. NBC is in the middle of a US$12 billion contract to cover all Olympic Games, summer and winter, from 2014 to 2032. The reason the American television network paid so much was because the Olympics help them dominate the ratings and sell profitable ad space. Suddenly competing for eyeballs against the NBA playoffs as well as the NHL playoffs, which is also broadcast on NBC, would not be what the network signed up for.

This is true for Europe and the football broadcasters, according to this article from The Sports Examiner. “…it’s worth noting that the European soccer league schedules run into the middle or end of May (as does the UEFA Champions League). That means that European broadcasters are not going to be interested in having an Olympic Games start any earlier than the middle of June and that might be pushing it.”

 

Fall: The 1964 Tokyo Olympics took place in October, in order to avoid the heat and typhoons of summer. It’s true, they did not get heat and typhoons; they got rainy and cold instead. While NBC was the American broadcaster then, the business of sports broadcasting was not so large that concern about competing against the World Series  or the start of the professional and college football and basketball seasons was non-existent. That is not true today, as both the World Series and American football are highly popular sports, and would eat heavily into NBC’s ratings and ad revenue. Yes, this schedule conflict is a significant part of the decision making matrix for the IOC, according to veteran Mainichi Shinbun sports writer, Takashi Takiguchi.

As the provider of the highest payments for Olympic broadcast rights, the US media giant NBC is most averse to changes in its timing. The games are well known for scheduling events to meet NBC demands. Autumn is the peak season for baseball, basketball, and American football in the North American market, ensuring that NBC will not sign off on holding the Olympics then. And in Europe, where paid satellite broadcasting is common, soccer leagues are in full swing at that time.

 

Summer: Mori as well as John Coates, who is the main liaison between the IOC and the Tokyo Olympic and Paralympic Organizing Committee, have already stated that the likeliest schedule for 2021 will be in late July, early August, according to the New York Times. In fact, NHK has already reported that Friday, July 23, 2021 is the most likely date for the opening ceremony for Tokyo 2020.

NHK sources say the option of opening the Olympics in July of next year is gaining support at the committee, considering the time needed to contain the virus, make preparations, and select athletes.

One of the biggest challenges for figuring out when to schedule the Olympics in 2021 is the fact that there are already so many sports events scheduled, some of which have been re-scheduled from 2020. (You can see a schedule from AIPS Media here.) Takiguchi of Mainichi wrote, “the sporting calendar is so packed that any change in schedule for the Olympics will have knock-on effects. These inevitably deal heavy blows to the sports business, which is always bound by contracts.”

In the case that Tokyo2020 is moved to late July, early August, a couple of major world championships have to be re-scheduled if they do not want to be overshadowed by the Olympics:

  • the FINA World Aquatics Championships in Fukuoka, Japan, from July 16 to August 1, and
  • the World Athletics Championships in Oregon, American, from August 6 to 15.

In fact, the head of World Athletics, Sebastian Coe, already said in the NYT article that he is open to moving the dates of championship in Oregon, citing the benefits of moving the event to 2022. “You may have world championships in consecutive years where we wouldn’t normally have had that,” he said. “But for athletics, it’s not such a bad thing. To go from 2021 Olympic Games into two editions of the world championships, ’22 — possibly ’22 — ’23 we’re in Budapest, and then into the Olympic Games in Paris in ’24. It would offer athletics center stage at a very public point of the year.”

So the smart money for the commencement of the 32nd Olympiad is on Friday, July 23, 2021 – maybe a couple of seats for the Opening Ceremony will open up by then.

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The Surreality of Tokyo2020 in the Era of Coronovirus Part 1: Are We Witnessing Effective Decision Making or the Rearranging of Deck Chairs on the Titanic?

Torch Arrival 5_Rings blown to the wind
The Olympic rings in the sky, blowin’ in the wind.

In 1964, on Saturday, October 10, the Blue Impulse aerobatic jet team that painted the brilliantly blue sky with the Olympic rings on the opening day of the Tokyo Olympics, symbolizing then that the sky’s the limit for Japan.

In 2020, on Saturday, March 20, the Blue Impulse team reprised their role from nearly 56 years prior, sketching the five rings in the sky during the ceremony welcoming to Japan the sacred Olympic fire from Greece.

 

Unfortunately, the rings were immediately washed away by the blustery winds over Matsushima Air base in Miyagi prefecture, symbolizing, perhaps, that our limits are not quite so high.

 

I watched the officials, athletes and celebrities line up ceremoniously, undoubtedly proud to represent Japan in this extraordinary event. The Olympic flame is scheduled to start a nation-wide relay from Futaba, Fukushima on March 26 and end in Tokyo at the Opening Ceremonies of the 2020 Tokyo Olympics on July 24, perhaps at that time, showing the world that the Tokyo2020 Games are truly the “Recovery Olympics,” as the organizers have billed them.

 

But I couldn’t help but imagine that each and every one of them harbored the question, “Will this flame actually ignite the Olympic Cauldron on July 24?”

Torch Arrival 1

 

President of the International Olympic Committee (IOC), Thomas Bach, Tokyo2020 chief, Yoshiro Mori and Japan Prime Minister Shinzo Abe among many other officials have said that the Tokyo Olympics are going to take place as scheduled. “The I.O.C. remains fully committed to the Olympic Games Tokyo 2020, and with more than four months to go before the Games there is no need for any drastic decisions at this stage,” said Bach.

 

The cool and patient approach of the IOC may be the right approach, but their words are beginning to seem surreal, and increasingly at odds with the heated and urgent voices of athletes and officials around the world.

 

“Of course the IOC and the whole world wants a successful Olympics. But for that to happen I strongly believe the event needs to be postponed – unless the authorities can guarantee it will be business as usual, which I don’t believe they can,” said Guy Learmonth on March 17, who is competing for a spot on the Great British track team.

 

“I’m not against the Olympics. But saying that the Olympics will still go on is a big mistake in communication,” said Giovanni Petrucci on March 19, who served as president of the Italian Olympic Committee for 14 years.

 

“Our athletes are under tremendous pressure, stress and anxiety, and their mental health and wellness should be among the highest priorities. It is with the burden of these serious concerns that we respectfully request that the U.S. Olympic & Paralympic Committee advocate for the postponement of the Olympic Games Tokyo 2020 by one year,” wrote USA Swimming CEO, Tim Hinchey, to the head of the US Olympic and Paralympic Committee CEO, Sarah Hirshland, on March 20.

 

The pressure on the local officials in Japan is immense, and we are seeing fissures in this brave front that the Games must go on. Recently two prominent Japanese voices have spoken up:

 

 

Japan is hosting the biggest, most logistically complex big-tent event in the world this year, but decisions regarding cancellation or postponement are made by the IOC. And as long as the IOC takes a wait-and-see approach, waiting to the last possible moment before making such a decision, Japanese officials believe they must do the same.

 

The decision that has to be made is a thankless one – there will be an outcry whether the Games go on as scheduled, are postponed or cancelled. I have no doubt that the IOC and the Tokyo2020 Olympic and Paralympic Organizing Committee are doing the best they can to make a wise decision.

 

In the meanwhile, the pressure continues to build, and reality continues to distort.

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Wrestler and three-time gold medalist, Saori Yoshida, and judoka and three-time gold medalist Tadahiro Nomura, welcome the sacred flame to Japan.

The Surreality of Tokyo2020 in the Era of Coronovirus Part 2: Shopping, Dining and Sipping Sake Under the Cherry Trees

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2020 Olympic Banners Lining the Streets of Tokyo: Design Linking 2020 to 1964

Olympic and Paralympic banners

In 1964, the streets of Tokyo were filled with banners proudly proclaiming that the biggest international party was coming to Japan.

In 2020, the streets of Tokyo are again filled with banners for the coming 2020 Tokyo Olympics and Paralympics.

Tokyo 3 001
From the collection of Dick Lyon, American rower at the 1964 Tokyo Olympics

The street banners, as is also the case with the ticket designs, are based on a singular “Look of the Games,” the visual identity formalized by the organizing committee. The foundation of this visual identity is the rectangular shapes that make up the Olympic and Paralympic logos.

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A banner distributed by the Tokyo government (from the collection of Roy Tomizawa)

One of the street banners in particular had an emotional impact on me the moment I saw it – the dark red on white, with the words Tokyo 2020 in gold. I’m sure this 2020 banner is a direct reference to the first poster released by the Tokyo Olympic Organizing Committee in 1961, a design by Yusaku Kanemura which was used heavily in artwork for all sorts of collaterals – programs, shirts, banners, for example.

Tokyo2020 vs Tokyo1964
On the left is from 2020, while the one on the right is Yusaku Kanemaru’s iconic design for the 1964 Tokyo Olympics.
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