Dale Kephart_2_Janie Speaks, Marie Walther, Muriel Grossfeld, Linda Metheny, Dale McClements, Kathy Corrigan, Doris Fuchs.jpg
Team USA 1964: Janie Speaks, Marie Walther, Muriel Grossfeld, Linda Metheny, Dale McClements, Kathy Corrigan, Doris Fuchs, from the personal collection of Dale McClements Kephart

The US women’s gymnastics trials were done. The women’s team was set.

Doris Fuchs, Muriel Grossfeld, Linda Methany, Dale McClements Kephart, Janie Speaks, and Marie Walther were selected to represent the United States in Tokyo at the XVIII Olympiad in 1964. The USSR and the Czechs were heavily favored, and the US women were not expected to medal. But you still have to play the game. You still have to believe you have a chance.

But even world-class athletes balance their emotions on the razor’s edge of confidence and collapse. Going into major competitions, many demand that they keep to their routines, and be steered clear of interruptions and distractions. And yet, the women’s gymnastics team faced the ultimate of distractions – a second trial to again determine which gymnasts would compete in the Tokyo Olympics.

According to a member of the women’s gymnastics team, Dale McClements Kephart, the head coach, Vannie Edwards, unexpectedly held an intra-squad competition on October 15, only a day prior to the start of the women’s competition. Of the 7 members of the women’s gymnastics team (including the alternate), four were asked to join the competition: Fuchs, Grossfeld, Speaks and the alternate, Kathy Corrigan.

Dale Kephart_3
Dale McClements Kephart, from her own collection

This is how McClements Kephart described the day in her diary, through her 19-year old eyes:

October 15th:  All the teams competing with us worked with us in the competitive gym and it was run like the meet.  We marched in, a gong was sounded at the beginning or our workout at an event and at the end.  We had 30 minutes.  then we marched to the next event, etc.  Our order of competition will be F.X., vaulting, Bars and Beam.  As far as our team is concerned, the order is not good, but it probably won’t matter that much.  Again we ended up making fools of ourselves (officials).  Here all the other teams made good use of the time by going through approximately 2 compulsories and an optional.  Instead three of us had a meet and all we worked was compulsories.  Doris, Muriel and Kathy competed compulsory and optional and Janie in only 2 events. 

A big strain was put on all of them and Linda, Marie and I didn’t get to hardly get up on the equipment because they had to all warm up and go through compulsories and optionals.  Then we had our little meeting and Doris was named the alternate.  This wasn’t really a shock, but it still hurt to know they were making such a big mistake.  Doris did crack during the competition.  Many of the Japanese, the Czechs and Russians feel it is all wrong and cannot understand it.  I do know the officials dislike her as a person and I’ve decided that this is what really happened.

When McClements Kephart wrote the word “officials”, she was referring to George Gulack, the head of the chair of AAU Gymnastics, and his wife, Fay Gulack, who was the women’s team manager in Tokyo. McClements Kephart felt that the Gulacks, for some reason, did not like Doris Fuchs personally.

At the end of that impromptu competition, the alternate on the team, Corrigan, was added to the starting team, while Doris Fuchs was unceremoniously switched from starter to alternate.

Abie Grossfeld, who was the assistant coach of the men’s team, and who observed this intra-squad competition, watched as Fay Gulack judged Speaks, and watched as Speaks fell off the balance beam twice. Muriel Grossfeld told me that Fay Gulack claimed Fuchs’ performance in the trial’s uneven bar competition was flawed, that her split – a leap off of the beam with legs spread – wasn’t high enough. But Fay Gulack didn’t buy that explanation because she also saw Speaks fall off the beam in the compulsory twice.

To the Grossfelds, Speaks performed poorly, and Fuchs was the third best member of the team as well as a superior performer in the uneven bars, so the change in team roster was seemingly inexplicable.

 

Abie Grossfeld
Abie Grossfeld

 

 

A day away from the biggest competition of their lives, the team was in turmoil, and the issue was escalated to the United States Olympic Committee (USOC). In a hastily arranged “trial”, Abie and Muriel Grossfeld argued the defense of Fuchs, explaining that Fuchs had already made the team in the trials and should be one of the final six members of the team. The Grossfeld’s explained that she wasn’t the seventh best on the team, she was actually the third best overall performer.

But the passionate appeal fell on deaf ears. When all was said and done, the USOC official said that it was the head coach’s decision. The head coach of the women’s gymnastics team was Vannie Edwards, who refused to change his mind. According to Abie Grossfeld, after the gymnastics teams arrived in Tokyo, Edwards told him that George Gulack, wanted Doris Fuchs to be the alternate. Grossfeld said that Edwards went along with the decision because “he was afraid that GG (Gulack) would hurt his future gymnasts in competition.”

In the end, Speaks finished worst on the American team in the all-around individuals, 62nd of 83 competitors. But to be fair, Marie Walther and Muriel Grossfeld finished 60th and 58th respectively. The team overall finished an underwhelming ninth, as the powerful Soviet Union, Czechoslovakia and Japan teams took gold, silver and bronze.

Then again, was the team given a chance, prepped to be their best on the biggest stage in their sport? Probably not.

The US Gymnastics Team and the 1964 Uprising Part 1: The Authoritarian Days of the AAU
The US Gymnastics Team and the 1964 Uprising Part 3: Empty Chairs

George Gulack_1932_Tales of Gold
George Gulack, former AAU gymnastics chairman and gold medalist at the 1932 Olympics, from the book Tales of Gold

Imagine you have a sport growing in popularity, growing so quickly that it takes roots in countries all over the world, developing at different speeds, with slightly different rules depending on where it was played. When judo first began holding international competitions, a rift occurred between the rules that dictate judo in its birthplace, Japan, and the rest of the world.

Judo-ka in Japan were traditionally not classified by weight classes, so you would have a 90 kg judoka face off against a 60 kg judoka. International bodies believed that fairness could be better achieved by having people of similar weight compete, as has been done with success in boxing.

Who makes the rules? Who decides who goes to a national or an international competition? In the case of the Olympics in the post-war years in America, when money began to be invested in the development of sportsmen and women, it was the Amateur Athletic Union, otherwise known as the AAU, which emerged as the national governing body for many sports disciplines, including track and field, gymnastics, wrestling, basketball and many others.

According to the book, “History of the United States Wrestling Federation / USA Wrestling” by Werner Holzer, the AAU had become a very powerful entity, frustrating coaches and athletes alike due to perceived lack of funding and support. This frustration was particular true in the “smaller” disciplines of wrestling and gymnastics where AAU mindshare appeared much greater in track and field.

Top of the list of complaints was the perceived AAU disregard for the views and expertise of the coaches to identify and select athletes for major competitions. Holzer explained that “the 1964 Olympic Games selection process personified the problem of the AAU being the ruling body for the sports of gymnastics. The AAU gymnastics chairman, George Gulack, selected the internationally inexperienced Vannie Edwards as the women’s 1964 Olympic Team coach. He appointed his wife, Fay Gulack, who was incapable and unknowledgeable about gymnastics, as the team manager. It was an arrangement destined for disaster!”

Ron Barak 1
Ron Barak

Ron Barak, a member of the 1964 men’s Olympic Gymnastics team, and today a practicing lawyer and novelist, first met George Gulack in 1962, when Barak was a sophomore at USC. Barak competed in that year’s National AAU Championships which served as the trials to select the U.S. men’s team that would represent the U.S. in the 1962 World Gymnastics Championships. Natural grade inflation in subjectively graded sports such as gymnastics, diving and figure skating favored the more established veterans in those sports. It’s just the way it was, according to Barak. This was Barak’s first appearance on the national scene, he told me, and he personally had no expectations of making the 1962 World Gymnastics Team and so he felt he was there to pay his dues and gain experience for what he was really after, a chance to make the 1964 Olympic Team.

But something strange happened over the three-day trials. For the first two days, Barak said he flew under the radar, largely unnoticed. He recalled that he was performing well and scoring well, and yet still felt more like a spectator than a competitor. However, after two days, he found himself in serious contention to make the 1962 World Games Team. He began to believe that all he had to do was perform at the same level on the last day and score at the same level, and he would make the World Games Team. Barak said he performed even better on the third day than on the first two days, but strangely, he told me, his scores plummeted, and he missed the team by a slim margin.

Barak said that Gulack came up to him after the competition was over and said “Don’t worry about it, Ron, your time will come. Just be patient.” Barak wasn’t sure what to make of Gulack’s words. Literally, they were nothing more than innocent words of encouragement. But Gulack, Barak said, presided over that three-day competition like it was his personal fiefdom and he was calling all the shots. Gulack was used to having his own way. He could occasionally be pleasant, Barak recalled, but more often he was a bully, if not an outright tyrant. Did Gulack’s words to Barak signify something more than their plain meaning? Lots of innuendo but no way to know.

USA Mens Gymnastics Team_1964
Gymnasts competing for the USA Men’s Gymnastics Team for the 1964 Tokyo Olympics

Come 1964, Barak won the NCAA All Around Championships and finished high enough in the 1964 Olympic Trials to make the team . “Gulack continued to act as if he were making all the decisions, but the fact was that the seven U.S. gymnasts who made the U.S. men’s Olympic team in 1964 were the seven best male gymnasts in the country that year. No one made that team who didn’t earn it and no one not on that team deserved to be there.”

Barak suspected that because the male gymnasts on the whole were a veteran team, most of whom would not continue to compete much after 1964, Gulack had little to threaten them with even if he could.

According to others, Gulack appeared to exercise significant influence in the selection of the women’s gymnastics team. During the Olympic Games, several weeks after the official trials had ended in the United States and the women’s gymnastics team roster had been set, Gulack re-set the team roster in an unscheduled competition.

Members of the women’s team were rankled, and itching to push back. A rebellion was brewing and would come to a head in Tokyo in October of 1964.

The US Gymnastics Team and the 1964 Uprising Part 2: The Emerging Rebellion
The US Gymnastics Team and the 1964 Uprising Part 3: Empty Chairs

Governor Yuriko Koike
Governor Yuriko Koike

Before Tokyo governor Yuriko Koike came on the scene, the projected overruns for the 2020 Tokyo Olympic budget was expected to take the overall budget to USD30 billion.

Soon after Governor took office, she stated she was determined to cut that budget down to size, vowing not to strap Tokyo taxpayers with any “white elephants”. In partnership with the International Olympic Committee, which feared that ballooning costs would further discourage cities from bidding for Olympics in the future, Koike began asking a lot of questions about the budget.

The IOC then encouraged that a four-party group be created to drive the budget down. For the past year, members of the IOC, Tokyo 2020, Governor Koike and representations from the Japanese national government have been working to ensure a budget of USD15 billion or less. On May 31, 2017, Tokyo2020 organizers that the budget has been reduced to USD12.9 billion, according to Around the Rings.

In comparison to another mature city, the 2012 London Olympics ended up costing USD19 billion.

One of the major hurdles of finalizing the budget was determining who would fund the construction of temporary facilities in venues outside Tokyo, where events like baseball and soccer would be played, for example. In the recently agreed-upon budget, local governments in seven prefectures (Hokkaido, Miyagi, Fukushima, Saitama, Chiba, Kanagawa and Shizuoka) and four cities (Sapporo, Saitama, Chiba and Yokohama) will pay only for costs related to “medical services and security transportation to and from venues, but that Tokyo will cover costs for temporary facilities for venues outside of the Japanese capital”, according to Inside the Games.

Another potentially very good decision by the four-party task force, according to this Tokyo 2020 document, was to create a committee made up members of the four parties to monitor costs. This Management Committee for Collaborative Projects will look to optimize resources and further reduce costs with reviews held on a regular basis.

Reminder: If you have a design for a mascot you believe is killer kawaii, and would be perfect representing the Tokyo2020 Olympics, start working on it now! The design contest is on, and the submission period lasts from August 1 – 14. See this link for details!

As a benchmark, here are two you should be able to beat.

Schuss the mascot

Schuss – 1968 Grenoble Winter Games Mascot

You would think that Japan would have had a mascot for the 1964 Tokyo Olympics. But the first mascot to represent an Olympic Games appeared at the Grenoble Winter Games in 1968 was “Schuss”.

This cartoonish representation of a skiier, whose outsized head with large eyes wide apart, sits on an abstract blue body of plastic bent in two places, connected to skis. The first word out of my mouth – creepy. (That’s probably why it got the nickname “The Skiing Sperm”. )

The word “Schuss” actually means a fast and straight downhill run, but it might as well be the sound other’s make when you try to bring up this mascot in conversation.

Wenlock and Mandeville

Wenlock and Mandeville – 2012 London Mascots

Here is a case where intuition goes out the window. Wenlock and Mandeville were the mascots of the 2012 London Summer Olympics and Paralympics. Just looking at them, I don’t know what to call them except walking eyeballs. The names refer to two places in England: Much Wenlock in Shropshire and Stoke Mandeville Hospital in Aylesbury, Buckinghamshire.

Much Wenlock was where Dr Penny Brookes organized a rural fair in the mid-19th century that included a variety of sporting events loosely based on ancient Olympic ideas. Stoke Mandeville Hospital was the site of the first Stoke Mandeville Games in 1948, often cited as a significant precursor to the Paralympics.

And yet, what do I see? Two walking eyeballs.

 

Japanese Mascots
What it might look like at a Japanese mascot convention

 

In the land of kawaii (cute), where sports teams, companies, and cities have their own mascots, The Tokyo Organizing Committee of the Olympic and Paralympic Games is offering you a chance to animate that essence of joy you experienced as a child.

Tokyo 2020 has requested the Japanese public to submit their designs for the mascots of the Tokyo 2020 Games – both the Olympics and Paralympics. Whether you’re a professional illustrator or a convenience store freeter, you can submit a design, although you need to be 18 years or older. Non-Japanese living in Japan are also eligible.

An entry can be submitted by a group as well. The group can have a max of 10 people in it. Above age and nationality conditions apply to all group members.

Start working on those lovable characters now, because the design submission period is August 1 – 14.

But be forewarned. Shortlisted designs will have a tough group of evaluators. The organizing committee requires that elementary school classes across Japan, the international schools, will vote and thus end up selecting the winner.

That’s a pretty cool idea actually

So here’s the brief from Tokyo 2020, and here’s the timeline:

  • August 1 to 14, 2017 – design submission period (submission via a special website)
  • December 2017 – mascot panel selects shortlist of design sets
  • December 2017 to January 2018 – elementary school children vote on the shortlist
  • March 2018 – design set with the largest number of votes is announced as the winner
  • July to August 2018 – mascot panel decides names for the winning mascots

Good luck!

 

PS: Read the fine print on intellectual property in the brief!

Eiga no Tomo_August 1964_Natalie Wood
Natalie Wood, from Eiga no Tomo_August 1964

Who were the movie stars Japanese flocked to see in 1964? I came upon the August and November 1964 copies of “Eiga no Tomo” (Friends of Film), a magazine devoted to the pictures and stories of the world’s most popular movie stars. Based on those magazines, here are the women both Japanese men and woman loved to look at.

Natalie Wood: At the age of 26 in 1964, Natalie Wood was already one of the most famous women in the world. Before she even turned ten, Wood had already starred in such films as Miracle on 34th Street and The Ghost and Mrs. Muir. Like George Chakiris mentioned in this post, Wood’s global reach exploded with her starring role in the 1961 musical, West Side Story. In 1964, she was in the groundbreaking, Sex and the Single Girl, with Lauren Bacall and Tony Curtis.

Eiga no Tomo_August 1964_Brigette Bardot cover
Brigette Bardot on cover of Eiga no Tomo_August 1964

Brigitte Bardot: There may not have been any bigger sex symbol in the 1950s and 1960s than Brigitte Bardot. Bardot had released only one film in 1964 – “Une Ravissante Idiote” (“A Ravishing Idiot”). To indicate how the English-speaking world marketed this movie, they referred to Bardot in a revised title “Agent 38-24-36”.

Eiga no Tomo_August 1964_Elke Sommer
Elke Sommer, from Eiga no Tomo_August 1964

Elke Sommer: The slender Elke Sommer from Germany was an up-and-coming sex symbol, featured as Miss September in Playboy in 1964. She was also starring in the second installment of the Pink Panther series, A Shot in the Dark. Sommer was also taken seriously in 1964, when she won a Golden Globe Award as the Most Promising Newcomer Actress category, for her role in The Prize, with Paul Newman and Edeward G. Robinson.

Claudia Cardinale: This Italian-Tunisian bombshell preceded Sommer, co-starring with David Niven in the first Pink Panther film in 1963, where she became known in the US. But Cardinale was already an international phenomenon due to her Italian films, including Federico Fellini‘s , released in 1963.

Eiga no Tomo_August 1964_Claudia Cardinale
Claudia Cardinale from Eiga no Tomo_August 1964

 

Eiga no Tomo_August 1964_Alain Delon at Komazawa
Alain Delon at Komazawa Olympic Park, from Eiga no Tomo_August 1964
Who were the movie stars Japanese flocked to see in 1964? I came upon the August and November 1964 copies of “Eiga no Tomo” (Friends of Film), a magazine devoted to the pictures and stories of the world’s most popular movie stars. Based on those magazines, here are the men who sent Japanese women’s hearts a flutter.

Alain Delon: French sex symbol, Delon, had six films released in 1964, including the film, “Les Félins” (also known as “The Love Cage”). Just released, Delon starred with Jane Fonda. He also happened to visit Japan, and went on a photo shoot at the Komazawa Olympic Park.

Eiga no Tomo_August 1964_Steve McQueen_The Traveling Lady
Steve McQueen in The Traveling Lady, from Eiga no Tomo_August 1964
Steve McQueen: Conversely, McQueen had no films released in 1964. And yet, Eiga no Tomo had a lot of love for Steve McQueen. In addition to promoting a film to be released in 1965, “Baby the Rain Must Fall” (known as “The Travelling Lady” in Japan), in which he co-starred with Lee Remick, he was featured in a photo spread with President Lyndon Johnson’s daughter, Lucy Johnson (during the 1964 presidential campaign, I presume).

Eiga no Tomo_November 1964_George Chakiris
George Chakiris, from Eiga no Tomo_November 1964
George Chakiris: Winning an Academy Award for his supporting role as Bernado in the 1961 box-office hit, West Side Story, George Chakiris was a legitimate Hollywood star. Of the three movies of 1964 he appeared in, one was a movie filmed in Japan called “Ashiya Kara no Hiko” (“Flight from Ashiya”)

Eiga no Tomo_November_1964_Elvis Presley
Elvis Presley in Roustabout, from Eiga no Tomo_November_1964
Elvis Presley: Elvis in 1964 was not only the biggest solo act in the world, he was one of Hollywood’s brightest stars. In addition to Roustabout, which Eiga no Tomo was promoting in November, Presley was starring in these 1964 films: The Age of Violence, Viva Las Vega, Kissin’ Cousins.

Sean Connery: For many, Sean Connery is the best Bond, and in 1964, one of the best Bond films ever – Goldfinger – was released. In addition to his third Bond film, Connery starred in two other films in 1964 – Marnie and Woman of Straw.

Eiga no Tomo_November_1964_Sean Connery
Sean Connery, from Eiga no Tomo_November_1964
Tokyo Big Site in Odaiba
Tokyo Big Site in Odaiba

There were fears at one stage that costs of the Tokyo2020 Olympics would balloon to some USD30 billion, which would approach the USD40 billion that was spent on the 2008 Beijing Olympics.

While it is unlikely that cost estimates will drop to the initial budget of USD7.5 billion, the amount presented to the selection commission of the IOC at the bid presentation, the IOC and the organizers of Tokyo2020 are hoping to get the costs below USD 15 billion.

Currently, costs estimates for Tokyo2020 are JPY1.8 trillion or nearly USD16 billion. But there are always hidden costs, or at least costs not spoken about openly, like cost overruns. In this March 2017 article, The Japan Times cites Asahi Shimbun, which reported that “the original bid estimate for constructing new Olympic venues was ¥499 billion and that is now ¥680 billion. Transportation costs have increased from ¥23.3 billion to ¥140 billion, security from ¥20.5 billion to ¥160 billion and ‘software’ expenses from ¥257 billion to ¥520 billion.”

Currently, organizers intend to host the media and broadcasting center for the 2020 Tokyo Olympics at Tokyo Big Sight, which is a large convention center in the Odaiba waterfront district. To accommodate the Olympics, plans include closing off the convention center to all trade shows from April 2019 to November 2020. In a January, 2017 article, The Japan Times cites The Japan Exhibition Association, which claims that the shut down could translate to more than ¥1 trillion in lost sales and affect 1,000 companies associated with the exhibition industry, including booth decorators and logistics firms, if exhibitions are canceled or downsized.

It’s a “matter of life and death,” said Masato Suzuki, deputy general manager of Tokyo-based manufacturer Sanko Tsusho Co. Ltd.’s inspection equipment department. “We small and midsize firms don’t want the Olympics if it means canceling or scaling down exhibitions. It’s by far our most important business opportunity,” he said, adding that about 70 percent of his company’s sales are generated by clients established at the exhibitions.

In a May, 2017 article in Japan Today, it was reported that the city government may be losing a fight to get the national and regional governments to pick up part of the costs of refurbishing sports venues or building temporary sports venues in locales outside Tokyo. As an example of possible costs unanticipated by the organizers in Tokyo, the governor of Kanagawa is looking to add to the bill. Enoshima, the intended venue for sailing events, is a part of Kanagawa prefecture. Governor Yuji Kuroiwa believes his prefecture will have to compensate fishermen who will be prevented from fishing during the Olympic Games, and thus will lose revenue.

Very often, organizers cite the increase in tourism revenues for a city and country hosting the Olympics. But that argument is countered by economist, Andrew Zimbalist, in his book, Circus Maximus – The Economic Gamble Behind Hosting the Olympics and the World Cup. He explained in his book that at big tent events like the Olympics or the World Cup, tourism actually falls.

Still another problem is that when a foreign soccer fan spends $100 at a Brazilian restaurant during the World Cup competition, it might not be a net gain for the Brazilian economy. This is because between June 12 and July 13, 2014, there may have been tens or hundreds of thousands of people (tourists or businesspeople) who would otherwise have traveled to Brazil but instead chose to avoid the congestion, tight security, and high prices during the World Cup and either went elsewhere or stayed home.

This plays out in real life: tourism in Beijing fell during the 2008 Summer Games, as it did in London during the 2012 Olympics. That is, even counting the athletes, the media, the administrators, and the Olympic tourists, the total number of visitors to these cities fell during the month of the Olympic Games. Further, some local residents may have the same impulse that foreigners have: they believe their city or country will be excessively crowded and expensive during the mega-event and that the period of the competition would be a good time to take a vacation outside the country. The amount of outbound tourism from China grew by 12 percent in 2008, the year China hosted the Summer Olympics.

Will the pride that comes with hosting a successful Olympics, and the legacy infrastructure of the 2020 Tokyo Olympics outweigh the hidden costs of running the biggest show on earth? That’s the debate that’s taking place as we head towards September 13 and the IOC meeting in Lima, Peru, when IOC members gather to decide on the fates of Paris and Los Angeles.

Yasuhiro Yamashita overcome

Yasuhiro Yamashita won the gold medal in the open weightclass at the 1984 Los Angeles Olympics. He was the most dominant judoka of his generation. And he continues to be one of judo’s great ambassadors to the sport.

In an interview around 2004, Yamashita spoke about a talk he had had with an executive from NBC, the broadcaster in America that held the rights to coverage of the Olympics in the US. When Yamashita asked why judo was not so popular in America, the executive told Yamashita that it might be better to use English terms instead of the Japanese words used to describe the various judo techniques, and that the throws should incorporate a point system. More interestingly to me, the executive said that judo competitors should show more emotion. Yamashita said in the interview that he did not think that would be the right direction for judo.

I believe that the essence of judo should be protected at all costs. This essence is composed of, “Japanese language,” “courtesy and respect toward one’s opponent” and an “attitude that sets great value on the Ippon technique.” If these vital aspects of judo are lost, then the sport loses all the values that it has come to represent. In particular, I believe that the values of courtesy and respect are a most important foundation of the sport. In judo, even if you are victorious, you should avoid all temptation to show off, or to celebrate, and should maintain self-restraint and composure.

Yasuhiro Yamashita overcome 3

And yet, this debate over the proper way of carrying yourself as judoka, true to the way of the founder, Jigoro Kano, was why Yamashita’s victory at the 1984 Olympics was so poignant.

Yamashita carried himself stoicly during the competition, especially after he tore his right calf muscle in his opening match. He claimed in this video interview this attitude was a competitive advantage.

One of my strengths, though, is my grin and bear it attitude, and I knew there was no point in dwelling on it. I focused myself ready for the next match. If my injury became evident, it would make it harder. I was determined not to show any pain in my face and that I would chokehold my opponent to win. And that’s how I went into the remaining matches.

He competed without excuse or complaint, trying his best to hide his limp and intense pain, and ended up winning his four matches to win gold. That’s the judo way.

But when the judge signaled victory to the Japanese over the Egyptian, Mohamed Ali Rashwan, to win the gold medal, Yamashita lept to his feet. He thrust his arms into the air. Tears began to stream down his cheeks. In other words, Yamashita, who lost his chance for Olympic glory due to the boycott of the 1980 Moscow Games, who was at great risk of losing his second chance, had somehow emerged victorious – finally, an Olympic champion. Again, here is Yamashita describing his emotions.

Yasuhiro Yamashita tossed in the airBefore I knew it I was standing up celebrating. I’ve never shown such emotion at a victory before. I had no time to feel anything like that. My injured leg had been hurting so much. I’d been fighting the pain all the way to victory. I just felt, “Yes! I’ve done it!” (Yatta!) I don’t think I really knew what was going on around me.

At the end of the match against Rashwan, you can see Yamashita limp off the mat, pausing to turn around and make a swift bow. He quickly turns around, and limps off. He cannot bend his right knee and yet you can see him racing off the stage and down the steps and into the arms of his teammates, who then proceeded to throw the huge Yamashita into the air with glee.

He could not help but celebrate. He could not maintain his composure. And that was all right. Yamashita had climbed a mountain. And he was on top of the world.

Yasuhiro Yamashita arms raised
Yasuhiro Yamashita after winning gold in the 1984 Olympics, open weightclass, judo

He was 7 years old when he watched the 1964 Tokyo Olympics on television, where the Japanese won three of four gold medals in judo, at the sports Olympic debut. At the age of 10, he started training in judo at his elementary school. A few years later, as a second year junior high school student, Yasuhiro Yamashita wrote a report entitled “My Dream”. He wrote that he could see himself in the future, in the Olympics, watching the Japanese flag raised on the center pole, listening to Japan’s national anthem.

It took another 14 years, but on August 11, 1984, Yamashita had a chance to realize his dream. Up to the Olympics, Yamashita had won 194 straight matches, 189 by ippon, and so was expected to dominate at the Los Angeles Olympics and win gold easily. But his golden victory was far from easy.

First up for Yamashita was Lansana Coly of Senagal. Japan had already won gold in three other weightclasses, which might have put pressure on a less experienced first-time Olympian. But Yamashita made quick work of Coly, winning by ippon in 28 seconds.

Next up was Arthur Schnabel of West Germany. Yamashita needed nearly 3 minutes, but he was able to wrestle Schnabel to the mat and win by ippon. However, when Yamashita stood up to leave the mat, he was limping, favoring his right leg. With two more matches to go, he had torn his right calf muscle during the match.

“To tell you the truth,” Yamashita revealed in this video interview, “when I tore the muscle during the move, I thought ‘damn it!’ It’s a world where the winner rules, and where you can’t afford to show any weakness. I somehow managed to get through that match without letting my opponent know that I was injured. But I was a little depressed after that.”

After his defeat of Schnabel, Yamashita had only 45 minutes to ready himself for the semi-final match against Frenchman, Laurent del Colombo. In the documentary about the Los Angeles Olympics, 16 Days of Glory, Yamashita admitted that he was concerned, saying “in my semi final it was the first time I ever thought I might lose.” While Yamashita said that he would not exploit an injury to an opponent, and would keep to his original strategy, he didn’t know whether del Colombo would honor that unwritten rule.

Del Colombo went right after Yamashita’s right leg, kicking the inside of the leg and sent Yamashita to the mat – a very uncommon occurrence. It was not an ippon, and very quickly, Yamashita turned the tables, threw the Frenchman down and pinned him for victory and a chance for gold in the finals.

There was only one man in the way of Yamashita achieving his dream. This should have been Yamashita’s second attempt at gold, but when Japan joined America’s boycott of the Moscow Olympics, Yamashita had to wait another four years. So here he was, a four-time World Champion, the greatest judoka of his generation, on the verge of winning gold in the Olympics.

Yasuhiro Yamashita overcome 2Resolution came quickly.

Egyptian, Mohamed Ali Rashwan, had made his ways to the finals fairly efficiently. The Japanese and the Egyptian had never faced off against each other. And with the injury to his leg, Yamashita admitted that he had no strategy for the gold medal match. Rashwan went after Yamashita’s right leg, but Yamashita had shifted slightly and found air. Off balance, Yamashita wrapped his mighty right arm around the Egyptian’s waist and back and threw him down. With the full weight of Yamashita’s 128 kilograms, Rashwan flailed around on the mat like a fish flopping around for air. After holding Rashwan on the mat for 30 seconds, the referee declared the Japanese the victor.

Paul Maruyama, a member of the US Olympic judo team at the 1964 Tokyo Olympics, was the color commentator on the American broadcast of the open category finals, and understood the significance of this victory. “Yamashita has won every title there is available to a judo man,” said Maruyama. “But this was the one that eluded him. He made the Olympic team in 1980 but because of the boycott, this was the one title he wanted more than anything else in the world, and he’s got it.”

And so when Yamashita got to the medal podium, Rashwan helping the limping Yamashita up to the highest stand, the Japanese remembered his dream as a 7 year old – to watch the Japanese flag climb the pole while he listened to the Japanese national anthem.

The gold medal around his neck, Yamashita realized that dreams do indeed come true.