He is tall and thin, his long arms and legs moving with magical fluidity. I’m reminded of the aliens concocted by Seven Spielberg for the end of his film, “AI”, long, thin limbed beings that moved with fluid majesty.
Hanyu’s extraterrestrial trick is that he can make a dance ensemble of his entire body – his head, torso, legs, arms and hands seem to me to be in constant motion, sometimes quick, sometimes languorous, but always in concert.
There does not appear to be any wasted movement – the snap of his wrists on specific beats, to the whirling-yet-controlled dervish he makes of his arms as he rotates down the ice.
To my untrained eye, Adam Rippon was equally masterful in his movements, while Nathan Chen, while phenomenal in his stamina and command of the quads, would often skate for a full second or two with little body movement only to build speed for a big jump.
Hanyu rarely would waste an opportunity to move his limbs in meaningful ways, closer to what a trained dancer, whose every muscle is in tune with the music, can do on a wooden floor.
What convinces people of Hanyu’s authenticity is his total body and emotional commitment to the drama – from his breathing at the start of his skate, to his ability to hit key beats in the music, and that devil-may-care grin at the end that says, “I had it all along.”
There were many incredible performances at the men’s single figure skating championships today at the Gangneung Ice Arena. But Hanyu’s ability to blend high-performance athleticism and sublime dance is out of this world.